After losing his bride in a Luftwaffe air raid, bomber pilot Forrester becomes a solitary killing machine, who doesn't care whether he dies. The reckless Canadian pilot is both admired and ... See full summary »
When Mike Hagen and Marilla Brown marry after a whirlwind romance on the west coast, they return to New York to find that they don't have much in common. She is a clothing designer who ... See full summary »
Henry Tawes is the sheriff in a small town in Tennessee. A man of strong moral fibre he is always quick to judge others and follows the law zealously. Then he meets Alma, a young beautiful ... See full summary »
When an army scout retires to a farm in New Mexico he takes pity on a white woman and her half-breed son recently rescued from indians, and invites them to join him. He does this even ... See full summary »
Eva Marie Saint,
Post WWII yarn about a young GI abducted by the Soviets in West Berlin and hauled off to the East. His recovery gets complicated as Colonel Steve Van Dyke (Peck) tries to sort out the ... See full summary »
Robert Wilson leads safaris on the Kenyan savanna. On this occasion, he takes Mr. and Mrs. Macomber out to hunt buffalo. The obnoxious ways of Margaret Macomber make the three of them get ... See full summary »
Tom Rath lives in Connecticut and commutes to work every day in Manhattan. He's happily married and has a loving wife and three children. Money is a bit tight and when the opportunity arises, he applies for a public relations job with a major television network. During his long commute to work everyday, Tom reminisces about the war. Although 10 years have gone by, he is still haunted by the violence and the men he killed. He also thinks of Maria, an Italian girl with whom he had an affair while stationed in Rome. At his new job, the head of the network Ralph Hopkins takes an immediate liking to him. Tom soon realizes that he will have to choose between becoming a wholly dedicated company man or maintaining a healthy work-life balance. When he learns that Maria gave birth to his son after he left Italy, he decides to let his wife know and ensure that the boy is cared for. Written by
Fredric March's character Ralph Hopkins is introduced with the exact same visual and plot premise as his character Jordan Lyman would be eight years later in Seven Days in May (1964): pulling down his sleeve after his doctor takes his blood pressure and advises him to take things easy for a while for the sake of his health. See more »
As Betsy is driving Tom home from the train at the beginning of the film, the car doesn't correctly respond to how she moves the steering wheel. See more »
A salient commentary on the American executive lifestyle
I was pleased to get a chance to see this movie -- at least half of it -- during a bout of insomnia. The title was a catchphrase for corporate America for many, many years, a kind of symbol for overachieving, aggressive, ambitious businessmen without principles -- in other words, the "suits."
Though I am generally wary of Gregory Peck's (and Jennifer Jones') tendency to niceness, I was impressed by their work here. Their relationship was both substantial and subtle. Jennifer Jones had much much more humanity and integrity than the average housewife portrayed in other films of the 50s and 60s. Peck's character respected her opinions and values.
But I was knocked out by Fredric March. His type A, workaholic executive was touching on many levels. His utter tiredness, alcoholic puffiness, and innate sadness was plastered over with a Willy Loman-like veneer of gung-ho, jolly-good-fellow false heartiness. How familiar that character was and is -- in real life. His ambition, greed and drive had become a habit, and like any junky, he was simply unable to quit. Despite the human losses. I will never forget the scene in his office, when his wife calls him up, and he slowly hangs up the phone.
A very fine film, with many truths about our national character and obsessions....
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