Moby Dick (1956)

Director:

John Huston

Writers:

Herman Melville (novel)
Ray Bradbury (writer) ...

Release Date:

27 June 1956 (USA)

Genre:

Adventure | Drama

Tagline:

The most eagerly awaited motion picture of the year!

Plot:

The sole survivor of a lost whaling ship relates the tale of his captain's self-destructive obsession to hunt the white whale, Moby Dick.

Plot Keywords:

Seagull | One Armed Man | Futile Prospect | One Legged Man | Boat Captain

Awards:

4 wins & 2 nominations

Cast

Gregory Peck	...	Captain Ahab
Richard Basehart	...	Ishmael
Leo Genn	...	Starbuck
James Robertson Justice	...	Captain Boomer
Harry Andrews	...	Stubb
Bernard Miles	...	The Manxman
Noel Purcell	...	Ship's Carpenter
Edric Connor	...	Daggoo
Mervyn Johns	...	Peleg
Joseph Tomelty	...	Peter Coffin
Francis De Wolff	...	Captain Gardiner
Philip Stainton	...	Bildad
Royal Dano	...	'Elijah'
Seamus Kelly	...	Flask
Friedrich von Ledebur	...	Queequeg (as Friedrich Ledebur)

Also Known As:

Herman Melville's Moby Dick (USA) (complete title)

Runtime:

116 min | 115 min (TCM print)

Country:

UK

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Finland:K-16 (1956) | Iceland:L | South Korea:15 | Finland:K-12 (1986) | USA:Approved (PCA #17465) | Australia:G | West Germany:12

Filming Locations:

Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire, England, UK

Company:

Moulin Productions Inc.

Trivia:

One of the myths circulating about this film is that it was "filmed on location". While there is plenty of location work on it (Canary Islands, Irish Seas, Youghal, Ireland), over 2/3 the film was shot at Shepperton and Elstree Studios in England. These include the Spouter's Inn tavern scenes, Father Mapple's sermon, Ahab's first speech on the deck of the Pequod (note the painted sky background), the typhoon; Ahab's dialog on the whale's back. While there are a few shots of the sixty foot Moby Dick on the open sea, most of the whale appearing in the finished film are various sized miniatures and selected body parts (jaws, body cylinders, eyes) which were co-ordinated by art director Stephen B. Grimes.

Goofs:

Continuity: When the white whale rams the ship, the main mast breaks and comes down crow's-nest and all hitting the cabin boy. The whale circles the ship creating a whirlpool when we see wider shots of the ship spinning and sinking the mast is back up.

Quotes:

Captain Ahab: I don't give reasons. I give orders!

Movie Connections:

Referenced in "The Monkees: Hitting the High Seas (#2.12)" (1967)

"Moby Dick" Huston's Masterpiece

"Moby Dick" is one of the great adventure films of all time, and one of the greatest psychological stories ever told. Ahab & his quest for the White Whale have reached the status of a cultural icon, but this film was wonderful when it was released, remains wonderful today, and will I think stand the test of time well into the future.

I'd heard that even Gregory Peck himself had been talked into believing that his performance was 'wooden', but that is hogwash. This is probably Peck's greatest performance, and that's saying something.

"Moby Dick" takes us into two strange and unfamiliar worlds--that of the 19th-century whaler and its crew on a global hunt for whale oil on the high seas, and that of Captain Ahab's mind. A great adventure and a great obsession intertwined, inseparable.

The script was a brilliant adaptation of a difficult book. John Huston & Ray Bradbury put this together and managed to use a number of lines directly from the book in the sometimes odd vernacular of the period that gives certain scenes and dialogue such presence and authenticity.

From the odd first spoken line in the film, the voice-over of Richard Basehart saying "Call me Ishmael", the brilliantly constructed initial scenes that brought us, the audience, down to the sea as they brought the young Ishmael to it, the wonderful scenes in The Spouter's Inn where Ishmael meets innkeeper Peter Coffin and some of the Pequod's crew, notably Stubb, who goodnaturedly challenges Ishmael's seagoing ambition and, when convinced that he is authentic, introduces him to the inn's customs and celebration. And the unforgettable, wonderful and strange Queequeg with his head. Who wouldn't want to join a whaling voyage with this lot?! Peck's Ahab is one of the most compelling and memorable characters ever portrayed on film, and the transformation of the crew to carry out Ahab's obsessive search for the White Whale even against their better judgement was wonderfully portrayed and is the singular most important element of the story & of this script.

It is absurd to describe what happens in this film, and I will not. Suffice to say that this is a great film, one I can watch from time to time with almost the same frequency as 'Casablanca'.