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Margaret Landon (book)
Oscar Hammerstein II (musical play)
(more)
29 June 1956 (USA) more
More Than You've Ever Seen On The Screen! more
Musical about a widow who accepts a job as a live-in governess of the King of Siam's children. full summary | add synopsis
Won 5 Oscars. Another 4 wins & 7 nominations more
Erick Avari talks Stargate
(From Monsters and Critics. 9 November 2009, 6:50 AM, PST)
Elaine Paige To Film New DVD During Concert Tour In Australia And New Zealand, Begins In October
(From BroadwayWorld.com. 31 October 2009, 1:30 AM, PDT)
Wonderful, glorious colour and Brynner in his finest hour. more (64 total)
| Deborah Kerr | ... | Anna Leonowens | |
| Yul Brynner | ... | King Mongkut of Siam | |
| Rita Moreno | ... | Tuptim | |
| Martin Benson | ... | Kralahome | |
| Terry Saunders | ... | Lady Thiang | |
| Rex Thompson | ... | Louis Leonowens | |
| Carlos Rivas | ... | Lun Tha | |
| Patrick Adiarte | ... | Prince Chulalongkorn | |
| Alan Mowbray | ... | Sir John Hay | |
| Geoffrey Toone | ... | Sir Edward Ramsay | |
| rest of cast listed alphabetically: | |||
| Robert Banas | ... | Keeper of the Dogs, in Play (uncredited) | |
| Dennis Bonilla | ... | Mongkut's Twin Son (uncredited) | |
| Thomas Bonilla | ... | Mongkut's Twin Son (uncredited) | |
| Gemze De Lappe | ... | Specialty Dancer (uncredited) | |
| Reuben Fuentes | ... | Lun Tha (singing voice) (uncredited) | |
| Leona Gordon | ... | Tuptim (singing voice) (uncredited) | |
| Charles Irwin | ... | Captain Orton (uncredited) | |
| Michiko Iseri | ... | Angel, in Play (uncredited) | |
| Irene James | ... | Siamese Girl (uncredited) | |
| Marion Jim | ... | Simon Legree - in Play (uncredited) | |
| Fuji Levi | ... | Whipping Guard (uncredited) | |
| Weaver Levy | ... | Whipping Guard (uncredited) | |
| Jocelyn Lew | ... | Princess Ying Yaawolak (uncredited) | |
| Marco López | ... | Extra (uncredited) | |
| Eddie Luke | ... | Messenger (uncredited) | |
| Marni Nixon | ... | Anna (singing voice) (uncredited) | |
| Stephanie Pond-Smith | ... | Youngest Princess (uncredited) | |
| Josephine Smith | ... | Guest at Palace (uncredited) | |
| Leonard Strong | ... | Interpreter (uncredited) | |
| Dusty Worrall | ... | Uncle Thomas, in Play (uncredited) | |
| William Yip | ... | High Priest (uncredited) | |
| Yuriko | ... | Eliza, in Play (uncredited) | |
Directed by | |||
| Walter Lang | |||
Writing credits | ||
| Margaret Landon | (book "Anna and the King of Siam") | |
| Oscar Hammerstein II | (musical play) | |
| Ernest Lehman | (screenplay) | |
Produced by | |||
| Charles Brackett | .... | producer | |
| Darryl F. Zanuck | .... | executive producer (uncredited) | |
Original Music by | |||
| Richard Rodgers | |||
Cinematography by | |||
| Leon Shamroy | |||
Film Editing by | |||
| Robert L. Simpson | (as Robert Simpson) | ||
Art Direction by | |||
| John DeCuir | (as John De Cuir) | ||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Paul S. Fox | |||
| Walter M. Scott | |||
Costume Design by | |||
| Irene Sharaff | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Eli Dunn | .... | assistant director | |
Art Department | |||
| Wah Chang | .... | designer: Siamese masks (uncredited) | |
Sound Department | |||
| Warren B. Delaplain | .... | sound (as Warren Delaplain) | |
| E. Clayton Ward | .... | sound | |
| Carlton W. Faulkner | .... | sound editor (uncredited) | |
Special Effects by | |||
| Ray Kellogg | .... | special photographic effects | |
| Doug Hubbard | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Lee Crawford | .... | assistant camera (uncredited) | |
| Bob Rose | .... | additional grip (uncredited) | |
| Clyde Taylor | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Sam Benson | .... | wardrobe (uncredited) | |
| Charles Le Maire | .... | wardrobe director (uncredited) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
Music Department | |||
| Robert Russell Bennett | .... | orchestrator | |
| Ken Darby | .... | associate music supervisor | |
| Gus Levene | .... | orchestrator | |
| Bernard Mayers | .... | orchestrator | |
| Alfred Newman | .... | conductor | |
| Alfred Newman | .... | music supervisor | |
| Edward B. Powell | .... | orchestrator | |
| Trude Rittman | .... | music arranger: ballet arrangements | |
| Robert Mayer | .... | music editor (uncredited) | |
Other crew | |||
| Michiko Iseri | .... | consultant: oriental dancing (as Michiko) | |
| Jerome Robbins | .... | choreographer | |
| Darryl F. Zanuck | .... | presenter | |
Rodgers and Hammerstein's The King and I (USA) (complete title)
more
133 min
2.55 : 1 more
4-Track Stereo (Westrex Recording System) | 70 mm 6-Track (70 mm re-release)
Iceland:L | New Zealand:G | USA:G (certificate #17864) | Argentina:Atp | Australia:G | Canada:G | Chile:TE | Finland:K-8 | Norway:7 | Peru:PT | Thailand:(Banned) | UK:U
Dorothy Dandridge was the original choice for the role of Tuptim. It has been reported that Miss Dandridge, who had just made history as the first African American woman to be nominated for an Academy Award for Best Actress in Carmen Jones (1954), was strongly advised to refuse the role because Tuptim was a slave. The role went to Rita Moreno, who was of Puerto Rican descent. more
Factual errors: There could have been no scarlet macaws (from South America) in a Siamese marketplace. more
King:
I do not remember such words.
Anna:
I remember them.
King:
I will do remembering!
more
Referenced in "Saturday Night Live: Valerie Bertinelli/Robert Cray Band (#12.13)" (1987) more
Finale Ultimo: Something Wonderful more
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| Anna and the King | The Sound of Music | Ben-Hur | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe | Alexander |
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Brynner is so strongly identified with this role that it is difficult to remember him in anything else. He gives his all in this performance, sometimes way over the top, but it fits with this movie which is in itself over the top, offering us the Hollywood version of Siam and introducing 1955 sensibilities to the era of 1862. No matter.
The musical numbers are great and hummable, most done by Marni Nixon, who dubbed for so many in that era of endless musicals and no-voice stars.
People who protest about the insensibility and racial aspect of these musicals (Showboat and South Pacific, etc. also comes to mind)don't get it - that this is a musical, composed about an unenlightened era and is not a documentary and cannot be taken seriously.
The play within the play is truly magical, I could watch it over and over again, it is a perfect little opera.
Deborah Kerr is terrific in this and should have received an Oscar. I felt sorry for the boy who played her son - I think they appeared again together in Tea and Sympathy, but I could be wrong - there was not much to his role, he had to stand around and just be pretty and nod at his mother a lot. Very difficult.
Rita Moreno excelled as usual.
8 out of 10. Not to be missed.