| Photos (see all 2 | slideshow) |
| Gianna Maria Canale | ... | Giselle du Grand | |
| Carlo D'Angelo | ... | Inspector Chantal | |
| Dario Michaelis | ... | Pierre Lantin | |
| Wandisa Guida | ... | Lorrette Robert | |
| Angelo Galassi | ... | Ronald Fontaine | |
| Renato Tontini | ... | Rinaldo, Assistente | |
| Charles Fawcett | ... | Mr. Bourgeois | |
| Gisella Mancinotti | ... | Schoolgirl #1 | |
| Miranda Campa | ... | Lorrette's mother | |
| Antoine Balpêtré | ... | Dr. Julien du Grand | |
| Paul Muller | ... | Joseph Signoret | |
| rest of cast listed alphabetically: | |||
| Armando Annuale | ... | Man #1 (uncredited) | |
| Riccardo Freda | ... | Autopsy doctor (uncredited) | |
| Ronny Holiday | ... | Nora (uncredited) | |
| Joy Holliday | ... | Anita (uncredited) | |
| Emilio Petacci | ... | Man #2 (uncredited) | |
| Barbara Wohl | ... | Lisette (uncredited) | |
Directed by | |||
| Riccardo Freda | (as Robert Hampton) | ||
| Mario Bava | (uncredited) (completed film) | ||
Writing credits(in alphabetical order) | ||
| Riccardo Freda | story (dialogue) | |
| Piero Regnoli | story (dialogue) | |
| J.V. Rhemo | writer | |
Produced by | |||
| Luigi Carpentieri | .... | producer | |
| Ermanno Donati | .... | producer | |
| Piero Donati | .... | producer | |
Original Music by | |||
| Franco Mannino | |||
| Roman Vlad | |||
Cinematography by | |||
| Mario Bava | |||
Film Editing by | |||
| Roberto Cinquini | |||
Production Design by | |||
| Beni Montresor | |||
Costume Design by | |||
| Beni Montresor | |||
Makeup Department | |||
| Franco Freda | .... | makeup artist | |
| Ada Palombi | .... | hair stylist | |
Production Management | |||
| Claudio Agostinelli | .... | assistant production manager | |
| Piero Donati | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Piero Regnoli | .... | assistant director | |
Sound Department | |||
| Mario Messina | .... | sound editor | |
Special Effects by | |||
| Mario Bava | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Corrado Bartoloni | .... | camera operator | |
Costume and Wardrobe Department | |||
| Adriana Berselli | .... | assistant costume designer | |
Music Department | |||
| Roman Vlad | .... | conductor | |
Other crew | |||
| Fouad Said | .... | English language version | |
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| Young Frankenstein | House of Dracula | L'ultima preda del vampiro | House of Frankenstein | Inferno |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Italy section | Add this title to MyMovies |
There is not a whole lot more that I can add to many of the very thought-provoking entries already listed. I will; however; reiterate. This film, for all purposes, is a Mario Bava film, and if you have seen any of that director's masterful direction then that will be self-evident. The Gothic feel. The fluttering drapes. The serialization killing. Pretty girls being killed/abducted. A castle. A duchess tired of the weary effects of aging enlists the help of some of her friends both willingly and some not so free with their time to help her with her distressing problems. The film opens with deaths being done by, what the newspapers call, a vampire. Bava then has a newsman follow the leads and what we get is one eerie, creative, beautiful film with all the aforementioned trademarks of what will be the very foundation of the Italian horror film of the next two decades. Ricardo Freda was the original director and his influence is evident as well, but Bava finished the film. The acting is all very solid, but the atmosphere is on center stage. the scene with the castle hallways, the dungeons, the laboratory, and the death scenes are all wonderfully shot. This is a must for the student of the horror genre and anyone interested in either Freda's work and more importantly that of Mario Bava.