Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Mrs. Anna Leonowens and her son Louis arrive in Bangkok, where she has contracted to teach English to the children of the royal household. She threatens to leave when the house she had been promised is not available, but falls in love with the children. A new slave, a gift of a vassal king, translates "Uncle Tom's Cabin" into a Siamese ballet, expressing her unhappiness at being with the King. She attempts to escape with her lover. Anna and the King fall in love, but her British upbringing inhibits her from joining his harem. She is just about to leave Siam when she hears of the King's imminent death, and returns to help his son, her favorite pupil, rule his people. Written by
Randy Goldberg <firstname.lastname@example.org>
Three musical numbers and two fragments were recorded, and allegedly shot, but subsequently deleted. They were:
"My Lord and Master" (a ballad sung by Tuptim shortly after her arrival in the palace)
"Shall I Tell You What I Think of You?" (a soliloquy for Anna, in which she comically expresses her anger towards the King)
"I Have Dreamed" (another duet for Tuptim and Lun Tha)
It was felt that "My Lord and Master" and "I Have Dreamed" didn't do much to advance the plot, and that "Shall I Tell You What I Think of You?" would make Anna sound too whiny and nagging.
An extra opening verse of "Song of the King"
A choral reprisal of "Whistle a Happy Tune."
All these numbers can still be heard on the soundtrack album, however. See more »
In "March of the Siamese Children," when the crown prince appears the King greets him with his arms crossed. After the prince is presented to Mrs. Anna and starts backing away, a shot of the King shows him very proudly looking at his son with his hands behind his back. In the next shot, however, the King's arms are crossed again. See more »
You will say no more!
I will say no more, because there is no more to say!
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The credits first say "Twentieth-Century Fox presents a Cinemascope Picture in Cinemascope 55", and then they go on to say "Darryl F. Zanuck presents Rodgers and Hammerstein's 'The King and I'". See more »
Deborah Kerr and Yul Brynner give spirited performances in 'The King and I', a musical adaptation of Margaret Landon's book. Brynner in particular brings an athleticism and intensity to his role which won him an academy award. The two share an unusual chemistry. The film is dated but remains entertaining and ranks among the best musicals of the fifties. The music is very enjoyable with several catchy tunes which are well choreographed. I specially liked "A Puzzlement" and "Shall We Dance". Some parts are a bit corny but the film is still well worth watching.
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