Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
Farm family Frake, with discontented daughter Margy, head for the Iowa State Fair. On the first day, both Margy and brother Wayne meet attractive new flames; so does father's prize hog, ... See full summary »
Mrs. Anna Leonowens and her son Louis arrive in Bangkok, where she has been contracted to teach English to the children of the royal household. She threatens to leave when the house she had been promised is not available, but falls in love with the children. A new slave, a gift of a vassal king, translates "Uncle Tom's Cabin" into a Siamese ballet. After expressing her unhappiness at being with the King, the slave decides to make an attempt to escape with her lover. Anna and the King start to fall in love, but her headstrong upbringing inhibits her from joining his harem. She is just about to leave Siam but something important she finds out makes her think about changing her mind. Written by
Randy Goldberg <firstname.lastname@example.org>
The short scene in which Anna is taken through the streets of Bangkok to the King's palace by the royal entourage required 25 sets on a three-acre area on the Fox backlot, not counting the stables for the elephants used in the sequence. See more »
Tuptim's play "Small House of Uncle Thomas" is an inaccurate hodgepodge of characters and scenes from the original book, but this can easily be understood as her best interpretation of the story as a new speaker of English who wants to use the story for her own purposes to change the King's heart. However, few of the references to Buddha or Buddhism within the song are depicted accurately and shows a clear Western interpretation of the religion. Some specific examples are that Buddhists do not view Buddha as God but rather as the founder of their teachings and the first to attain Enlightenment, they do not therefore pray to Buddha for help and guidance, they do not believe in angels, and they do not believe that Buddha calls them to his presence when they die; all of these are strictly Christian beliefs, most likely used in the story for the purpose of relating to a Western audience. See more »
They think you dress like that because you shaped like that!
Well I most certainly am not!
See more »
A magnificent, emotionally packed unusual love story
I originally saw THE KING AND I at the Roxy Theatre in New York when I was ten years old. My grandmother took me after a day trip to the Statue of Liberty, and I was expecting to see one of my favorites, Jan Clayton, the star of LASSIE, in the starring role.
When the movie unfolded I was enraptured by the beautiful redhead playing the lead and realized it wasn't Miss Clayton (whom I later learned had played in the road version of the show, and kids that age don't really know the difference). I went out into the theatre lobby and looked at the ornate program, which listed Mrs. Anna as Deborah Kerr.
What an impression this woman has had on my life over the years from the retelling of the classic tale of the British woman who comes to Siam to teach the king's children. It is superb, not only musically, but from a story standpoint holds up as the best of the Rodgers & Hammerstein musicals. It is essentially a women's lib story, which makes it as relevant today as it was fifty years ago when it premiered on Broadway.
The fiery, but compassionate Mrs. Anna who is at first turned off by the king and then charmed by him, and who little by little changes him from a near-despot to a man who can grow.
The subplots are fanciful, but lovely and, in the ballet of Uncle Tom, as performed by Tuptim draw a direct analogy to the unpleasant lives endured by Siamese slaves, in particular women. It does so with majesty and intelligence, no less so than Arthur Miller did in "The Crucible," contrasting the Salem Witch Trials with the awful McCarthy political witchhunts on Capitol Hill.
It is an extraordinary achievement, and it is shocking that it did not even make the top 100 AFI films a year ago. It is continually fresh and alive, and every time there is a festival or re-release it does well. Indeed, a few years ago it was shown on a huge screen at The Hollywood Bowl, with orchestral accompaniment, and it was a smash again.
My only regret is that Deborah Kerr (six times nominated for an Oscar) was not gifted with an Academy Award along with her co-star Yul Brynner.
It is a film that should be seen for generations to come.
36 of 45 people found this review helpful.
Was this review helpful to you?