Herman owes a lot of gambling debts. To pay them off, he promises the mob he'll fix a horse, so that it does not run. He intends to trick his animal-loving cousin, Virgil, an apprentice ... See full summary »
Sidney Pythias is a bumbling janitor picked up by cop Mike Damon as a teenage gang member worth saving from delinquency. With Damon's help, Sidney works his way through the Police Academy to become a cop too.
The last movie with Jerry Lewis and Dean Martin together, is a satire of the life in Hollywood. Steve Wiley is a deceiver who cheats Malcolm Smith when he wins a car, claiming that he won it too. Trying to steal the car, Steve tells Malcolm that he lives in Hollywood, next to Anita Ekberg's. When Malcom hears that, they both set out for Hollywood and the adventure begins... Written by
Chris Makrozahopoulos <firstname.lastname@example.org>
The original screenplay by Erna Lazarus concerned the adventures of a down-on-her-luck ex-chorus girl and a con man as they made their way to California. It was conceived as a vehicle for Shirley Booth and Humphrey Bogart. By the time Frank Tashlin got through re-tooling it for Dean Martin and Jerry Lewis, it bore little resemblance to the original script. Nevertheless, Lazarus retained the sole writing credit. See more »
Apparently, Tashlin was a little confused about Paramount's production schedule: Malcolm mentions having seen the Burt Lancaster adaptation of The Rainmaker, which would not come out until after Hollywood or Bust was already released. See more »
"Hollywood or Bust" was the last of Jerry Lewis and Dean Martin musical comedies and a very good one. Although it is not as bracingly innovative and riotous as Tashlin's "Artists and Models", I kept laughing throughout.
Some hilarious and enjoyable scenes come to mind: The opening moments in the movie theater where Lewis is ruining a woman's hair with popcorn; the rousing musical number "A Day in the Country" (Martin and Lewis in a car) which is Tashlin's homage to the "Beyond the Blue Horizon" number in Lubitsch's 1930 musical "Monte Carlo"; and there is Lewis' imitation of Rudolph Valentino's "Blood and the Sand".
Sure it can be silly and puerile at times, but it's a lot of fun.
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