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Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet.
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
When he completes his military service Walter Gulick returns to his birthplace, Cream Valley, New York. He was orphaned as an infant and grew up elsewhere but always wanted to return to ... See full summary »
Elvis plays Clint Reno, one of the Reno brothers who stayed home while his brother went to fight in the Civil War for the Confederate army. When his brother Vance comes back from the war, he finds that his old girlfriend Cathy has married Clint. The family has to struggle to reach stability with this issue. Vance is involved in a train robbery, while a Confederate soldier, of Federal Government money. There is a conflict of interest, when Vance tries to return the money, against the wishes of some of his fellow Confederates. Written by
Pat McCurry <firstname.lastname@example.org>
Average Shot Length (ASL) = 9.5 seconds See more »
During the robbery of the payroll train, up the track in the direction of the train's travel, there are modern CTC block signals of the Southern Pacific Railroad which were installed in the 1930s (beyond the siding switch). Centralized Traffic Control for railroads did not exist in 1865, nor did the heavier rail on the right of way shown in the film (at least 100 pounds). See more »
I didn't expect this movie to rise above a campy Western with lots of Elvis thrown in, but I was WRONG! The story is SOLID: Confederate raiders rob Union payroll by overpowering and posing as the Yankee guard. Unbeknownst to them, the Civil War ended the day before and when they come to deliver the cash to a beleaguered Reb HQ, they find out the truth. They keep the cash (natch!), divided squarely, and head for their homes. What follows is alternately surprising, rousing, touching, and even heroic. The love angles and heartbreaks are true without being either overbearing or oversentimental; the chase scenes are mercifully-short; sub-text characters are given enough delineation to evoke interest and sympathy without burdening the main plot. No threads are left dangling, and suspension of disbelief is at a minimum, except (of course) Elvis' swaying hips in 1865 Dixie! The ending was purposedly refinish to accommodating insulted Elvis fans, but it doesn't matter, even if Elvis' hair is a different color than in the film.
Perhaps the least interesting part of the film (for me) was Elvis' singing, although his swiveling never fails to amaze.
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