A terrified wife tries to escape from her insanely jealous husband who is bent on killing her.

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Nominated for 2 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
Julie Benton
...
Lyle Benton
...
Cliff Henderson
...
Det. Lt. Pringle
...
Jack (co-pilot)
...
Valerie
...
Doctor on Flight 36
...
Det. Mace
John Gallaudet ...
Det. Sgt. Cole
...
Airport control tower official
...
Ellis
Ed Hinton ...
Captain of Flight 36
Harlan Warde ...
Det. Pope
Aline Towne ...
Denise Martin
Eddie Marr ...
Airline Official
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Storyline

Her new husband's behaviour convinces Julie Benton that his jealousy is dangerous, and when he admits he killed her first husband she realises she has to get away. A long-time friend helps all he can, but even in a town the size of San Francisco, Benton seems able to track them down. The police can do nothing despite a death threat, so the next move is up to Julie. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

WHAT HAPPENED TO JULIE ON HER HONEYMOON? See more »

Genres:

Mystery | Thriller

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

17 October 1956 (USA)  »

Also Known As:

Mord in den Wolken  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

While in pre-production for this film, Doris Day was being driven to a local airport to learn some airplane cockpit tips when the car she was riding in was slammed into by a teenage hot-rodder. Despite the potential seriousness of the situation, nobody was hurt and Doris writes that she remained remarkably unfazed by the accident. See more »

Goofs

Shadow of boom mic visible in hotel lobby and police office scenes. See more »

Connections

Referenced in What a Difference a Day Made: Doris Day Superstar (2009) See more »

Soundtracks

Midnight On The Cliffs
Composed and Performed by Leonard Pennario
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User Reviews

 
an uneven but engaging thriller
16 January 2003 | by (Costa Mesa, CA) – See all my reviews

"Julie" starts out as a mass of tension, (other than the ridiculous rear-projection car scenes where everyone turns the steering wheel in wrong directions!) packing an intense amount of story in the first 40 minutes. By the second act, when the pace slows down, all the previous scenes seem too condensed for comfort. One scene in the beginning of the film is especially intriguing: Lyle practices his piano piece while Julie lays on the couch. Watching his hands dance over the keys, and the beautifully framed shot of him against the open window is truly surreal, almost too profound for a film of this type.

The third act, all about Doris Day landing the airplane, feels like an entirely separate movie. With the loss of the human threat after her, it stops being a thriller and becomes the tag ending of an action blockbuster. "Julie" has uneven bursts of calm and nail-biting tension, all in all a strange combination with its own memorable moments.


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