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| James Stewart | ... | Dr. Benjamin McKenna | |
| Doris Day | ... | Josephine Conway McKenna | |
| Brenda de Banzie | ... | Lucy Drayton | |
| Bernard Miles | ... | Edward Drayton | |
| Ralph Truman | ... | Inspector Buchanan | |
| Daniel Gélin | ... | Louis Bernard (as Daniel Gelin) | |
| Mogens Wieth | ... | Ambassador | |
| Alan Mowbray | ... | Val Parnell | |
| Hillary Brooke | ... | Jan Peterson | |
| Christopher Olsen | ... | Hank McKenna | |
| Reggie Nalder | ... | Rien | |
| Richard Wattis | ... | Assistant Manager | |
| Noel Willman | ... | Woburn | |
| Alix Talton | ... | Helen Parnell | |
| Yves Brainville | ... | Police Inspector | |
| Carolyn Jones | ... | Cindy Fontaine | |
| rest of cast listed alphabetically: | |||
| Patrick Aherne | ... | Handyman (uncredited) | |
| Frank Albertson | ... | Worker at the Taxidermist's (uncredited) | |
| Frank Atkinson | ... | Taxidermist (uncredited) | |
| John Barrard | ... | Taxidermist (uncredited) | |
| Betty Bascomb | ... | Edna (uncredited) | |
| Alexis Bobrinskoy | ... | Foreign Prime Minister (uncredited) | |
| Janet Bruce | ... | Box Office Woman (uncredited) | |
| Naida Buckingham | ... | Lady in Audience (uncredited) | |
| Clifford Buckton | ... | Sir Kenneth Clarke (uncredited) | |
| Barbara Burke | ... | Assassin's Companion (uncredited) | |
| Peter Camlin | ... | Headwaiter (uncredited) | |
| Albert Carrier | ... | French Policeman (uncredited) | |
| Abdelhaq Chraibi | ... | Arab (uncredited) | |
| Pauline Farr | ... | Ambassador's Wife (uncredited) | |
| Harry Fine | ... | Edington (uncredited) | |
| Bess Flowers | ... | Royal Albert Hall Attendee (uncredited) | |
| Alex Frazer | ... | Man (uncredited) | |
| Wolf Frees | ... | Aide to Prime Minister (uncredited) | |
| Milton Frome | ... | Guard (uncredited) | |
| Leo Gordon | ... | Chauffeur (uncredited) | |
| Walter Gotell | ... | Guard (uncredited) | |
| Bernard Herrmann | ... | Conductor / Himself (uncredited) | |
| Alfred Hitchcock | ... | Man in Morocco Marketplace (uncredited) | |
| Gladys Holland | ... | Bernard's Date at Restaurant (uncredited) | |
| George Howe | ... | Ambrose Chappell Sr (uncredited) | |
| Harold Kasket | ... | Butler (uncredited) | |
| Barry Keegan | ... | Patterson (uncredited) | |
| Lou Krugman | ... | Arab (uncredited) | |
| Lloyd Lamble | ... | General Manager of Albert Hall (uncredited) | |
| Donald Lawton | ... | Desk Clerk (uncredited) | |
| Enid Lindsey | ... | Lady Clarke (uncredited) | |
| Mayne Lynton | ... | Taxidermist (uncredited) | |
| Janet Macfarlane | ... | Lady in Audience (uncredited) | |
| Edward Manouk | ... | French Waiter (uncredited) | |
| Richard Marner | ... | Aide to Prime Minister (uncredited) | |
| John Marshall | ... | Butler (uncredited) | |
| Lewis Martin | ... | Detective (uncredited) | |
| Louis Mercier | ... | French Policeman (uncredited) | |
| Ralph Neff | ... | Henchman (uncredited) | |
| Leslie Newport | ... | Inspector at Albert Hall (uncredited) | |
| John O'Malley | ... | Uniformed Attendant (uncredited) | |
| Elsa Palmer | ... | Cook (uncredited) | |
| Liddell Peddieson | ... | Taxidermist (uncredited) | |
| Arthur Ridley | ... | Ticket Collector (uncredited) | |
| Mahin S. Shahrivar | ... | Arab Woman (uncredited) | |
| Eric Snowden | ... | Special Branch Officer (uncredited) | |
| Alma Taylor | ... | Box Office Woman (uncredited) | |
| Guy Verney | ... | Footman (uncredited) | |
| Anthony Warde | ... | French Policeman (uncredited) | |
| Patrick Whyte | ... | Special Branch Officer (uncredited) | |
| Peter Williams | ... | Police Sergeant (uncredited) | |
| Richard Wordsworth | ... | Ambrose Chappell Jr (uncredited) | |
| Allen Zeidman | ... | Assistant Manager (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| John Michael Hayes | (screenplay) | |
| Charles Bennett | (based on a story by) and | |
| D.B. Wyndham-Lewis | (based on a story by) | |
| Angus MacPhail | contributing writer (uncredited) | |
Produced by | |||
| Herbert Coleman | .... | associate producer | |
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Bernard Herrmann | |||
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| George Tomasini | (edited by) | ||
Casting by | |||
| William Cowitt | (uncredited) | ||
| Gary Fifield | (uncredited) | ||
| Bill Greenwald | (uncredited) | ||
| Edward R. Morse | (uncredited) | ||
| Tony Regan | (uncredited) | ||
Art Direction by | |||
| Henry Bumstead | |||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Arthur Krams | |||
Costume Design by | |||
| Edith Head | (costumes) | ||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
| Virginia Darcy | .... | hairdresser (uncredited) | |
