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The Man Who Knew Too Much (1956)

Approved | | Drama, Thriller | 1 June 1956 (USA)
A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

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Won 1 Oscar. Another 1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Brenda de Banzie ...
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Ralph Truman ...
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Louis Bernard (as Daniel Gelin)
Mogens Wieth ...
Ambassador
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...
...
...
Assistant Manager
Noel Willman ...
...
Yves Brainville ...
Police Inspector
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Storyline

While attending a medical conference in Paris, American physician Dr. Ben McKenna, his wife, retired musical theater actress and singer Jo McKenna née Conway, and their adolescent son Hank McKenna decide to take a side trip to among other places Marrekesh, French Morocco. With a knife plunged into his back, Frenchman Louis Bernard, who the family met earlier in their bus ride into Marrakesh and who is now masquerading as an Arab, approaches Ben, cryptically whispering into Ben's ears that there will be an attempted assassination in London of a statesman, this news whispered just before Bernard dies. Ben is reluctant to provide any information of this news to the authorities because concurrently Hank is kidnapped by British couple, Edward and Lucy Drayton, who also befriended the McKennas in Marrakesh and who probably have taken Hank out of the country back to England. Whoever the unknown people the Draytons are working for have threatened to kill Hank if Ben divulges any information ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A little knowledge can be a deadly thing! See more »

Genres:

Drama | Thriller

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

1 June 1956 (USA)  »

Also Known As:

Alfred Hitchcock's The Man Who Knew Too Much  »

Box Office

Budget:

$2,500,000 (estimated)

Gross:

$10,250,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Screenwriter John Michael Hayes was hired on the condition that he would not watch the early version or read its script, with all the plot details coming from a briefing with Alfred Hitchcock. See more »

Goofs

When the McKennas are riding to their hotel in the horse-drawn wagon after getting off the bus, the shadows are mismatched between the foreground and the back-projected scene. In the foreground, the shadows are on the left of the characters, as if the sun is on the right of the frame; in the back-projection, the shadows are on the right of the cars, as if the sun is on the left of the frame. See more »

Quotes

Jo McKenna: [after Hank accidentally pulls off a woman's veil on the bus] Why was he so angry? It was just an accident.
Louis Bernard: But, eh, the Muslim religion allows for few accidents.
See more »

Crazy Credits

Partly because the rights to this film were acquired from Paramount by Universal, the Paramount VistaVision fanfare is played over the opening Universal logo. This is the way it is currently (2005) shown on television in the re-release version (1984). See more »

Connections

Referenced in Alfred Hitchcock Presents: Number Twenty-Two (1957) See more »

Soundtracks

Whatever Will Be
(1956)
by Jay Livingston and Ray Evans
Performed by Doris Day (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A Highly Entertaining Thriller
6 July 2000 | by (Kentucky, USA) – See all my reviews

Many reviewers seem to prefer the original version of The Man Who Knew Too Much, which I have not had the opportunity to view. By itself, the '56 version is a very well done film. The run of mid-to-late fifties Hitchcock films (including "Rear Window", "Dial M For Murder", "Vertigo", and "To Catch A Thief", as well as this film) is one of my favorite periods in his career. In The Man Who Knew Too Much, Jimmy Stewart throws himself vigorously into his role as always. Doris Day is very believable in the role of an atypical Hitchcock blond. I thought there was nothing fake about her performance. Her character may not have been written as strongly as the original, but she's definitely not reduced to the role of a passive, "Yes, dear", pretty thing on Jimmy Stewart's arm.

There were some really clever lines written for Hank (the couple's son who later gets kidnapped) in the opening scene on the bus- it's too bad Christopher Olsen read them so woodenly. It's rare to see a good performance from a child actor in the 50s, though. Most of the rest of the supporting actors in this film were very competent, though- most notably the assassin (played by Reggie Nalder).

Some little touches that make this film undeniably Hitchcockian- the use of non-English dialog, especially French (something Hitch did on a much larger scale in "To Catch A Thief"); the use of foreboding, Arabic music in the hotel when the assassin appears; Stewart and Day talking to each other in the church, singing their words to the tune of the hymn; the Albert Hall scene, specifically showing the musicians and the assassin's accomplice following the score, building up tension, as well as the percussionist getting the cymbals ready; and finally the assassin's gun as it appears from behind the curtain. It moves so slowly and precisely that it must have been done mechanically (an effect Hitch used at the end of "Spellbound", also).

All in all, The Man Who Knew Too Much is a fun film to watch. It's not as deep or as heavily laden with symbolism as some of his films ("Vertigo", "Strangers on a Train"), but all the same it is one of my top five Hitchcock masterpieces.


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