Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Mrs. Anna Leonowens and her son Louis arrive in Bangkok, where she has been contracted to teach English to the children of the royal household. She threatens to leave when the house she had been promised is not available, but falls in love with the children. A new slave, a gift of a vassal king, translates "Uncle Tom's Cabin" into a Siamese ballet. After expressing her unhappiness at being with the King, the slave decides to make an attempt to escape with her lover. Anna and the King start to fall in love, but her headstrong upbringing inhibits her from joining his harem. She is just about to leave Siam but something important she finds out makes her think about changing her mind. Written by
Randy Goldberg <email@example.com>
It was Yul Brynner who pushed for Deborah Kerr to be cast as Anna. He had seen some of her stage work, was highly impressed with her and was convinced that she was the one for the role. See more »
In the "Shall We Dance" sequence, Anna lays her shawl on the bench before the dance and the King sits on it. When the camera is on the king again, the shawl is no longer on the bench or on the floor. See more »
Now, shall Mr. Lincoln be winning this war he is fighting at present?
No one knows really.
Well, does he have enough guns and elephants for transporting things?
I don't think they have elephants in America, your majesty.
No elephants? No wonder he is not winning war!
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The credits first say "Twentieth-Century Fox presents a Cinemascope Picture in Cinemascope 55", and then they go on to say "Darryl F. Zanuck presents Rodgers and Hammerstein's 'The King and I'". See more »
Having read most of the comments on this picture, I was astonished to see how little understood this classic musical is. Yes, it takes place in 19th century Siam, but it is a fairy tale Siam in the same sense as the fairy tale Paris in An American in Paris. It is not supposed to be a true representation of Asian life. Wake up, Folks! Its a Hollywood adaptation of a Broadway musical! Let's leave the realism to Phat and Foster.
This picture, with its infectious score and dynamic performances, is one of the best of its genre. Who can fail to see the sexual tension between the two leads? Who can not marvel at the entrance of the royal children (check out Brynner's different reaction to each child). How can one not applaud the fantastic House of Uncle Thomas performance at the diplomatic dinner. How can your heart not reel to Shall We Dance?
This is old-line Hollywood at its very best, and may be the last truly great musical. Check your historical, racial, and PC hats at the door and don't miss it!
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