A strange man known only as the "metal fetishist", who seems to have an insane compulsion to stick scrap metal into his body, is hit and possibly killed by a Japanese "salaryman", out for a... See full summary »
Dr Miles Bennell returns his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged dopplegängers are able to answer detailed questions about their victim's lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon. This film can be seen as a paranoid 1950s warning against those Damn Commies or, conversely, as a metaphor for the tyranny of McCarthyism (or the totalitarian system of Your Choice) and has a pro- and epilogue that was forced upon Siegel by the studio to lighten the tone. Written by
Mark Thompson <email@example.com>
Even though the film was "Produced in Superscope" according to the opening credits and released in the 2.00:1 aspect ratio, the film was actually shot with the spherical 1.85:1 aspect ratio in mind. The scope prints were created in the lab in post-production by cutting off the top and bottom of the image. Director Don Siegel protested the reformatting to no avail. See more »
Water stains on the planks in the mine. See more »
The simplicity of the horror is what "makes" this film so brilliant...
What must be considered one of the most original of all the science fiction films emanating from the '50s is INVASION OF THE BODY SNATCHERS, a low-budget sci-fi film about a sleepy Southern California town infested with a bunch of pods that are replicating the town's humans in physical form hatched from alien pods and taking over mind and body.
It doesn't waste any time in getting to the core of the horror element, with McCarthy as a doctor invited to a friend's house where he sees the first evidence of a sleeping pod form taking on the shape and identity of another. He and his sweetheart (the beautiful DANA WYNTER) are soon aware of the situation enveloping the small town residents and make an effort to alert the authorities, but find that no one can be trusted to be whom they claim to be--and are soon on the run themselves.
It easily remains one of the most gripping of these films with an excellent score by Carmen Dragon. KEVIN McCARTHY, DANA WYNTER, VIRGINIA CHRISTINE, WHIT BISSELL, KING DONOVAN and CAROLYN JONES all deliver fine performances and director Don Siegel keeps the suspense taut until the final scene.
Summing up: Alien invaders have always been a big part of sci-fi stories but never quite as creepily as depicted here. Terrific suspense.
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