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The Man Who Knew Too Much (1956)

 -  Mystery | Thriller  -  1 June 1956 (USA)
7.5
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Ratings: 7.5/10 from 34,200 users  
Reviews: 186 user | 72 critic

A family vacationing in Morocco accidentally stumble on to an assassination plot and the conspirators are determined to prevent them from interfering.

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(screenplay), (based on a story by), 2 more credits »
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Title: The Man Who Knew Too Much (1956)

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Won 1 Oscar. Another 1 win & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Brenda de Banzie ...
...
Ralph Truman ...
...
Louis Bernard (as Daniel Gelin)
Mogens Wieth ...
Ambassador
...
Hillary Brooke ...
Christopher Olsen ...
Reggie Nalder ...
Rien
Richard Wattis ...
Assistant Manager
Noel Willman ...
Alix Talton ...
Yves Brainville ...
Police Inspector
Edit

Storyline

While attending a medical conference in Paris, American physician Dr. Ben McKenna, his wife, retired musical theater actress and singer Jo McKenna née Conway, and their adolescent son Hank McKenna decide to take a side trip to among other places Marrekesh, French Morocco. With a knife plunged into his back, Frenchman Louis Bernard, who the family met earlier in their bus ride into Marrakesh and who is now masquerading as an Arab, approaches Ben, cryptically whispering into Ben's ears that there will be an attempted assassination in London of a statesman, this news whispered just before Bernard dies. Ben is reluctant to provide any information of this news to the authorities because concurrently Hank is kidnapped by British couple, Edward and Lucy Drayton, who also befriended the McKennas in Marrakesh and who probably have taken Hank out of the country back to England. Whoever the unknown people the Draytons are working for have threatened to kill Hank if Ben divulges any information ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A little knowledge can be a deadly thing! See more »

Genres:

Mystery | Thriller

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

1 June 1956 (USA)  »

Also Known As:

Alfred Hitchcock's The Man Who Knew Too Much  »

Box Office

Budget:

$2,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.50 : 1
See  »
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Did You Know?

Trivia

A Vicary Street sign can be seen though the telephone box when Jo rings the police. Vicary Street was in Blenheim Gardens running off Brandon Road, but no longer exists having been demolished during the construction of the Blenheim Gardens Estate. It was about three blocks away from St Saviour's Church Hall (Ambrose Chapel). See more »

Goofs

The Doctor told Louis Bernard, when they first met on the bus, that they "limped" in from Paris by way of Lisbon, Rome and Casablanca.. From Paris, it would have been a straight shot by way of Lisbon and Casablanca, but Rome would have been extremely way out of their way by a far distance. See more »

Quotes

Edward Drayton: Remember, you will only have time for just one shot. If you need another, the risk is yours.
Rien: I don't take risks.
See more »

Crazy Credits

Opening credits prologue: A single crash of Cymbals and how it rocked the lives of an American family. See more »

Connections

Referenced in The Man Who Knew Too Little (1997) See more »

Soundtracks

Whatever Will Be
(1956)
By Jay Livingston and Ray Evans
Performed by Doris Day (uncredited)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Perfect.
18 December 2002 | by (United Kingdom) – See all my reviews

All the trademark Hitchcock elements are in place yet again, for a wonderful example of crowd-pleasing from the man who knew better than anyone just how to work an audience. James Stewart, everyone's perfect everyman returns to familiar ground, with the perfect wife (Doris Day, perfect casting), and perfect family. Into this chocolate box world is thrown some dangerous information, and a downward spiral of kidnap and murder.

As usual, there are the elaborately staged set-pieces, and the intimate psychoanalysis that you would expect. Here, the assassination sequence in the Royal Albert Hall provides the former - a beautifully choreographed blend of music and images building to the pivotal crash of cymbals, and the scenes in Morocco the latter, as our couple become obliviously embroiled in international espionage. It is hard to find fault with any of Hitchcock's contrivances (using the Oscar-winning 'Whatever Will Be' as a plot device to get Doris singing is almost too much, but forgivable), and the the whole cast are superb, giving incredibly naturalistic performances - see the scene in the Moroccan restaurant, which almost seems ad-libbed.

One of Hitchcock's best.


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