| Photos (See all 21 | slideshow) | Videos (see all 3) |
| Sterling Hayden | ... | Johnny Clay | |
| Coleen Gray | ... | Fay | |
| Vince Edwards | ... | Val Cannon | |
| Jay C. Flippen | ... | Marvin Unger | |
| Ted de Corsia | ... | Policeman Randy Kennan (as Ted DeCorsia) | |
| Marie Windsor | ... | Sherry Peatty | |
| Elisha Cook Jr. | ... | George Peatty (as Elisha Cook) | |
| Joe Sawyer | ... | Mike O'Reilly | |
| James Edwards | ... | Track Parking Attendant | |
| Timothy Carey | ... | Nikki Arcane | |
| Kola Kwariani | ... | Maurice Oboukhoff | |
| Jay Adler | ... | Leo the Loanshark | |
| Tito Vuolo | ... | Joe Piano | |
| Dorothy Adams | ... | Mrs. Ruthie O'Reilly | |
| Herbert Ellis | ... | 2nd American Airlines Clerk | |
| James Griffith | ... | Mr. Grimes, Airline Supervisor | |
| Cecil Elliott | ... | Lady with Small Dog | |
| Joe Turkel | ... | Tiny (as Joseph Turkel) | |
| Steve Mitchell | ... | Brown, American Airlines Clerk | |
| Mary Carroll | ... | Woman Asking Kennan for Help | |
| William 'Billy' Benedict | ... | American Airlines Clerk (as William Benedict) | |
| Charles Cane | ... | Plainclothesman at Airport (as Charles R. Cane) | |
| Robert Williams | ... | Plainclothesman at Airport (as Robert B. Williams) | |
| rest of cast listed alphabetically: | |||
| Rodney Dangerfield | ... | Onlooker (uncredited) | |
| Franklyn Farnum | ... | Racetrack Extra (uncredited) | |
| John George | ... | Racetrack Extra (uncredited) | |
| Art Gilmore | ... | Narrator (voice) (uncredited) | |
| Sol Gorss | ... | Track Guard Slugged by Johnny (uncredited) | |
| Harry Hines | ... | Chess Player (uncredited) | |
| Kenner G. Kemp | ... | Racetrack Extra (uncredited) | |
| Hal J. Moore | ... | Race Track P.A. Announcer (uncredited) | |
| Harvey Parry | ... | Bartender (uncredited) | |
| Richard Reeves | ... | Bill, Track Employee in Locker Room (uncredited) | |
| Frank Richards | ... | Track Employee in Locker Room (uncredited) | |
Directed by | |||
| Stanley Kubrick | |||
Writing credits | ||
| Stanley Kubrick | (screenplay) | |
| Jim Thompson | (dialogue) | |
| Lionel White | (novel "Clean Break") | |
Produced by | |||
| James B. Harris | .... | producer | |
| Alexander Singer | .... | associate producer | |
Original Music by | |||
| Gerald Fried | |||
Cinematography by | |||
| Lucien Ballard | (director of photography) | ||
Film Editing by | |||
| Betty Steinberg | |||
Art Direction by | |||
| Ruth Sobotka | |||
Set Decoration by | |||
| Harry Reif | |||
Makeup Department | |||
| Robert Littlefield | .... | makeup artist | |
| Lillian Shore | .... | hairdresser | |
Production Management | |||
| Clarence Eurist | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Milton Carter | .... | assistant director | |
| Paul Feiner | .... | second assistant director | |
| Howard Joslin | .... | second assistant director | |
Art Department | |||
| Karl Brainard | .... | assistant set decorator (as Carl Brainard) | |
| Christopher Ebsen | .... | chief carpenter | |
| Bud Pine | .... | construction supervisor | |
| Robert L. Stephen | .... | chief painter | |
| Ray Zambel | .... | property master | |
Sound Department | |||
| Rex Lipton | .... | sound effects editor | |
| Earl Snyder | .... | sound | |
Special Effects by | |||
| Dave Koehler | .... | special effects | |
Visual Effects by | |||
| Louis DeWitt | .... | photographic effects | |
| Jack Rabin | .... | photographic effects | |
Stunts | |||
| Fred Gabourie | .... | stunts (unconfirmed) | |
| Sol Gorss | .... | stunts (unconfirmed) | |
| Gil Perkins | .... | stunts (unconfirmed) | |
| Wally Rose | .... | stunts (unconfirmed) | |
| Eddie Saenz | .... | stunts (unconfirmed) | |
| Don Turner | .... | stunts (unconfirmed) | |
| Bob Morgan | .... | stunts (uncredited) | |
| Harvey Parry | .... | stunts (uncredited) (unconfirmed) | |
Camera and Electrical Department | |||
| Lou Cortese | .... | best boy | |
| Paul Eagler | .... | process camera operator | |
| Carl Gibson | .... | head grip | |
| Robert Hosler | .... | second assistant camera | |
| Bobby Jones | .... | gaffer | |
| Richard Towers | .... | camera operator (as Dick Tower) | |
Costume and Wardrobe Department | |||
| Beaumelle | .... | costumes: Miss Windsor | |
| Rudy Harrington | .... | wardrobe: women | |
| Jack Masters | .... | wardrobe | |
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Gerald Fried | .... | conductor | |
| Gilbert D. Marchant | .... | music editor (as Gilbert Marchant) | |
Transportation Department | |||
| Dave Lesser | .... | transportation | |
Other crew | |||
| Mary Gibsone | .... | script supervisor | |
| Joyce Hartman | .... | assistant to director | |
| Marguerite Olson | .... | production assistant | |
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| The Getaway | The Lookout | Rififi | Before the Devil Knows You're Dead | The Asphalt Jungle |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section |
Stanley Kubrick is truly one of the most gifted directors of all time. He wasn't afraid to be boring(2001: a Space Odyssey) or critically bashed(The Shining) or risque and disturbing(A Clockwork Orange, Eyes Wide Shut). He simply did his job: to provide a well made film with strong theme and meaning. The Killing is definitely not Kubrick's best work. It seems to me that Stan wasn't famous enough and too little known to make The Killing the way that he wanted to. It was though, still pretty entertaining. It has one of my favorite attributes that most movies don't even steer close to: a non-linear plot. A non-linear plot is when scenes are put in non-chronilogical order, i.e. Pulp Fiction, Out of Sight, Fight Club, etc. It makes the audience pay more attention and makes the plot seem more interesting and intricate. In this movie, the plot wasn't way out of order, but it was enough to be conidered non-linear.
Another cool part of the movie was the heist itself. It was very well planned and executed and obviously took time to think up. The depressing climax and ending lean a lot towards the work of Hitchcock. In fact, if this film had been in some parts been by Hitchcock, it would not have been too much of a surprise.
If you're in to classic, black and white crime dramas, then this movie is for you.