Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
Candy Williams is a struggling performer in a musical troupe, headed by Hap Schneider. Unfortunately, the troupe has fallen on hard times, forcing the members to get jobs cleaning hotel ... See full summary »
Miss Ethel 'Dynamite' Jackson is a chorus girl who mistakingly receives an invitation from the State Department to represent the American theatre at an arts exposition in Paris, France. ... See full summary »
In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a ... See full summary »
Her new husband's behaviour convinces Julie Benton that his jealousy is dangerous, and when he admits he killed her first husband she realises she has to get away. A long-time friend helps all he can, but even in a town the size of San Francisco, Benton seems able to track them down. The police can do nothing despite a death threat, so the next move is up to Julie. Written by
Jeremy Perkins <firstname.lastname@example.org>
While in pre-production for this film, Doris Day was being driven to a local airport to learn some airplane cockpit tips when the car she was riding in was slammed into by a teenage hot-rodder. Despite the potential seriousness of the situation, nobody was hurt and Doris writes that she remained remarkably unfazed by the accident. See more »
Shadow of boom mic visible in hotel lobby and police office scenes. See more »
"Julie" starts out as a mass of tension, (other than the ridiculous rear-projection car scenes where everyone turns the steering wheel in wrong directions!) packing an intense amount of story in the first 40 minutes. By the second act, when the pace slows down, all the previous scenes seem too condensed for comfort. One scene in the beginning of the film is especially intriguing: Lyle practices his piano piece while Julie lays on the couch. Watching his hands dance over the keys, and the beautifully framed shot of him against the open window is truly surreal, almost too profound for a film of this type.
The third act, all about Doris Day landing the airplane, feels like an entirely separate movie. With the loss of the human threat after her, it stops being a thriller and becomes the tag ending of an action blockbuster. "Julie" has uneven bursts of calm and nail-biting tension, all in all a strange combination with its own memorable moments.
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