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The Man Who Knew Too Much
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The Man Who Knew Too Much (1956) More at IMDbPro »

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The Man Who Knew Too Much -- A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

Overview

User Rating:
7.5/10   45,585 votes »
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Popularity: ?
Up 123% in popularity this week. See why on IMDbPro.
Director:
Writers:
John Michael Hayes (screenplay)
Charles Bennett (based on a story by) ...
(more)
Contact:
View company contact information for The Man Who Knew Too Much on IMDbPro.
Release Date:
1 June 1956 (USA) See more »
Genre:
Tagline:
A little knowledge can be a deadly thing! See more »
Plot:
A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Won Oscar. Another 1 win & 4 nominations See more »
User Reviews:
The master of thrills delivers another thrilling masterwork....almost See more (210 total) »

Cast

  (in credits order) (verified as complete)

James Stewart ... Dr. Benjamin McKenna

Doris Day ... Josephine Conway McKenna
Brenda de Banzie ... Lucy Drayton

Bernard Miles ... Edward Drayton
Ralph Truman ... Inspector Buchanan

Daniel Gélin ... Louis Bernard (as Daniel Gelin)
Mogens Wieth ... Ambassador

Alan Mowbray ... Val Parnell

Hillary Brooke ... Jan Peterson

Christopher Olsen ... Hank McKenna

Reggie Nalder ... Rien

Richard Wattis ... Assistant Manager
Noel Willman ... Woburn

Alix Talton ... Helen Parnell
Yves Brainville ... Police Inspector

Carolyn Jones ... Cindy Fontaine
rest of cast listed alphabetically:
Patrick Aherne ... Handyman (uncredited)

Frank Albertson ... Worker at the Taxidermist's (uncredited)
Frank Atkinson ... Taxidermist (uncredited)
Walter Bacon ... Church Member (uncredited)

Frank Baker ... Royal Albert Hall Attendee (uncredited)

John Barrard ... Taxidermist (uncredited)
Betty Baskcomb ... Edna (uncredited)
Eumenio Blanco ... Arab (uncredited)
Alexis Bobrinskoy ... Foreign Prime Minister (uncredited)

Lovyss Bradley ... Church Member (uncredited)
Janet Bruce ... Box Office Woman (uncredited)
Naida Buckingham ... Lady in Audience (uncredited)
Clifford Buckton ... Sir Kenneth Clarke (uncredited)
Barbara Burke ... Assassin's Companion (uncredited)
Nora Bush ... Church Member (uncredited)
Peter Camlin ... Headwaiter (uncredited)

Albert Carrier ... French Policeman (uncredited)
Abdelhaq Chraibi ... Arab (uncredited)
Oliver Cross ... Royal Albert Hall Attendee (uncredited)
Pauline Farr ... Ambassador's Wife (uncredited)
Harry Fine ... Edington (uncredited)
Alex Frazer ... Man (uncredited)

Wolf Frees ... Aide to Prime Minister (uncredited)

Milton Frome ... Guard (uncredited)

Leo Gordon ... Chauffeur (uncredited)

Walter Gotell ... Guard (uncredited)
Sam Harris ... Royal Albert Hall Attendee (uncredited)

Bernard Herrmann ... Conductor / Himself (uncredited)

Alfred Hitchcock ... Man in Morocco Marketplace (uncredited)
Gladys Holland ... Bernard's Date at Restaurant (uncredited)

Jimmie Horan ... Royal Albert Hall Attendee (uncredited)
George Howe ... Ambrose Chappell Sr (uncredited)
Barbara Howitt ... Soloist / Herself (uncredited)

Allen Jaffe ... Arab (uncredited)
Harold Kasket ... Butler (uncredited)
Barry Keegan ... Patterson (uncredited)
Lou Krugman ... Arab (uncredited)
Ann Kunde ... Church Member (uncredited)
Lloyd Lamble ... General Manager of Albert Hall (uncredited)
Donald Lawton ... Desk Clerk (uncredited)

Carl M. Leviness ... Royal Albert Hall Attendee (uncredited)
Enid Lindsey ... Lady Clarke (uncredited)
Mayne Lynton ... Taxidermist (uncredited)
Janet Macfarlane ... Lady in Audience (uncredited)
Edward Manouk ... French Waiter (uncredited)

Richard Marner ... Aide to Prime Minister (uncredited)
John Marshall ... Butler (uncredited)
Lewis Martin ... Detective (uncredited)
Louis Mercier ... French Policeman (uncredited)
Lee Miller ... Royal Albert Hall Attendee (uncredited)
Ralph Neff ... Henchman (uncredited)
Leslie Newport ... Inspector at Albert Hall (uncredited)
John O'Malley ... Uniformed Attendant (uncredited)
Elsa Palmer ... Cook (uncredited)
Liddell Peddieson ... Taxidermist (uncredited)
Jean Ransome ... Church Member (uncredited)
Arthur Ridley ... Ticket Collector (uncredited)
Lucile Sewall ... Church Member (uncredited)
Mahin S. Shahrivar ... Arab Woman (uncredited)
Eric Snowden ... Special Branch Officer (uncredited)

