In this hilarious romp starring Tom Ewell, Sheree North and Rita Moreno, a middle-aged ex-serviceman who plans to re-enlist (Ewell) is shocked to learn that not only did he fail his medical... See full summary »
Sgt. O'Farrell an Army soldier on an island in the South Pacific during World War II is trying to bring the two basics of life to his fellow servicemen, women and beer. The supply ship ... See full summary »
American GI Ernie Williams, admittedly weak-kneed, has an uncanny resemblance to British Colonel MacKenzie. Williams, also a master of imitation and disguise, is asked to impersonate the ... See full summary »
In 1944, Capt. Josiah J. Newman is the doctor in charge of Ward 7, the neuropsychiatric ward, at an Army Air Corps hospital in Arizona. The hospital is under-resourced and Newman scrounges ... See full summary »
Expectant parents Joe and Betsy Bennett anxiously await the arrival of their new baby. Then after the baby arrives, they discover the unpleasant side of parenting: sleepless nights, extra ... See full summary »
In this hilarious romp starring Tom Ewell, Sheree North and Rita Moreno, a middle-aged ex-serviceman who plans to re-enlist (Ewell) is shocked to learn that not only did he fail his medical exam, his wife (North) has enlisted - and is really making the grade in the Air Force. Unhappy to be a "house husband," he flies to Hawaii to be near her - and also to hatch a scheme to get her discharged. Written by
Yes, it's a mid-20th century 20th Century Fox eyeful, in Cinemascope with eye-popping colors, sumptuous locations, and the equally sumptuous Sheree North (whose warmth and naturalness, in spite of huge odds, suggest 20th really mishandled her). But the whole comic premise -- Ewell will stoop to any means to get his wife out of the military -- just isn't that funny, and it also makes our hero a selfish, unlikable lout. Add to that Frank Tashlin's usual breast-fetishizing (including the same busty-woman-with-two-milk-bottles gag he uses in "Will Success Spoil Rock Hunter?"), and gender roles so prescribed that the sight of a man in an apron is supposed to be automatically hilarious, and it's clear that this is a vehicle running on fumes. Ewell's regular-guy act hasn't aged well, and a nearly no-name supporting cast edges timidly around the Cinemascope frame, afraid to rock the leaky boat.
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