Joe Lampton thought he had really made it by marrying the boss's daughter in his northern mill town. But he finds he is being sidelined at work and his private life manipulated by his ... See full summary »
In 1931, Elizabeth Rambeau comes from England to live in California with her aunt and uncle of a winemaking dynasty, who are still wealthy despite 12 years of Prohibition. Object: marriage ... See full summary »
Caroline Ruthyn is the teen-aged niece of the her uncle Silas, a sickly and at one time unbalanced man who becomes her guardian on the death of her father. The fact that Silas is broke and ... See full summary »
Derrick De Marney,
"In case you don't know what 'cortisan' means, it's just a fancy word for 'tramp'!"
Woman in her late-twenties, twice married and twice divorced, leaves behind New York City for her small hometown, moving back in with her eternally-disappointed mother; immediately upon her arrival, she starts getting marriage proposals...unfortunately, the man she chooses to be Husband No. #3 is a mamma's boy. Glossy, fairly enjoyable soaper from the play by Samson Raphaelson, although we never quite get a grip on Jean Simmons' Hilda Crane, who is alternately haughty, overwrought, idealistic yet aloof (she wants her happily-ever-after, though she needs to be supported financially as well). Hilda's taste in men seems to be her biggest hurdle--perhaps in place of the tall, thin, men's catalogue type, she should try for one of the construction workers over at her fiancé's job site? These assembly-line Twentieth Century-Fox potboilers never seemed to work out that way, making "Hilda Crane" another predictable 'woman's picture' from the '50s, occasionally engaging but nothing special or memorable. **1/2 from ****
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