Alma Taylor ... Box Office Woman (uncredited)
Arthur Tovey ... Royal Albert Hall Attendee (uncredited)
Guy Verney ... Footman (uncredited)

Anthony Warde ... French Policeman (uncredited)

Patrick Whyte ... Special Branch Officer (uncredited)
Peter Williams ... Police Sergeant (uncredited)
Richard Wordsworth ... Ambrose Chappell Jr (uncredited)
Allen Zeidman ... Assistant Manager (uncredited)

Directed by
Alfred Hitchcock 
 
Writing credits
John Michael Hayes (screenplay)

Charles Bennett (based on a story by) and
D.B. Wyndham-Lewis (based on a story by)

Angus MacPhail  contributing writer (uncredited)

Produced by
Herbert Coleman .... associate producer
Alfred Hitchcock .... producer (uncredited)
 
Original Music by
Bernard Herrmann (music scored by)
 
Cinematography by
Robert Burks (director of photography)
 
Film Editing by
George Tomasini 
 
Casting by
William Cowitt (uncredited)
Gary Fifield (uncredited)
Bill Greenwald (uncredited)
Edward R. Morse (uncredited)
Tony Regan (uncredited)
 
Art Direction by
Henry Bumstead 
Hal Pereira 
 
Set Decoration by
Sam Comer 
Arthur Krams 
 
Costume Design by
Edith Head (costumes)
 
Makeup Department
Wally Westmore .... makeup supervisor
Virginia Darcy .... hairdresser (uncredited)
Dan Greenway .... makeup artist (uncredited)
 
Production Management
Hugh Brown .... assistant production manager (uncredited)
Frank Caffey .... production manager (uncredited)
C.O. Erickson .... unit production manager (uncredited)
C.R. Foster-Kemp .... unit manager: London (uncredited)
 
Second Unit Director or Assistant Director
Howard Joslin .... assistant director
Ralph Axness .... second assistant director (uncredited)
Herbert Coleman .... second unit director (uncredited)
Ned Dobson .... second assistant director (uncredited)
Basil Keys .... second assistant director: London (uncredited)
 
Art Department
Walter Broadfoot .... props (uncredited)
Dorothea Holt .... illustrator (uncredited)
Richard Rabis .... stand-by laborer (uncredited)
Neil Wheeler .... props (uncredited)
 
Sound Department
Paul Franz .... sound recordist
Gene Garvin .... sound recordist
Frank Carroll .... mike grip (uncredited)
Henry Keener .... recordist (uncredited)
William Pillar .... stage engineer (uncredited)
Bill Wistrom .... sound editor (uncredited)
 
Visual Effects by
Farciot Edouart .... process photography
John P. Fulton .... special photographic effects
Andrew Bonello .... digital restoration developer (uncredited)
Sophia Lo .... digital restoration: Cinesite (uncredited)
Monty Phillips .... digital artist (digital restoration) (uncredited)
Jerry Pooler .... digital restoration supervisor (uncredited)
Brad Reinke .... digital restoration producer (restored version) (uncredited)
Antonio Torres .... digital artist: digital restoration and color correction, Cinesite (restored version) (uncredited)
 
Stunts
Ted Mapes .... stunts (uncredited)
 
Camera and Electrical Department
Neil Binney .... assistant camera (uncredited)
Adolph Froelich .... electrician (uncredited)
Bobby Greene .... first assistant camera (uncredited)
Vic Jones .... gaffer (uncredited)
Ken Lobben .... still photographer (uncredited)
Don Ring .... gaffer: London (uncredited)
Leonard J. South .... second camera (uncredited)
Darrell Turnmire .... company grip (uncredited)
Paul Uhl .... assistant camera (uncredited)
 
Casting Department
Tish Morgan .... casting secretary (uncredited)
 
Costume and Wardrobe Department
Phyllis Dalton .... costumes (uncredited)
Lee Forman .... wardrobe: ladies (uncredited)
Joan Joseff .... costume jeweller (uncredited)
Leonard Mann .... wardrobe: men (uncredited)
 
Editorial Department
Sam Vitale .... assistant editor (uncredited)
 
Music Department
John C. Hammell .... music editor (uncredited)
London Symphony Orchestra .... music performed by (uncredited)
 
