In the early 1900's Tennessee, a loving family undergoes the shock of the father's sudden, accidental death. The widow and her young son must endure the heartache of life following the ... See full summary »
Former seaman Clinton Jones now works at a lowly job. His daughter Ruth wants to become an actress. Clinton gets fired and Ruth rejects the advances of Fred Whitmarsh. Her father gives her ... See full summary »
In 1880, Osawkie, Kansas is feuding with rival town Mandaroon over which will be county seat, keeping the town's men away from home most of the time. The last straw is when Matt Davis feels... See full summary »
British college professor seeks peace in a California beach house but has nothing but trouble from an uninvited female 'juvenile delinquent', a neighbor with a mischievous dog, and a bevy of amorous American woman.
Oil-tanker Captain Manson rescues Kathie Hall after her ship is sunk by a U-boat. He marries her. When his ship is sunk and she is suspected because she has no identification. Manson tries ... See full summary »
Edward G. Robinson,
As usual with most of the RKO films from this era "presented" by RKO-owner Howard Hughes, the PCA number is usually 500-1000 digits lower than the one from other studios being released at ... See full summary »
The story involves an overland journey through hostile Cheyenne territory to rescue two white women captured by the Cheyenne. One has turned renegade and is not anxious to be rescued as she... See full summary »
In 1931, Elizabeth Rambeau comes from England to live in California with her aunt and uncle of a winemaking dynasty, who are still wealthy despite 12 years of Prohibition. Object: marriage ... See full summary »
"In case you don't know what 'cortisan' means, it's just a fancy word for 'tramp'!"
Woman in her late-twenties, twice married and twice divorced, leaves behind New York City for her small hometown, moving back in with her eternally-disappointed mother; immediately upon her arrival, she starts getting marriage proposals...unfortunately, the man she chooses to be Husband No. #3 is a mamma's boy. Glossy, fairly enjoyable soaper from the play by Samson Raphaelson, although we never quite get a grip on Jean Simmons' Hilda Crane, who is alternately haughty, overwrought, idealistic yet aloof (she wants her happily-ever-after, though she needs to be supported financially as well). Hilda's taste in men seems to be her biggest hurdle--perhaps in place of the tall, thin, men's catalogue type, she should try for one of the construction workers over at her fiancé's job site? These assembly-line Twentieth Century-Fox potboilers never seemed to work out that way, making "Hilda Crane" another predictable 'woman's picture' from the '50s, occasionally engaging but nothing special or memorable. **1/2 from ****
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