| Photos (see all 5 | slideshow) |
| Tue. July 22 | 3:30 AM | AMC |
| Gregory Peck | ... | Tom Rath | |
| Jennifer Jones | ... | Betsy Rath | |
| Fredric March | ... | Ralph Hopkins | |
| Marisa Pavan | ... | Maria Montagne | |
| Lee J. Cobb | ... | Judge Bernstein | |
| Ann Harding | ... | Helen Hopkins | |
| Keenan Wynn | ... | Sgt. Caesar Gardella | |
| Gene Lockhart | ... | Bill Hawthorne | |
| Gigi Perreau | ... | Susan Hopkins | |
| Portland Mason | ... | Janey Rath | |
| Arthur O'Connell | ... | Gordon Walker | |
| Henry Daniell | ... | Bill Ogden | |
| Connie Gilchrist | ... | Mrs. Manter | |
| Joseph Sweeney | ... | Edward M. Schultz | |
| Sandy Descher | ... | Barbara Rath | |
| Mickey Maga | ... | Pete Rath | |
| rest of cast listed alphabetically: | |||
| Tristram Coffin | ... | Byron Holgate (scenes deleted) | |
| William 'Bill' Phillips | ... | Antonio Bulaga (scenes deleted) | |
| Dorothy Adams | ... | Mrs. Hopkins' maid (uncredited) | |
| Leon Alton | ... | Cliff Otis (uncredited) | |
| Mary Benoit | ... | Secretary (uncredited) | |
| Robert Boon | ... | German soldier (uncredited) | |
| Jim Brandt | ... | German soldier (uncredited) | |
| John Breen | ... | Waiter (uncredited) | |
| Alfred Caiazza | ... | Italian boy (uncredited) | |
| Alexander Campbell | ... | Walter Johnson (uncredited) | |
| Ruth Clifford | ... | Florence (uncredited) | |
| John Crawford | ... | Italian boy (uncredited) | |
| Johnny Crawford | ... | Italian boy with groceries (uncredited) | |
| Robert Fuller | ... | Extra (uncredited) | |
| Paul Glass | ... | Soldier (uncredited) | |
| Roy Glenn | ... | Sgt. Matthews (uncredited) | |
| Phyllis Graffeo | ... | Gina Gardella (uncredited) | |
| Lee Graham | ... | Crew chief (uncredited) | |
| Jerry Hall | ... | Freddie (uncredited) | |
| Joy Harmon | ... | Extra (uncredited) | |
| Michael Jeffries | ... | Alfred J. Sims (uncredited) | |
| DeForest Kelley | ... | Medic (uncredited) | |
| Harry Lauter | ... | Army corporal on leave (uncredited) | |
| King Lockwood | ... | Business executive (uncredited) | |
| Nan Martin | ... | Polly Lawrence (uncredited) | |
| Jack Mather | ... | Police Sgt. Haggerty (uncredited) | |
| Dorothy Phillips | ... | Mr. Hopkins' maid (uncredited) | |
| William Phipps | ... | Army sergeant (uncredited) | |
| Otto Reichow | ... | German soldier (uncredited) | |
| Mario Siletti | ... | Carriage driver (uncredited) | |
| Lomax Study | ... | Elevator starter (uncredited) | |
| Kenneth Tobey | ... | Lt. Hank Mahoney (uncredited) | |
| Renata Vanni | ... | Italian farm wife (uncredited) | |
| Geraldine Wall | ... | Miriam (uncredited) | |
| Frank Wilcox | ... | Ralph Hopkins' physician (uncredited) | |
| Raymond Winston | ... | Italian boy (uncredited) | |
Directed by | |||
| Nunnally Johnson | |||
Writing credits(in alphabetical order) | ||
| Nunnally Johnson | writer | |
| Sloan Wilson | novel | |
Produced by | |||
| Darryl F. Zanuck | .... | producer | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Charles G. Clarke | |||
Film Editing by | |||
| Dorothy Spencer | |||
Art Direction by | |||
| Jack Martin Smith | |||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Stuart A. Reiss | |||
| Walter M. Scott | |||
Costume Design by | |||
| Charles Le Maire | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Hal Herman | .... | assistant director | |
Sound Department | |||
| Alfred Bruzlin | .... | sound | |
| Harry M. Leonard | .... | sound | |
Special Effects by | |||
| Ray Kellogg | .... | special effects | |
Camera and Electrical Department | |||
| Clyde Taylor | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
| John Intlekofer | .... | costumer (uncredited) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
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| The Nanny Diaries | The Stepford Wives | Death Wish | Gone with the Wind | It's Always Fair Weather |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
The novel by Sloan Wilson, in which this film is based, offered an innovative view of the life in a small "bedroom community" in the Connecticut of the 50s. Nunnally Johnson, the director, and adapter, tried to bring the essence of the book to a film that would make sense of the text. At times, Mr. Johnson succeeds, but the film he gave us is a bit dated when one looks at it today.
Granted, some things never change, but the conflicts that made the basis for this melodrama, have been dealt with, more effectively in other, more distinguished films.
If you haven't seen the film, perhaps you should stop here.
In the center of the story we are presented with the epitome of decency: Gregory Peck. This great man was an excellent actor, his honesty exudes from every pore of his body. As Tom Rath, the former Captain of WWII, he has kept a secret that comes to haunt him at a crucial point of his life. Tom is ambitious, but he will not play the game until the kind president of the corporation has a heart to heart talk with him, recognizing Tom is a rare commodity in the business world.
The film offers a view of the complexity that is the corporation, as we knew it then. Greed had not taken over business yet. But what comes across clearly is the ambition of the people in the game of climbing the ladder of success.
Tom is happily married to Betsy, who shows signs that maybe she'll become either an alcoholic, or a Stepford wife. Her life goes into a tail spin because of the reality she must face in accepting what Tom has kept hidden inside. Betsy is not an endearing character; she doesn't elicit our sympathy until the end of the film, in which she comes to accept her lot in life. Jennifer Jones' interpretation of Betsy is not as effective in this film, perhaps because of the direction given by Mr. Johnson.
The cast if first rate. Fredric March and Lee J. Cobb, two of the best all time actors of the American stage and screen give life to both of the characters they play. Seen in the pivotal role of Maria, Marisa Pavan, the gorgeous Italian actress makes an impression on us. Keenan Wynn, also, has a small, but important part in the film.
View this movie as a curiosity piece, as it has lost some of the appeal it might have caused when it first came out.