6.2/10
1,064
34 user 6 critic

Julie (1956)

Approved | | Crime, Drama, Film-Noir | 17 October 1956 (USA)
A terrified wife tries to escape from her insanely jealous husband who is bent on killing her.

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Nominated for 2 Oscars. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
Cliff Henderson
...
Det. Lt. Pringle
...
Jack (co-pilot)
...
Valerie
...
Doctor on Flight 36
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Det. Mace
...
Det. Sgt. Cole
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Airport control tower official
...
Ellis
Ed Hinton ...
Captain of Flight 36
Harlan Warde ...
Det. Pope
...
Denise Martin
Eddie Marr ...
Airline Official
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Storyline

Her new husband's behaviour convinces Julie Benton that his jealousy is dangerous, and when he admits he killed her first husband she realises she has to get away. A long-time friend helps all he can, but even in a town the size of San Francisco, Benton seems able to track them down. The police can do nothing despite a death threat, so the next move is up to Julie. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

BRIDAL NIGHT FRIGHT! This is Doris Day as the frightened Julie who discovers on her honeymoon that her husband is a killer - and SHE is next! See more »


Certificate:

Approved | See all certifications »
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Details

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Release Date:

17 October 1956 (USA)  »

Also Known As:

Mord in den Wolken  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This film is listed among The 100 Most Enjoyably Bad Movies Ever Made in Golden Raspberry Award founder John Wilson's book THE OFFICIAL RAZZIE® MOVIE GUIDE. See more »

Goofs

Shadow of boom mic visible in hotel lobby and police office scenes. See more »

Connections

Referenced in Magnum, P.I.: On the Fly (1987) See more »

Soundtracks

Julie
by Leith Stevens and Tom Adair
Sung by Doris Day (uncredited) over main titles
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User Reviews

 
an uneven but engaging thriller
16 January 2003 | by See all my reviews

"Julie" starts out as a mass of tension, (other than the ridiculous rear-projection car scenes where everyone turns the steering wheel in wrong directions!) packing an intense amount of story in the first 40 minutes. By the second act, when the pace slows down, all the previous scenes seem too condensed for comfort. One scene in the beginning of the film is especially intriguing: Lyle practices his piano piece while Julie lays on the couch. Watching his hands dance over the keys, and the beautifully framed shot of him against the open window is truly surreal, almost too profound for a film of this type.

The third act, all about Doris Day landing the airplane, feels like an entirely separate movie. With the loss of the human threat after her, it stops being a thriller and becomes the tag ending of an action blockbuster. "Julie" has uneven bursts of calm and nail-biting tension, all in all a strange combination with its own memorable moments.


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