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Invasion of the Body Snatchers (1956)

Approved | | Drama, Horror, Sci-Fi | 5 February 1956 (USA)
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2:49 | Featurette

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A small-town doctor learns that the population of his community is being replaced by emotionless alien duplicates.

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(screenplay), (Collier's magazine serial)
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Cast

Cast overview, first billed only:
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...
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Ralph Dumke ...
Police Chief Nick Grivett
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Uncle Ira Lentz
Kenneth Patterson ...
...
Officer Sam Janzek
Eileen Stevens ...
Anne Grimaldi
Beatrice Maude ...
Grandma Grimaldi
Jean Andren ...
Eleda Lentz
Bobby Clark ...
Jimmy Grimaldi
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Storyline

Dr. Miles Bennell returns to his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged dopplegängers are able to answer detailed questions about their victim's lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon. This film can be seen as a paranoid 1950s warning against those Damn Commies or, conversely, as a metaphor for the tyranny of McCarthyism (or the totalitarian system of Your Choice) and has a pro- and epilogue that was forced upon Siegel by the studio to lighten the tone. Written by Mark Thompson <mrt@oasis.icl.co.uk>

Plot Summary | Plot Synopsis

Taglines:

Don Siegel's Science-Fiction Shocker See more »

Genres:

Drama | Horror | Sci-Fi

Certificate:

Approved | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

5 February 1956 (USA)  »

Also Known As:

The Body Snatchers  »

Box Office

Budget:

$417,000 (estimated)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Perspecta Sound encoding) (Western Electric Recording)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Since the movie was filmed at the height of the "Red Scare" in the US, it was considered by many to be an anti-Communist propaganda film. See more »

Goofs

When Miles takes Becky home after visiting the Belicecs, she turns on the lights as they enter the house. When Miles turns off the lights, they go out just before his hand reaches the switch. See more »

Quotes

Dr. Miles J. Bennell: [having returned from finding that large numbers of pods are being grown in greenhouses, to Becky who, exhausetd, had fallen asleep in his absence] I've been afraid a lot of times in my life, but I didn't know the real meaning of fear until... until I had kissed Becky.
See more »

Crazy Credits

THE END comes up on the final shot of the film of Miles looking relieved that Dr Hill has believed his story, and is calling the FBI about the alien invasion of Santa Mira. See more »

Connections

Referenced in Better Call Saul: Pimento (2015) See more »

Frequently Asked Questions

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User Reviews

 
Don't let the title fool you. This one is a classic.
24 May 2005 | by (Van Buren, Arkansas) – See all my reviews

This is one of the great movie allegories. Yes, it is an allegory on the McCarthy era. Yes, it is an allegory on conformist America. But it is also an allegory on the evils of communism and fascism. Yes, it is a plea for sanity and individualism, for creativity and artistic freedom. And again yes it is a great directorial achievement for Don Siegel. All that aside it is also an entertaining film that does what any great movie should do, it moves. The dialog is not stilted or full of clichés. It is original and insightful without becoming preachy. Was Kevin McCarthy chosen because his name was McCarthy and the film runs counter to McCarthism? I think he was chosen because he was one of the gifted actors of the 1950's whose talents were not fully realized by the film industry. His fellow actors and actresses in the movie shared the same fate. The movie is also a top notch thriller, as good as any Hitchcock. When you're talking about the films of the 1950's that help define the period only a few come to mind: "The Wild One," "Rebel Without A Cause," and "Bad Day at Black Rock" are often cited. But "The Invasion of the Body Snatchers" is the one to study. It epitomizes the American outlook and cold war hysteria of the era as no other film from the decade does.


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