2 items from 2017
In August 1983, Ronald Reagan was president, “Every Breath You Take” by The Police was in the middle of an eight-week run as the #1 single, Ivanka Trump wasn’t quite two years old, and few people were aware of the Church of Scientology. And “Risky Business,” the first movie to star Tom Cruise, became a surprise hit.
34 years later, Cruise is at a different kind of crossroads at the box office. He’s been charged with rebooting Universal’s Mummy franchise, which will launch the studio’s “Dark Universe” story world. And while “The Mummy” has already opened strongly in its first date (South Korea), projections here are considerably less kind. Reviews have ranged from disappointing to incendiary, and “Wonder Woman” is expected to soundly beat the film in its opening weekend.
While “The Mummy” won’t be a career highlight, »
- Tom Brueggemann
1957 / B&W / 1:85 widescreen / 130 min. / Street Date February 7, 2017 / available through the WBshop / 21.99
Cinematography: William C. Mellor
Film Editor: Leonid Azar
Art Direction: Alexandre Trauner
Adapted Music: Franz Waxman
Produced and Directed by Billy Wilder
A favorite of Billy Wilder-philes, Love in the Afternoon is a strong expression of the ‘romantic-Lubitsch’ vein in Wilder’s work. It’s essentially a return to the early ’30s Lubitsch comedies with Maurice Chevalier, but played in a more bittersweet Viennese register. It’s also Wilder’s first collaboration with the comedy screenwriter I.A.L. Diamond. Together they fashion the predominantly verbal comedy machine that will carry them through three or four big hits, and a few losers that have become classics anyway. »
- Glenn Erickson
2 items from 2017
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