5.3/10
51
3 user 1 critic

Loser Takes All (1956)

Bertrand is an accountant employed by a large London firm. When he uncovers an accounting error, his employer is so thrilled that he sends Bertrand and his new wife, to Monte Carlo. The trip, however, is not completely as it seems...

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Cast

Complete credited cast:
...
...
...
Tony Britton ...
Tony
...
Joyce Carey ...
Bird's Nest
Geoffrey Keen ...
Reception Clerk
Peter Illing ...
Stranger
...
A.E. Matthews ...
Elderly Man in Casino
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Storyline

Bertrand is an accountant employed by a large London firm. When he uncovers an accounting error, his employer is so thrilled that he sends Bertrand and his new wife, to Monte Carlo. The trip, however, is not completely as it seems...

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FIlmed in color, in sin-filled, sun-filled CinemaScope See more »

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Comedy

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September 1956 (UK)  »

Also Known As:

Lua de Mel em Monte Carlo  »

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(Westrex Recording System)

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(Eastmancolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The copyright year on the title screen in given as "MCMXXXXXVI", rather than the more usual "MCMLVI". See more »

Connections

Version of Strike It Rich (1990) See more »

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User Reviews

 
Graham Greene must've needed the money...
21 December 2001 | by (Santa Cruz,CA) – See all my reviews

This is a prime example of 50s excess, as it seems the notion of how gambling is detrimental to a new marriage is lost in a jumble. I suspect Graham Greene wanted to do a screwball comedy but it winds up an excuse to set two winsome but entirely mismatched stars loose in a romantic, foreign locale, filmed in Color and Cinemascope. Glynnis Johns had been getting really good roles in England and had just come out of Around the World in 80 Days. She'd played plenty of roles but here, she's inexplicably floating thru the movie like an excited child. Rozanno Brazzi was barely the bigger star, already a sensation in Italy from the early 40s and having made Three Coins in the Fountain, Summertime and the professor in the June Alyson version of Little Women. He plays a man good with numbers, but by all appearances is too old for his wife - she wears him out just by talking and he seems frustrated by his inability to keep up when she's on the fly. There are some cute, albeit brief glimpses of why this couple are together, but at heart, I didn't buy Brazzi, a master brooder, as an accountant in love with a numbers system that gets them wads of cash. They don't seem to be able to connect as a team most of the time and hence, we don't really care if they get out of their gambling troubles or not. There's a little screwball suspense around an imagined gambling debt and how they'll get out of their expensive hotel bill, and Robert Morley wanders in and out, barely blinking. Altho Glynis's wardrobe may have been eye catching and the casinos were put to good use for publicity, what we bankroll is a whitewashed Monte Carlo, complete with the two stars whisking by on a moped. Must've been charming in 1956, but today it's a test of endurance. I give this one and a half stars out of five. - MDMPHD (PS - You'll notice it's never mentioned as one of the great romantic comedies, much less as a film of note in any article or text. You'd do better with Brazzi in SUMMERTIME and Johns in NO HIGHWAY IN THE SKY to get these talented actors in their prime.)


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