Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Louisa May Alcott's autobiographical account of her life with her three sisters in Concord Mass in the 1860s. With their father fighting in the civil war, the sisters: Jo, Meg, Amy and Beth... See full summary »
Mrs. Anna Leonowens and her son Louis arrive in Bangkok, where she has contracted to teach English to the children of the royal household. She threatens to leave when the house she had been promised is not available, but falls in love with the children. A new slave, a gift of a vassal king, translates "Uncle Tom's Cabin" into a Siamese ballet, expressing her unhappiness at being with the King. She attempts to escape with her lover. Anna and the King fall in love, but her British upbringing inhibits her from joining his harem. She is just about to leave Siam when she hears of the King's imminent death, and returns to help his son, her favorite pupil, rule his people. Written by
Randy Goldberg <firstname.lastname@example.org>
Yul Brynner won the 1952 Tony Award (New York City) for Supporting or Features Actor in a Musical for "The King and I" as the King of Siam and recreated his role in the movie version. See more »
In "March of the Siamese Children," when the crown prince appears the King greets him with his arms crossed. After the prince is presented to Mrs. Anna and starts backing away, a shot of the King shows him very proudly looking at his son with his hands behind his back. In the next shot, however, the King's arms are crossed again. See more »
The credits first say "Twentieth-Century Fox presents a Cinemascope Picture in Cinemascope 55", and then they go on to say "Darryl F. Zanuck presents Rodgers and Hammerstein's 'The King and I'". See more »
Having read most of the comments on this picture, I was astonished to see how little understood this classic musical is. Yes, it takes place in 19th century Siam, but it is a fairy tale Siam in the same sense as the fairy tale Paris in An American in Paris. It is not supposed to be a true representation of Asian life. Wake up, Folks! Its a Hollywood adaptation of a Broadway musical! Let's leave the realism to Phat and Foster.
This picture, with its infectious score and dynamic performances, is one of the best of its genre. Who can fail to see the sexual tension between the two leads? Who can not marvel at the entrance of the royal children (check out Brynner's different reaction to each child). How can one not applaud the fantastic House of Uncle Thomas performance at the diplomatic dinner. How can your heart not reel to Shall We Dance?
This is old-line Hollywood at its very best, and may be the last truly great musical. Check your historical, racial, and PC hats at the door and don't miss it!
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