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Nero's Mistress (1956)
"Mio figlio Nerone" (original title)

 |  Comedy, History  |  November 1962 (USA)
5.7
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Ratings: 5.7/10 from 189 users  
Reviews: 5 user | 1 critic

Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her ... See full summary »

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Title: Nero's Mistress (1956)

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Cast

Cast overview, first billed only:
...
...
...
...
Ciccio Barbi ...
Ancieto
Memmo Carotenuto ...
Creperio
Mino Doro ...
Corbulone
Enzo Furlai ...
Segimanio
Agnese Dubbini ...
Ugolilla (as Agnese Dubini)
Irene Gay
...
Lidia
Amalia Pellegrini ...
Accerinia
Arturo Bragaglia
Giulio Calì
Anna Maria Del Prà
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Storyline

Nero is on holiday at the seaside. Poppea, Seneca and many other guests are with him. Nero is preparing a great show where he will be the star. When Agrippina, his mother, arrives with her German praetorians and decides Nero has to conquer Britain, she is asking for trouble. Many attempts of murder and poisoning will happen on the eve of his great show. Written by Baldinotto da Pistoia

Plot Summary | Add Synopsis

Taglines:

The Bawdy Decadence of Nero's Rome...!

Genres:

Comedy | History

Certificate:

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Details

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Language:

Release Date:

November 1962 (USA)  »

Also Known As:

Nero's Mistress  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Italian censorship visa #22462 delivered on August 27th 1956. See more »

Quotes

[repeated line]
Nero: Mother... is always Mother!
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User Reviews

 
Nero's Mistress (Steno, 1956) **1/2
7 March 2008 | by (Naxxar, Malta) – See all my reviews

As was the case with TWO NIGHTS WITH CLEOPATRA (1953), this Alberto Sordi vehicle lampoons the then-affluent peplum genre; helmed by another comedy specialist, it's a superior effort – with the star's particular brand of fooling (a mix of pompousness and naïveté) somewhat better suited this time around to the requirements of his role, that of notorious music-loving and mad Roman Emperor Nero.

Besides, the film has an eclectic – and rather surprising – mix of talents, on both sides of the camera: in fact, it co-stars Vittorio De Sica (a great director but also a wonderful actor) as Seneca, Gloria Swanson (her renowned comeback in SUNSET BOULEVARD [1950], alas, didn't lead to much) as Agrippina – Nero's fearsome and domineering mother, Brigitte Bardot (on the verge of becoming an international sex symbol) as a rather ordinary-looking Poppea, and even future Hammer leading lady Barbara Shelley – though not in a prominent role, presumably, as one of the innumerable maidens at Nero's palace; and, then, there's horrormeisters Mario Bava and Lucio Fulci – here in the capacity of cinematographer and assistant director respectively!

The film manages to be quite engaging and stylish (no wonder, given Bava's involvement)…even if it was rather a chore to watch, since the Italian TV channel which showed it has been suffering from a horrendous reception for some time! The simple plot involves Agrippina's unannounced arrival at Nero's resting quarters to verify rumors of his liaison with Poppea; Seneca, Nero's adviser, is assigned by the Emperor the task of stalling her at every turn…even if he has to marry her to do so! Of course, Nero is eager to flaunt his alleged musical genius and the bevy of associates and conspirators enclosed within the palace boldly hisses or meekly applauds his would-be compositions; at the end, distressed by rejection (especially by those closest to him) leads him to set the empire's capital on fire...


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