3 items from 2016
The best-known films of director Lenny Abrahamson, Frank and the quadruple Oscar-nominee Room, follow sad, and in some cases, broken souls as they search and fight for even the tiniest glimpse of happiness. Frank follows a band with an intentionally unpronounceable name, whose lead singer (Michael Fassbender) always wears a fake plastic head, concealing his scarred face from the world. In Room, a mother (Brie Larson) and her young son (Jacob Tremblay) survive a tragic fate, held prisoner in a single room for years on end.
The two films share an acute sensitivity to the lives of characters who struggle to make the best of the often brutal fates with which they’ve been burdened. Abrahamson listed the following ten films as his favorite in 2012’s Sight and Sound poll, a brilliant mixture of stories which as he laments in his quote, could have contained far more than a mere ten selections. »
- Tony Hinds
After falling into the public domain, Phil Karlson’s 1952 film noir Kansas City Confidential became unfairly lumped into B-grade bracket, a disservice considering the title’s odd narrative and eventual influence on contemporary filmmakers. Karlson, who would eventually turn to mainstream efforts starring the likes of Dean Martin and Elvis Presley in the 1960s and 1970s, contributed several enjoyable minor noir efforts in the 1950s. These would include 1952’s Scandal Sheet with Donna Reed and Broderick Crawford, Kim Novak casino heist effort 5 Against the House, and that same year’s Tight Spot with a peculiar role for Ginger Rogers. But none have enjoyed the staying power of this particular heist drama, now restored with its most accomplished transfer yet.
Kansas City delivery man Joe Rolfe (John Payne) is at the wrong place at the wrong time when he’s nabbed by the cops as the driver of a heist involving »
- Nicholas Bell
Most of Stanley Kubrick’s more revered and well-known flicks haven't received The Criterion Collection treatment. Only a handful of his early efforts have received the brand’s refurbishing and restoration (among them “Paths of Glory,” “Spartacus,” and “The Killing”). However, fans of Kubrick’s — as well as committed savants of outdated A/V analog technology — may remember that his magnum opus, “2001: A Space Odyssey,” did once upon a time get the Criterion treatment… on Laserdisc. Well, Kubrick nerds, your day has come. What we have here is a juicy bit of behind the scenes goodness that will appease any die-hard fan of the director, one that’s ripped straight from the Extras section of the film’s Laserdisc release. Read More: Watch: 75-Minute Video Essay Breaks Down The Making Of Stanley Kubrick's '2001: A Space Odyssey' The video begins with the ever-magisterial Arthur C. Clarke, author of the source material, »
- Nicholas Laskin
3 items from 2016
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners