Job or family? This perennial conflict portrayed in this drama about a draftsman, able to free himself from the job for a very overdue family vacation, who is threatened with the sack if he doesn't return to work mid-holiday.
Toward the end of his life, F. Scott Fitzgerald is writing for Hollywood studios to be able to afford the cost of an asylum for his wife. He is also struggling against alcoholism. Into his life comes the famous gossip columnist.
Tom Rath lives in Connecticut and commutes to work every day in Manhattan. He's happily married and has a loving wife and three children. Money is a bit tight and when the opportunity arises, he applies for a public relations job with a major television network. During his long commute to work everyday, Tom reminisces about the war. Although 10 years have gone by, he is still haunted by the violence and the men he killed. He also thinks of Maria, an Italian girl with whom he had an affair while stationed in Rome. At his new job, the head of the network Ralph Hopkins takes an immediate liking to him. Tom soon realizes that he will have to choose between becoming a wholly dedicated company man or maintaining a healthy work-life balance. When he learns that Maria gave birth to his son after he left Italy, he decides to let his wife know and ensure that the boy is cared for. Written by
DeForest Kelley, the future Dr. McCoy of Star Trek fame, plays a medic in an uncredited role. See more »
Near the end of the movie, when Betsy's at the police station, Tom asks Betsy over the phone if there are any charges against her. The policeman answers, "Just bring the license" before Betsy can ask him if there are any charges. See more »
(I'm a) Ramblin' Wreck from Georgia Tech
Lyrics by Billy Walthall
Music by Frank Roman and Mike Greenblatt
based on "Son of a Gambolier"
Music by Charles Ives (1895)
Played on the ukulele by Gregory Peck See more »
Ten years after Gregory Peck and Jennifer Jones lit up the screen with their torrid love-hate relationship in "Duel in the Sun," they were reunited in this engrossing business-domestic drama.
The two were surrounded by a great cast, headed by Fredric March and Lee J. Cobb, to offer a sincere portrait of a junior Madison Avenue exec who must choose between being a "big CEO" or a "second-tier nine-to-fiver".
Director/screenwriter Nunnaly Johnson guided the actors in uniformly well-modulated performances, all deeply felt and cleanly expressed. Keenan Wynn offered a surprisingly subtle and touching performance as well, in a film produced by Darryl F. Zanuck, with a Bernard Herrmann score.
What a treat it is to watch these fine thespians breathe life into most intriguing characters from Sloan Wilson's thoughtful novel.
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