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The Man Who Knew Too Much (1956)

 -  Mystery | Thriller  -  1 June 1956 (USA)
7.5
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Ratings: 7.5/10 from 34,669 users  
Reviews: 186 user | 72 critic

A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

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(screenplay), (based on a story by), 2 more credits »
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Title: The Man Who Knew Too Much (1956)

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Won 1 Oscar. Another 1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Brenda de Banzie ...
...
Ralph Truman ...
...
Louis Bernard (as Daniel Gelin)
Mogens Wieth ...
Ambassador
...
Hillary Brooke ...
Christopher Olsen ...
Reggie Nalder ...
Rien
Richard Wattis ...
Assistant Manager
Noel Willman ...
Alix Talton ...
Yves Brainville ...
Police Inspector
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Storyline

While attending a medical conference in Paris, American physician Dr. Ben McKenna, his wife, retired musical theater actress and singer Jo McKenna née Conway, and their adolescent son Hank McKenna decide to take a side trip to among other places Marrekesh, French Morocco. With a knife plunged into his back, Frenchman Louis Bernard, who the family met earlier in their bus ride into Marrakesh and who is now masquerading as an Arab, approaches Ben, cryptically whispering into Ben's ears that there will be an attempted assassination in London of a statesman, this news whispered just before Bernard dies. Ben is reluctant to provide any information of this news to the authorities because concurrently Hank is kidnapped by British couple, Edward and Lucy Drayton, who also befriended the McKennas in Marrakesh and who probably have taken Hank out of the country back to England. Whoever the unknown people the Draytons are working for have threatened to kill Hank if Ben divulges any information ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Alfred Hitchcock strikes the highest note of suspense the screen has yet achieved! See more »

Genres:

Mystery | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

1 June 1956 (USA)  »

Also Known As:

Alfred Hitchcock's The Man Who Knew Too Much  »

Box Office

Budget:

$2,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.50 : 1
See  »
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Did You Know?

Trivia

The film was unavailable for decades because its rights (together with four other pictures of the same period) were bought back by Alfred Hitchcock and left as part of his legacy to his daughter. They've been known for long as the infamous "Five lost Hitchcocks" amongst film buffs, and were re-released in theatres around 1984 after a 30-year absence. The others are Rear Window (1954), Rope (1948), The Trouble with Harry (1955), and Vertigo (1958). See more »

Goofs

Although the assassin and the ambassador are seated in the same tier of boxes, the assassin's view of his target through the opera glasses is from below and not across. See more »

Quotes

[last lines]
Dr. Ben McKenna: Sorry we were gone so long, but we had to pick up Hank!
See more »

Crazy Credits

Opening credits prologue: A single crash of Cymbals and how it rocked the lives of an American family. See more »

Connections

Referenced in The Simpsons: The Dad Who Knew Too Little (2003) See more »

Soundtracks

Whatever Will Be
(1956)
By Jay Livingston and Ray Evans
Performed by Doris Day (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The master of thrills delivers another thrilling masterwork....almost
9 December 2004 | by (Beverley Hills, England) – See all my reviews

Alfred Hitchcock's more assured telling of a film he made twenty-one years earlier is infinitely superior to the original. Hitchcock said himself that his first version was the work of an amateur, and although it certainly isn't a bad film, he does appear to be right. That being said, this remake, although definitely better, still isn't among Hitchcock's best work. That's certainly not to say that it isn't good, it's just more than a little overindulgent, and that drags it down. Hitchcock seems all too keen to drag certain elements out, and these are parts of the film that aren't entirely relevant to the plot, which can become annoying. Some of these dragged out sequences, such as the one that sees James Stewart and Doris Day eating in a Moroccan restaurant are good because it helps establish the different culture that our American protagonists have found themselves in, but for every restaurant scene, there's an opera sequence and it's the latter that make the film worse.

The plot follows a middle-aged doctor and his wife that go to Morocco for a holiday with their young son. While there, they meet a French man on the bus and another middle-aged couple in a restaurant. However, things go awry when the French man dies from a knife in the back, shortly after whispering something to the doctor. The holiday then turns into a full blown nightmare when the couple's son is kidnapped, which causes them to cut it short and go to London in order to try and find him. The film has a very potent degree of paranoia about it, and it manages to hold this all the way through. In fact, I would even go as far as to say that this is the most paranoid film that Hitchcock ever made. Like most of Hitchcock's films, this one is very thrilling and keeps you on the edge of your seat for almost the entire duration, with only the aforementioned opera sequence standing out as a moment in which the tension is diffused. There is also more than a little humour in the movie, which gives lighthearted relief to the morbid goings on, and actually works quite well.

The original version of this story was lent excellent support by the fantastic Peter Lorre. This film doesn't benefit from his presence, unfortunately, but that is made up for by performances from the amazing James Stewart, and Doris Day. James Stewart is a man that is always going to be a contender for the 'greatest actor of all time' crown. His collaborations with Hitchcock all feature mesmerising performances from him, and this one is no different. (Although his best performance remains the one in Mr Smith Goes to Washington). Stewart conveys all the courage, conviction and heartbreak of a man that has lost his child and would do anything to get him back brilliantly. In fact, that's one of the best things about this film; you are really able to feel for the couple's loss throughout and that serves in making it all the more thrilling. Doris Day, on the other hand, is a rather strange casting choice for this movie. She's definitely a good actress, but she's more associated with musicals and seeing her in a thriller is rather odd (even if she does get to flex her vocal chords a little).

As I've mentioned; this is not Hitchcock's best film, but there's much to enjoy about it and although I'd recommend many Hitchcock films before recommending this one, I'll definitely give it two thumbs up as well.


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