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Giant (1956)

 -  Drama | Romance  -  24 November 1956 (USA)
7.7
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Ratings: 7.7/10 from 22,783 users  
Reviews: 151 user | 90 critic

Sprawling epic covering the life of a Texas cattle rancher and his family and associates.

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(from the novel by), (screen play), 1 more credit »
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Title: Giant (1956)

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Won 1 Oscar. Another 6 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sir David Karfrey (as Rodney Taylor)
Judith Evelyn ...
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Robert Nichols ...
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Alexander Scourby ...
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Storyline

Texan rancher Bick Benedict visits a Maryland farm to buy a prize horse. Whilst there he meets and falls in love with the owner's daughter Leslie, they are married immediately and return to his ranch. The story of their family and its rivalry with cowboy and (later oil tycoon) Jett Rink unfolds across two generations. Written by Col Needham <col@imdb.com>

Plot Summary | Plot Synopsis

Plot Keywords:

ranch | rancher | epic | texan | land | See All (343) »

Taglines:

From the novel by EDNA FERBER See more »

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

24 November 1956 (USA)  »

Also Known As:

Gigante  »

Filming Locations:

 »

Box Office

Budget:

$5,400,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(WarnerColor)

Aspect Ratio:

1.66 : 1
See  »
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Did You Know?

Trivia

Director George Stevens wanted to cast fading star Alan Ladd as Jett Rink, but his wife advised against it. The role went to James Dean. See more »

Goofs

During the confrontation between Bick and Jett in the hotel banquet hall stockroom, Bick throws a "basket" knocking over several storage shelves. The shelves start to fall before the basket actually makes contact. See more »

Quotes

Adarene Clinch: Why, Luz, everybody in
[this]
Adarene Clinch: county knows you'd rather herd cattle than make love.
Luz Benedict: Well, there's one thing you got to say for cattle... boy, you put your brand on one of them, you're gonna know where it's at!
See more »

Connections

Referenced in Tales from the Warner Bros. Lot (2013) See more »

Soundtracks

The U.S. Air Force
(1939) (uncredited)
(Originally called "The Army Air Corps")
Music by Robert Crawford
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Giant success
6 July 2005 | by (New York City) – See all my reviews

Based on a novel by Edna Ferber, Giant is an appropriately Texas-sized western/generational saga that parallels familial evolution with the changing socio-economic nature of the United States over an approximately 30-year period from the 1920s through the film's present, and by extension, a turn of the (20th) century mentality segueing into a more contemporary outlook. It is filled with excellent writing, fabulous direction and technical elements, outstanding performances, gorgeous photography, and plenty of depth via subtly implied philosophical ideas.

At its heart, Giant is the story of Jordan "Bick" Benedict (Rock Hudson), heir, along with his sister, Luz (Mercedes McCambridge) to a family cattle ranch that exceeds half a million acres. As the film opens, Bick has traveled to Maryland, ostensibly to purchase a horse from Dr. Horace Lynnton, who has a sizeable ranch of his own, but also perhaps to search for a wife. Whether the latter was his initial intention or not, he ends up finding a spouse in Dr. Lynnton's opinionated and somewhat irascible but beautiful daughter, Leslie (Elizabeth Taylor). Bick moves Leslie from the rolling green pastures that she calls home to the huge, dusty plains of Reata, his Texas ranch.

In the process, she ends up turning his world upside down. Luz sees Leslie as a threat to their routine, an interpretation that Leslie doesn't exactly try to deny. Leslie integrates herself into the daily workings of Reata and initiates changes in the way Bick and Luz behave towards their mostly Mexican staff, among other things. Bick and Leslie have children, but they're not exactly keen on following the family tradition. Other challenges and perhaps the strongest cultural change in the film comes via Jett Rink (James Dean), who goes through a gradual transformation from his early status in the film as a dirt-poor, uneducated ranch hand.

At a three and a half-hour running time, and covering decades in the lives of many different characters, Giant is nothing if not sprawling. But this is the kind of sprawl that works. Unlike most sprawling films, the cast of characters in Giant actually turns out to be relatively small, we always have a clear idea of who each character is, and every event leads to the next in a very tightly-written, logical manner.

In fact, one of the more unusual but laudable aspects of Fred Guiol and Ivan Moffat's script is the way that characters will mention something in an almost off-the-cuff manner before we immediately cut to the full realization of the previous comment. For example, Leslie and Bick are barely courting before we see them married. Other examples--Leslie goes from telling Bick that she's pregnant to having the baby in the next instant; Bick says that he's going to fly in a plane low over a particular hotel--just for dramatic effect with respect to a certain character--and in the next shot, this is just what he's doing. The first couple times this happens, it's almost a bit unnerving because of its uniqueness. We figure that the characters are in the middle of a dream sequence. But it quickly becomes apparent that the device is designed to enable large time span passages in an instant, and for the overall structure of the film, it works perfectly.

Given that structure, it was also unusual in this era to pick younger actors who would then have to be aged 30 years or so (the more standard procedure was to pick middle aged actors who could be made both younger and older through make-up and lighting). But Hudson, Taylor and Dean are perfect. Dean is especially impressive as he undergoes the most significant transformation. All three of his major films are almost heartbreaking to watch; he was an incredible talent but didn't have a chance to do much with it before he tragically passed away. But all three principal cast members are at the top of their game here; each is able to do a bit of scene stealing if they want. It creates a lot of energy throughout the film and enhances the occasional tensions in the script.

The smaller roles are perfectly filled as well. I was particularly amused with Dennis Hopper among the supporting cast. Hopper portrays Bick and Leslie's son, Jordan III. This was his first major role, and he meshes well, but at the same time, you can easily see the more infamous Hopper ala Easy Rider's (1969) Billy, Blue Velvet's (1986) Frank Booth, or The Texas Chainsaw Massacre 2's (1986) Lieutenant "Lefty" Enright.

The cinematography and production design are consistently beautiful. The stark Texas landscapes (filmed primarily in the town of Marfa) couldn't have more impact. The Benedict home is oddly Gothic and a bit eerie in its exterior (especially post-Psycho, 1960), and lushly gorgeous and Victorian inside. Later scenes give the interior a redecoration to match changing fashions.

Giant is extremely engaging in its soap-operatic family drama, but just as captivating for its subtle handling of important social themes. Leslie's respect for the Mexican ranch hands and servants parallels the slowly and occasionally painfully evolving public opinion about different ethnicities that is still developing. She also tries her best to usher in a bit of woman's liberation, open-mindedness in child rearing, and many other "progressive" attitudes. She's a symbol, in some ways, of Northeastern (U.S.) thinking filtering across the country in the early part of the 20th Century.

Giant is heavy on symbolism in many ways. Jett Rink's newfound fortune isn't just a personal transformation, but it symbolizes changing technology and the necessary adaptations to remain viable economically; it's a move away from a more agrarian existence. There is also pithy commentary on World War II--just look at who returns in one piece and who doesn't, and the different attitudes towards this.

It would probably take a book to just give an adequate analysis of this film. It goes without saying that you need to see Giant if you haven't already.


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3+ hours of unremitting boredom, punctuated by... stevezodiacxl5
Liz Taylors accent cathy-creswell
Racism in Texas in that era maddogrick
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