| Dan Greenway | .... | makeup artist (uncredited) | |
Production Management | |||
| Hugh Brown | .... | assistant production manager (uncredited) | |
| Frank Caffey | .... | production manager (uncredited) | |
| C.O. Erickson | .... | unit production manager (uncredited) | |
| C.R. Foster-Kemp | .... | unit manager: London (uncredited) | |
Second Unit Director or Assistant Director | |||
| Howard Joslin | .... | assistant director | |
| Ralph Axness | .... | second assistant director (uncredited) | |
| Herbert Coleman | .... | second unit director (uncredited) | |
| Ned Dobson | .... | second assistant director (uncredited) | |
| Basil Keys | .... | second assistant director: London (uncredited) | |
Art Department | |||
| Walter Broadfoot | .... | props (uncredited) | |
| Dorothea Holt | .... | illustrator (uncredited) | |
| Richard Rabis | .... | stand-by laborer (uncredited) | |
| Neil Wheeler | .... | props (uncredited) | |
Sound Department | |||
| Paul Franz | .... | sound recordist | |
| Gene Garvin | .... | sound recordist | |
| Frank Carroll | .... | mike grip (uncredited) | |
| Henry Keener | .... | recordist (uncredited) | |
| William Pillar | .... | stage engineer (uncredited) | |
| Bill Wistrom | .... | sound editor (uncredited) | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| John P. Fulton | .... | special photographic effects | |
| Andrew Bonello | .... | digital restoration developer (uncredited) | |
| Sophia Lo | .... | digital restoration: Cinesite (uncredited) | |
| Monty Phillips | .... | digital artist (digital restoration) (uncredited) | |
| Jerry Pooler | .... | digital restoration supervisor (uncredited) | |
| Brad Reinke | .... | digital restoration producer (restored version) (uncredited) | |
| Antonio Torres | .... | digital artist: digital restoration and color correction, Cinesite (restored version) (uncredited) | |
Stunts | |||
| Ted Mapes | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Neil Binney | .... | assistant camera (uncredited) | |
| Adolph Froelich | .... | electrician (uncredited) | |
| Bobby Greene | .... | first assistant camera (uncredited) | |
| Vic Jones | .... | gaffer (uncredited) | |
| Ken Lobben | .... | still photographer (uncredited) | |
| Don Ring | .... | gaffer: London (uncredited) | |
| Leonard J. South | .... | second camera (uncredited) | |
| Darrell Turnmire | .... | company grip (uncredited) | |
| Paul Uhl | .... | assistant camera (uncredited) | |
Casting Department | |||
| Tish Morgan | .... | casting secretary (uncredited) | |
Costume and Wardrobe Department | |||
| Lee Forman | .... | wardrobe: ladies (uncredited) | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
| Leonard Mann | .... | wardrobe: men (uncredited) | |
Editorial Department | |||
| Sam Vitale | .... | assistant editor (uncredited) | |
Music Department | |||
| John C. Hammell | .... | music editor (uncredited) | |
Other crew | |||
| Abdelhaq Chraibi | .... | technical advisor | |
| Richard Mueller | .... | technicolor color consultant | |
| Constance Willis | .... | technical advisor | |
| Catherine Barton | .... | welfare worker (uncredited) | |
| Charles Morton | .... | script clerk (uncredited) | |
| Art Sarno | .... | publicist (uncredited) | |
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| Munich | Babel | The Constant Gardener | The Man Who Knew Too Much | Marie Galante |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Thriller section | IMDb USA section |
When you start watching the 1956 version of THE MAN WHO KNEW TOO MUCH, you'll think it's a minor work by Alfred Hitchcock. The countless scenes showing a lovely, but buffoonish vacationing American couple (James Stewart, Doris Day) seem to lead nowhere. But, hold on, about thirty minutes into the film, during a very dreamlike murder sequence (which takes place in bright sunlight, and involves blue paint) the film really takes off. Personally, I find the opening "character development" sequence between protagonists James Stewart and Doris Day very charming. It sets you up for the second and third acts of the film. You get to like this couple so much, you are raelly rooting for them as they try to rescue their kidnapped son amidst a plot to assassinate a visiting diplomat. Of course, the high-point of the film is the assassination itself, a twelve minute wordless sequence. Hitchcock beautifully brings us back to silent film! The ending, which involves a rescue at an embassy, is wonderfully silly and tense. For those not familiar with Hitchcock, this is Hitchcock's own remake of a film he made under the same title in 1934 in England. This is one of my favorite Hitchcock films. It's proof that this master loved his audience and wanted to keep them thrilled!