High stakes battle of wits and morals between gentlemen crooks, set in beautiful Portugal.

Director:

(as R. Milland)

Writers:

(screenplay), (story)
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Cast

Complete credited cast:
...
Capt. Robert John Evans
...
Sylvia Merrill
...
Aristides Mavros
...
Maria Maddalena Masanet
...
Seraphim
Percy Marmont ...
Lloyd Merrill
...
Insp. Joao Casimiro Fonseca
Edward Chapman ...
Edgar Selwyn
Harold Jamieson ...
Philip Norworth
Humberto Madeira ...
Tio Rabio
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Storyline

High stakes battle of wits and morals between gentlemen crooks, set in beautiful Portugal.

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| |

Release Date:

17 August 1956 (USA)  »

Also Known As:

Lisboa  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Trucolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Nelson Riddle's instrumental recording of "Lisbon Antigua" (an ancient Portuguese melody) was already on the Hit Charts before this film was made. Republic publicity sent out a story that "Director/Producer Ray Milland took a recording of the music with him and had a Portuguese orchestra adapt it for a sequence in the picture". See more »

Goofs

Capt. Evans tells Mrs. Merrill that the Seteais Palace is Pena Palace, two distinct palaces in the region of Sintra. The Seteais Palace became an hotel since the early 21st century, and it overlooks the Pena Palace. See more »

Quotes

Maria Maddalena Masanet: [reading aloud an excerpt from Lord Byron's "Don Juan", Canto I, Stanza 83, to Aristides Mavros] But who, alas! can love, and then be wise? / Not that remorse did not oppose temptation; / A little still she strove, and much repented / And whispering 'I will ne'er consent' - consented.
See more »

Soundtracks

Lisboa Antigua
Music by Raúl Portela
English Lyrics by Harry Dupree
Sung by Robie Lester (as Roby Charmandy)
See more »

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User Reviews

 
Claude Rains employs Ray Milland in a scheme to rescue Maureen O'Hara's husband
13 October 2015 | by (United States) – See all my reviews

As genteel as most of this story is on the surface, it is actually very hardboiled and cynical. A generous part of its essence is that of a film noir.

There is one character played by Francis Lederer, the right-hand man of Claude Rains when he requires violence, who is deadly. Rains is a crook with fingers in any pie that makes him money. He's from a family of thieves going back six generations. He's into smuggling but at one point urbanely proposes a murder to Maureen O'Hara. He's very rich and controls everyone in his household, including Yvonne Furnaux, up from poverty. Rains is always polite, but equally firm and without scruples.

When Furneaux, whom Lederer desires, takes a liking to Ray Milland, Lederer takes the initiative and stalks Milland on his own with the intention of killing him. Rains has to reprimand Lederer because he has other plans for Milland.

Milland has a large boat and smuggles, buying perfume cheap in duty free areas and reselling it in Lisbon. Depriving the government of taxes while providing the masses with goods they otherwise could not afford is his rationale. He's basically a straight arrow who likes the game of outwitting the authorities. The local constabulary, Jay Novello, pops in and out in his usually vain attempts to catch either Milland or Rains in the act.

O'Hara has married a much older man for money. He's worth 25 million. He's been kidnapped and she's aiming to use Rains as an intermediary to get him back. Rains learns that Milland is making inroads into his smuggling racket and he employs Milland with a scheme in mind that will eliminate Milland and his competition. Milland is hired to transport O'Hara's husband.

O'Hara and Milland seem to fall in love, although Milland is dallying with the younger Furneaux who has set her sights on Milland. These trysts, under Milland's direction, allow us to see and relish some beautiful sites in Lisbon and visit a night club for local music and song.

Rains dangles before O'Hara the prospect of her fragile husband not making it back in one piece so that she can inherit the huge estate. He brings out the femme fatale in her.

I rate this at 6.5. The cast is fine. The dialog is on the sharp side. All the characters are frank and down to earth. When asked what he thinks of Rains, for example, Milland replies "He's a crook, of course." The photography is splendid. There's plenty of triangular conflict.


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