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Invasion of the Body Snatchers (1956)

Approved | | Horror, Sci-Fi | 5 February 1956 (USA)
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2:49 | Featurette

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A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.

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Writers:

(screenplay), (Collier's magazine serial)
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Cast

Cast overview, first billed only:
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Ralph Dumke ...
Police Chief Nick Grivett
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Tom Fadden ...
Uncle Ira Lentz
Kenneth Patterson ...
Guy Way ...
Officer Sam Janzek
Eileen Stevens ...
Anne Grimaldi
Beatrice Maude ...
Grandma Grimaldi
Jean Andren ...
Eleda Lentz
Bobby Clark ...
Jimmy Grimaldi
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Storyline

Dr. Miles Bennell returns to his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged dopplegängers are able to answer detailed questions about their victim's lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon. This film can be seen as a paranoid 1950s warning against those Damn Commies or, conversely, as a metaphor for the tyranny of McCarthyism (or the totalitarian system of Your Choice) and has a pro- and epilogue that was forced upon Siegel by the studio to lighten the tone. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Collier's Magazine called it "The Nightmare That THREATENS THE WORLD" See more »

Genres:

Horror | Sci-Fi

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

5 February 1956 (USA)  »

Also Known As:

The Body Snatchers  »

Box Office

Budget:

$417,000 (estimated)
 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Perspecta Sound encoding) (Western Electric Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Production Designer Ted Haworth came up with a fairly simple and inexpensive (about $30,000 total) idea for creating the pods. The most difficult part was when the pods burst open, revealing the likenesses of the actors. The actors had to have naked impressions of themselves made out of thin, skin-tight latex. Making the casts, which involved being submerged in the very hot casting material with only a straw in their mouths to breathe through, was grueling for the actors, especially Carolyn Jones, who was claustrophobic. Dana Wynter recalled, "I was in this thing while it hardened, and of course it got rather warm! I was breathing through straws or something quite bizarre, and the rest of me was encased, it was like a sarcophagus. The guys who were making it tapped on the back of the thing and said, 'Dana, listen, we won't be long, we're just off for lunch [laughs]!' In the end, we had to be covered except for just the nostrils and I think a little aperture for the mouth." See more »

Goofs

After Miles and Becky disable Jack, Dr. Kaufman and the police officer, Miles says, "Our only hope is to make it to the highway." This line has been dubbed in, and doesn't entirely don't match his lip movements. See more »

Quotes

Becky: They're like huge seed pods!
See more »

Crazy Credits

THE END comes up on the final shot of the film of Miles looking relieved that Dr Hill has believed his story, and is calling the FBI about the alien invasion of Santa Mira. See more »

Connections

Referenced in Universal Soldier: Day of Reckoning (2012) See more »

Frequently Asked Questions

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User Reviews

The better one
2 November 2004 | by (Canada) – See all my reviews

This was the first part of a double bill with Phil Kaufman's remake as the follow-up. I'll say that Siegel is ten times the action director that Kaufman could ever dream of being, that the original Body Snatchers has a cool, thoughtful tone that makes the shock scenes even better. The remake, even though in color and with a bigger budget, is so nervous, so lacking in pace and mood, that your impulse is often to laugh instead of sinking deeper into your seat.

Take just one scene: Kevin McCarthy and Dana Wynter are barricaded in his office, trying to stay awake. Morning comes, and the weirdness begins; people shuffle towards the square to pick up their packages, the leaders calling out the districts. Now in daylight the suspense is made more potent, the threat to humans seems greater. Kaufman does this scene at night, losing the mundane horror that Siegel evokes so well. The studio imposed the flashback structure, having McCarthy brought in to talk to a therapist at the beginning and end of the picture. That's the only weakness in the story.


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