| William Campbell | ... | Tommy Dancer | |
| Karen Sharpe | ... | Betty Turner | |
| Anita Ekberg | ... | Flo Randall | |
| Berry Kroeger | ... | Willis Trent (as Berry Kroger) | |
| Paul Fix | ... | Herbie | |
| James Seay | ... | Paul De Camp | |
| Mike Mazurki | ... | Louie | |
| Robert Keys | ... | Earl Farraday | |
| Nancy Duke | ... | Trent's Girl Friend | |
| Pedro Gonzalez Gonzalez | ... | Pedro (as Gonzales Gonzales) | |
| Vivianne Lloyd | ... | Singer | |
| rest of cast listed alphabetically: | |||
| Fred Aldrich | ... | Bank Guard (uncredited) | |
| David Leonard | ... | Mr. Grover - the Locksmith (uncredited) | |
| John Mitchum | ... | Andy (uncredited) | |
Directed by | |||
| Andrew V. McLaglen | |||
Writing credits | ||
| Burt Kennedy | (screenplay) | |
| Frank Gruber | (novel "The Lock and the Key") | |
Produced by | |||
| Robert E. Morrison | .... | producer | |
| John Wayne | .... | producer (uncredited) | |
Original Music by | |||
| Henry Vars | |||
Cinematography by | |||
| William H. Clothier | |||
Makeup Department | |||
| Margaret Donovan | .... | hair stylist | |
| Web Overlander | .... | makeup supervisor | |
Production Management | |||
| Nate H. Edwards | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Emmett Morrison | .... | assistant director | |
Sound Department | |||
| Victor B. Appel | .... | sound (as Victor Appel) | |
Costume and Wardrobe Department | |||
| Esther Krebs | .... | wardrobe | |
| Carl Walker | .... | wardrobe | |
Editorial Department | |||
| Everett Sutherland | .... | supervising editor | |
Music Department | |||
| Henry Vars | .... | conductor | |
Other crew | |||
| Catalina Lawrence | .... | script supervisor | |
| Albert Podlansky | .... | assistant to producer (as Albert Podlasky) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
I had an old fuzzy copy-of-a-copy-of-a-copy of a TV broadcast of this 1956 crime-noir B programmer, but now that there's a new letter-boxed DVD out, I threw the old tape away and can finally enjoy this film for what it is: a solid "b" crime film with good performances, good pacing, and great Los Angeles location photography. The under-rated William Campbell plays an average guy working as a locksmith, who is approached by a gangster who wants to break into a safe deposit box. Campbell, like most people probably, initially tries to be polite, but turns down the offer. Gangsters don't like being turned down, so one can imagine where the plot goes. There's a woman involved, a shady lawyer, another gangster who has gone legit, Mike Mazurki as an ex-boxer turned enforcer, and the comedy of Pedro Gonzalez Gonzalez (a regular in Batjac Productions of this era). The main female role is played (well) by Karen Sharpe, who hails from here in San Antonio! Anita Ekberg is in a small role as the girlfriend of James Seay's character, the owner of the safe deposit box. Ekberg is not really given much to do. The film, an early directorial credit of Andrew V. McLaglen. legendary director of many classic westerns and action films, is very well-paced and has amazing location photography of 1950's Los Angeles. A few key scenes take place in a bowling alley, actually Art Linkletter's La Cienega Lanes, which is of great documentary value in itself. Wait until you see the climax inside the bowling alley! This probably deserves a "7" rating, but I'll give it one star more for the nice widescreen transfer on the DVD and the great location photography. This plays a lot like an Allied Artists low-budget 50's crime film, and for me that is a high compliment. Check it out...