A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
While attending a medical conference in Paris, American physician Dr. Ben McKenna, his wife, retired musical theater actress and singer Jo McKenna née Conway, and their adolescent son Hank McKenna decide to take a side trip to among other places Marrekesh, French Morocco. With a knife plunged into his back, Frenchman Louis Bernard, who the family met earlier in their bus ride into Marrakesh and who is now masquerading as an Arab, approaches Ben, cryptically whispering into Ben's ears that there will be an attempted assassination in London of a statesman, this news whispered just before Bernard dies. Ben is reluctant to provide any information of this news to the authorities because concurrently Hank is kidnapped by British couple, Edward and Lucy Drayton, who also befriended the McKennas in Marrakesh and who probably have taken Hank out of the country back to England. Whoever the unknown people the Draytons are working for have threatened to kill Hank if Ben divulges any information ... Written by
The Albert Hall sequence lasts 12 minutes without a single word of dialogue and consists of 124 shots. See more »
After Luis Bernard has died in McKenna's arms, McKenna finds the knife lying under the body. The blade has no blood stains on it. Furthermore, if the knife would fall out of the wound so easily, it hardly could have been deep enough as to be lethal. See more »
You know what I was just thinking? You know what is paying for this three days in Marrakech?
Dr. Ben McKenna:
Mrs. Campbell's gall stone.
. And you know the purse I bought in Paris? Philip's tarsal.
See more »
Opening credits prologue: A single crash of Cymbals and how it rocked the lives of an American family. See more »
Hitchcock remake is far superior to his earlier '34 version...
It does happen, once in awhile, that a remake emerges as a far better film than the original, which is true of THE MAN WHO KNEW TOO MUCH, which not only changes many of the plot twists but also changes the setting to a more exotic one in Morocco.
The script is much more detailed and wittier than the original, giving charismatic roles to JAMES STEWART and DORIS DAY as the American husband and wife who learn about an assassination plot and then have to spend the rest of the story trying to rescue their son from the would be assassins.
Not surprisingly, Day does get a chance to have her way with a song and in this case it's a good one, Que Sera, Sera, which went on to become a huge recording hit for her. But the musical sequence that dominates the film and provides its most climactic moment is the Albert Hall sequence using "Stormcloud Cantata" (with Bernard Herrmann conducting) and the famous symbols that are about to clash, timed with the assassin's shot.
Photographed on location in gorgeous Technicolor, with a good score by Herrmann and an intelligent script by John Michael Hayes, THE MAN WHO KNEW TOO MUCH is superior entertainment from "the master of suspense".
Especially worth noting are the sinister performances by BRENDA de BANZIE and BERNARD MILES as the kidnappers and DANIEL GELIN as the man in the marketplace whose death puts the whole story into gear.
Trivia note: Hitchcock himself called his early version "the work of an amateur" and got his wish to do a remake at a time when he was doing his best work.
5 of 6 people found this review helpful.
Was this review helpful to you?