A film crew goes to a tropical island for an exotic location shoot and discovers a colossal giant gorilla who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Dr. Miles Bennell returns to his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged dopplegängers are able to answer detailed questions about their victim's lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon. This film can be seen as a paranoid 1950s warning against those Damn Commies or, conversely, as a metaphor for the tyranny of McCarthyism (or the totalitarian system of Your Choice) and has a pro- and epilogue that was forced upon Siegel by the studio to lighten the tone. Written by
Mark Thompson <email@example.com>
In 1994 this film was selected for preservation in the United States National Film Registry by The Library of Congress as being "culturally, historically, or aesthetically significant." See more »
Near the end of the movie, a character falls asleep for an instant and wakes up as a "pod person." This contradicts the entire premise of the rest of the movie, in which humans are physically being replaced by "pod person" duplicates. See more »
Dr. Miles J. Bennell:
[having returned from finding that large numbers of pods are being grown in greenhouses, to Becky who, exhausetd, had fallen asleep in his absence]
I've been afraid a lot of times in my life, but I didn't know the real meaning of fear until... until I had kissed Becky.
See more »
Clouds form a backdrop for the opening credits. See more »
When I first watched this movie I was a teenager. I knew nothing about the Mcarthey era. I didn't live through the early post cold war paranoia. There were no outside influences aside from my love of movies.
I have seen the film over 2 dozen times and believe it to be the best of the 50's generation, and one of the top 3 or 4 science fiction films of all time. With or without the prologue and epilogue.
All things are not what they seem. What if you woke up from a nightmare to find that you are still in it, and can't get out. The message is clear. A home, a car, and a career are all great to strive for in one's life. But love, compassion and emotion are the true gifts to keep living in the first place. Imagine a home without love or any emotion what so ever. None. Good or bad.
One by one, Kevin Mcarthy and Dana Wynter are confronted by the loss of neighbors, associates, and friends. The horror of the loss of everything they new. Early on, when a boy thinks his mother isn't his mother, and a friend doubt's her uncle is who he says he is. Doctor Miles is confused and doesn't know what to believe. So he goes with common sense. His eyes see there is no problem. But The evidence piles slowly and precisely. Soon it is not only what to believe, but who to trust.
Kevin Mcarthy is outstanding. Dana Wynter is absolutely gorgeous and the chemistry between the two seems real. The film will keep you glued from beginning 'til end. Simply one of the best!
39 of 50 people found this review helpful.
Was this review helpful to you?