Other crew
Abdelhaq Chraibi .... technical advisor
Richard Mueller .... Technicolor color consultant
Constance Willis .... technical advisor
Catherine Barton .... welfare worker (uncredited)
Charles Morton .... script clerk (uncredited)
Art Sarno .... publicist (uncredited)
 
Crew verified as complete


Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Alfred Hitchcock's The Man Who Knew Too Much" - UK (complete title), USA (complete title)
See more »
Runtime:
120 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Mono (Western Electric Recording)
Certification:
Argentina:13 | Australia:A (original rating) | Australia:PG (re-rating) (1984) | Brazil:Livre | Canada:PG | Finland:K-12 (1984) | Finland:K-16 (1956) | Iceland:L | Norway:16 | Portugal:M/12 | Spain:T | Sweden:11 (uncut) (1984) | Sweden:15 (cut) (1956) | UK:A (original rating) | UK:PG (tv rating) | UK:PG (video rating) (1989) (2001) | UK:PG (re-release) (re-rating) (1984) | USA:TV-G | USA:Approved (MPAA rating: certificate #17717) | USA:PG (certificate #27076) (1983) | West Germany:12 (nf)

Did You Know?

Trivia:
Many of the Moroccan extras had been mistakenly informed that they would only be paid if they were actually visible in the film. This led to a lot of pushing and shoving to get close to the camera until the crew explained to them that they would be paid no matter what.See more »
Goofs:
Errors in geography: During the interrogation after the Albert Hall assassination attempt, the telephone used is an obvious Western Electric American-made phone instead of a British-manufactured telephone - betraying the fact that the interiors for this picture were shot in Hollywood.See more »
Quotes:
Jo McKenna:So, what do you do?
Louis Bernard:I buy and sell.
Jo McKenna:I see. And what do you buy and sell?
Louis Bernard:Whatever gives the most profit.
See more »
Movie Connections:
Soundtrack:
Storm Cloud CantataSee more »

FAQ

Why were the McKennas in Morocco?
How does the movie end?
Where were the McKennas from?
See more »
53 out of 80 people found the following review useful.
The master of thrills delivers another thrilling masterwork....almost, 9 December 2004
Author: The_Void from Beverley Hills, England

Alfred Hitchcock's more assured telling of a film he made twenty-one years earlier is infinitely superior to the original. Hitchcock said himself that his first version was the work of an amateur, and although it certainly isn't a bad film, he does appear to be right. That being said, this remake, although definitely better, still isn't among Hitchcock's best work. That's certainly not to say that it isn't good, it's just more than a little overindulgent, and that drags it down. Hitchcock seems all too keen to drag certain elements out, and these are parts of the film that aren't entirely relevant to the plot, which can become annoying. Some of these dragged out sequences, such as the one that sees James Stewart and Doris Day eating in a Moroccan restaurant are good because it helps establish the different culture that our American protagonists have found themselves in, but for every restaurant scene, there's an opera sequence and it's the latter that make the film worse.

The plot follows a middle-aged doctor and his wife that go to Morocco for a holiday with their young son. While there, they meet a French man on the bus and another middle-aged couple in a restaurant. However, things go awry when the French man dies from a knife in the back, shortly after whispering something to the doctor. The holiday then turns into a full blown nightmare when the couple's son is kidnapped, which causes them to cut it short and go to London in order to try and find him. The film has a very potent degree of paranoia about it, and it manages to hold this all the way through. In fact, I would even go as far as to say that this is the most paranoid film that Hitchcock ever made. Like most of Hitchcock's films, this one is very thrilling and keeps you on the edge of your seat for almost the entire duration, with only the aforementioned opera sequence standing out as a moment in which the tension is diffused. There is also more than a little humour in the movie, which gives lighthearted relief to the morbid goings on, and actually works quite well.

The original version of this story was lent excellent support by the fantastic Peter Lorre. This film doesn't benefit from his presence, unfortunately, but that is made up for by performances from the amazing James Stewart, and Doris Day. James Stewart is a man that is always going to be a contender for the 'greatest actor of all time' crown. His collaborations with Hitchcock all feature mesmerising performances from him, and this one is no different. (Although his best performance remains the one in Mr Smith Goes to Washington). Stewart conveys all the courage, conviction and heartbreak of a man that has lost his child and would do anything to get him back brilliantly. In fact, that's one of the best things about this film; you are really able to feel for the couple's loss throughout and that serves in making it all the more thrilling. Doris Day, on the other hand, is a rather strange casting choice for this movie. She's definitely a good actress, but she's more associated with musicals and seeing her in a thriller is rather odd (even if she does get to flex her vocal chords a little).

As I've mentioned; this is not Hitchcock's best film, but there's much to enjoy about it and although I'd recommend many Hitchcock films before recommending this one, I'll definitely give it two thumbs up as well.

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