Jane Osgood runs a lobster business, which supports her two young children. Railroad staff inattention ruins her shipment, so with her lawyer George, Jane sues Harry Foster Malone, director of the line and the "meanest man in the world".
Pretty Melinda Howard has been abroad singing with a musical troupe. She decides to return home to surprise her mother whom she thinks is a successful Broadway star with a mansion in ... See full summary »
American couple Mike and Janet Harper move to England for Mike's work, his company which deals in wool textiles and wool fashions. Despite Mike's want for them to live in a flat in the ... See full summary »
Employees of the Sleeptite Pajama Factory are looking for a whopping seven-and-a-half cent an hour increase and they won't take no for an answer. Babe Williams is their feisty employee ... See full summary »
In this reworking of "No, No, Nanette," wealthy heiress Nanette Carter bets her uncle $25,000 that she can say "no" to everything for 48 hours. If she wins, she can invest the money in a ... See full summary »
Miss Ethel 'Dynamite' Jackson is a chorus girl who mistakingly receives an invitation from the State Department to represent the American theatre at an arts exposition in Paris, France. ... See full summary »
Conceited singer Garry Mitchell refuses to renew his radio contract, so agent Doug Blake decides to find a new personality to replace Garry. In New York, he finds Martha Gibson, a single ... See full summary »
Her new husband's behaviour convinces Julie Benton that his jealousy is dangerous, and when he admits he killed her first husband she realises she has to get away. A long-time friend helps all he can, but even in a town the size of San Francisco, Benton seems able to track them down. The police can do nothing despite a death threat, so the next move is up to Julie. Written by
Jeremy Perkins <email@example.com>
Julie moves along at breakneck speed to its bizarre ending in an airplane, in some ways reminiscent of 911. Within the first few moments of the film Doris Day is running from her murdering jealous husband well played by Louis Jourdan as Lyle, an unbalanced concert pianist. The opening is set in Carmel, CA, and the film would have been a whole lot better if it had stayed there but instead it shifts to San Francisco. The opening scene, with the crazed Lyle pressing his foot on his wife's as she's driving, and thus accelerating the car is terrific, as he has his arm around her, not looking at the road, only at her, and she's in a panic, trying to control the gigantic two-toned Chrysler on the twisty road, unable to decelerate, an unwilling student in some kind of speed driving lesson. As she has enough of this she decides to resurrect her previous career as an airline steward, but Lyle follows her wherever she goes. This relentless chase is comically narrated by Doris Day. The film starts losing energy, and the final climax, which is supposed to be exciting, is badly done.
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