A French intelligence agent becomes embroiled in the Cold War politics first with uncovering the events leading up to the 1962 Cuban Missle Crisis, and then back to France to break up an international Russian spy ring.
While attending a medical conference in Paris, American physician Dr. Ben McKenna, his wife, retired musical theater actress and singer Jo McKenna née Conway, and their adolescent son Hank McKenna decide to take a side trip to among other places Marrekesh, French Morocco. With a knife plunged into his back, Frenchman Louis Bernard, who the family met earlier in their bus ride into Marrakesh and who is now masquerading as an Arab, approaches Ben, cryptically whispering into Ben's ears that there will be an attempted assassination in London of a statesman, this news whispered just before Bernard dies. Ben is reluctant to provide any information of this news to the authorities because concurrently Hank is kidnapped by British couple, Edward and Lucy Drayton, who also befriended the McKennas in Marrakesh and who probably have taken Hank out of the country back to England. Whoever the unknown people the Draytons are working for have threatened to kill Hank if Ben divulges any information ... Written by
In 1965, Alfred Hitchcock and James Stewart filed a $4,000,000 lawsuit against Paramount Pictures, arguing that their eight-year agreement with the studio had ended and that Paramount had breached their copyright by televising the film. The director and actor also requested that Paramount return the film's original negative to them. The final disposition of this suit has not been made public, but the film remained unavailable for commercial exhibition for many years. See more »
When Hank is being taken by his kidnappers from the chapel to the embassy, the group gets in a left-hand drive large 1953 Humber Mark IV Super Snipe on a Hollywood sound stage. The pretend driver enters on the right, but the supposed front seat passenger can be seen releasing the handbrake, and holding the steering wheel. The car's exhaust sound also does not match the Humber. In the second scene later, the same car enters the embassy rear gate, also on a Hollywood sound stage, and the car can be seen as having red seats. In the next cut, the car pulls up at the rear of the embassy, and Hank and the kidnappers exit. The car has now become a smaller and earlier 1951 Humber Mark IV Hawk, with tan seats, filmed on location in London, although both cars show the same registration number. See more »
[to Louis Bernard]
If you ever get hungry, our garden back home is full of snails. We tried everything to get rid of them. We never thought of a Frenchman!
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Opening credits prologue: A single crash of Cymbals and how it rocked the lives of an American family. See more »
When you start watching the 1956 version of THE MAN WHO KNEW TOO MUCH, you'll think it's a minor work by Alfred Hitchcock. The countless scenes showing a lovely, but buffoonish vacationing American couple (James Stewart, Doris Day) seem to lead nowhere. But, hold on, about thirty minutes into the film, during a very dreamlike murder sequence (which takes place in bright sunlight, and involves blue paint) the film really takes off. Personally, I find the opening "character development" sequence between protagonists James Stewart and Doris Day very charming. It sets you up for the second and third acts of the film. You get to like this couple so much, you are raelly rooting for them as they try to rescue their kidnapped son amidst a plot to assassinate a visiting diplomat. Of course, the high-point of the film is the assassination itself, a twelve minute wordless sequence. Hitchcock beautifully brings us back to silent film! The ending, which involves a rescue at an embassy, is wonderfully silly and tense. For those not familiar with Hitchcock, this is Hitchcock's own remake of a film he made under the same title in 1934 in England. This is one of my favorite Hitchcock films. It's proof that this master loved his audience and wanted to keep them thrilled!
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