Friendly Persuasion (1956) - News Poster

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The Law and Jake Wade

Many of MGM’s productions were scraping bottom in 1958, yet the studio found one more acceptable western vehicle for their last big star still on contract. Only-slightly corrupt marshal Robert Taylor edges toward a showdown with the thoroughly corrupt Richard Widmark in an economy item given impressive locations and the sound direction of John Sturges.

The Law and Jake Wade

Blu-ray

Warner Archive Collection

1958 / Color / 2:35 widescreen / 86 min. / Street Date September 12, 2017 / available through the WBshop / 21.99

Starring: Robert Taylor, Richard Widmark, Patricia Owens, Robert Middleton, Henry Silva, DeForest Kelley, Henry Silva, Burt Douglas, Eddie Firestone.

Cinematography: Robert Surtees

Film Editor: Ferris Webster

Written by William Bowers from a novel by Marvin H. Albert

Produced by William B. Hawks

Directed by John Sturges

As the 1950s wore down, MGM was finding it more difficult to properly use its last remaining big-ticket stars on the steady payroll, Cyd Charisse and Robert Taylor. Cyd
See full article at Trailers from Hell »

Tom Cruise and ‘The Mummy’: Why This May Be the Weirdest Movie Choice of His Career

Tom Cruise and ‘The Mummy’: Why This May Be the Weirdest Movie Choice of His Career
In August 1983, Ronald Reagan was president, “Every Breath You Take” by The Police was in the middle of an eight-week run as the #1 single, Ivanka Trump wasn’t quite two years old, and few people were aware of the Church of Scientology. And “Risky Business,” the first movie to star Tom Cruise, became a surprise hit.

34 years later, Cruise is at a different kind of crossroads at the box office. He’s been charged with rebooting Universal’s Mummy franchise, which will launch the studio’s “Dark Universe” story world. And while “The Mummy” has already opened strongly in its first date (South Korea), projections here are considerably less kind. Reviews have ranged from disappointing to incendiary, and “Wonder Woman” is expected to soundly beat the film in its opening weekend.

Read More: Review: ‘The Mummy’ Is The Worst Tom Cruise Movie Ever

While “The Mummy” won’t be a career highlight,
See full article at Indiewire »

Love in the Afternoon

Love in the Afternoon

Blu-ray

Warner Archive Collection

1957 / B&W / 1:85 widescreen / 130 min. / Street Date February 7, 2017 / available through the WBshop / 21.99

Starring Gary Cooper, Audrey Hepburn, Maurice Chevalier, John McGiver, Van Doude, Lise Bourdin, Louis Jourdan, Betty Schneider.

Cinematography: William C. Mellor

Film Editor: Leonid Azar

Art Direction: Alexandre Trauner

Adapted Music: Franz Waxman

Written by: Billy Wilder, I.A.L. Diamond from a novel by Claude Anet

Produced and Directed by Billy Wilder

A favorite of Billy Wilder-philes, Love in the Afternoon is a strong expression of the ‘romantic-Lubitsch’ vein in Wilder’s work. It’s essentially a return to the early ’30s Lubitsch comedies with Maurice Chevalier, but played in a more bittersweet Viennese register. It’s also Wilder’s first collaboration with the comedy screenwriter I.A.L. Diamond. Together they fashion the predominantly verbal comedy machine that will carry them through three or four big hits, and a few losers that have become classics anyway.
See full article at Trailers from Hell »

Panic in Year Zero!

Hey, we're having a Nuclear family crisis, so load up your shotgun, grab the grenades and head for the hills, stealing what you need as you go. Ray Milland's tense tale of doomsday survival shook up a lot of folks with its endorsement of ruthless violence. Fortunately the worst never happened, allowing us to ask, "Where were you in '62?" Panic in Year Zero! Blu-ray Kl Studio Classics 1962 / B&W / 2:35 widescreen / 92 min. / Street Date April 19, 2016 / available through Kino Lorber / 29.95 Starring Ray Milland, Jean Hagen, Frankie Avalon, Mary Mitchel, Joan Freeman, Richard Bakalyan, Cinematography Gilbert Warrenton Production Designer Daniel Haller Film Editor William Austin Original Music Les Baxter Written by John Morton, Jay Simms Produced by Samuel Z. Arkoff, Arnold Houghland, James H. Nicholson, Lou Rusoff Directed by Ray Milland

Reviewed by Glenn Erickson

There's nothing like good old atom-scare hysteria, which Hollywood dished out as early as 1952's Invasion,
See full article at Trailers from Hell »

Two-Time Oscar Winner Cooper on TCM: Pro-War 'York' and Eastwood-Narrated Doc

Gary Cooper movies on TCM: Cooper at his best and at his weakest Gary Cooper is Turner Classic Movies' “Summer Under the Stars” star today, Aug. 30, '15. Unfortunately, TCM isn't showing any Cooper movie premiere – despite the fact that most of his Paramount movies of the '20s and '30s remain unavailable. This evening's features are Mr. Deeds Goes to Town (1936), Sergeant York (1941), and Love in the Afternoon (1957). Mr. Deeds Goes to Town solidified Gary Cooper's stardom and helped to make Jean Arthur Columbia's top female star. The film is a tad overlong and, like every Frank Capra movie, it's also highly sentimental. What saves it from the Hell of Good Intentions is the acting of the two leads – Cooper and Arthur are both excellent – and of several supporting players. Directed by Howard Hawks, the jingoistic, pro-war Sergeant York was a huge box office hit, eventually earning Academy Award nominations in several categories,
See full article at Alt Film Guide »

Wright Was Earliest Surviving Best Supporting Actress Oscar Winner

Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years.[1] Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch.[2] Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later,
See full article at Alt Film Guide »

Wright and Goldwyn Have an Ugly Parting of the Ways; Brando (More or Less) Comes to the Rescue

Teresa Wright-Samuel Goldwyn association comes to a nasty end (See preceding post: "Teresa Wright in 'Shadow of a Doubt': Alfred Hitchcock Heroine in His Favorite Film.") Whether or not because she was aware that Enchantment wasn't going to be the hit she needed – or perhaps some other disagreement with Samuel Goldwyn or personal issue with husband Niven BuschTeresa Wright, claiming illness, refused to go to New York City to promote the film. (Top image: Teresa Wright in a publicity shot for The Men.) Goldwyn had previously announced that Wright, whose contract still had another four and half years to run, was to star in a film version of J.D. Salinger's 1948 short story "Uncle Wiggily in Connecticut." Instead, he unceremoniously – and quite publicly – fired her.[1] The Goldwyn organization issued a statement, explaining that besides refusing the assignment to travel to New York to help generate pre-opening publicity for Enchantment,
See full article at Alt Film Guide »

Few Original Song Nominees Come From Best Picture Nominees

By Anjelica Oswald

Managing Editor

On Dec. 12, the Academy released a shortlist of 79 songs in contention for best original song at the 87th Academy Awards, but it’s not so easy to predict which songs will be announced as nominees on Jan. 15. You can’t turn to potential best picture nominees — or best animated features, for that matter — to predict which songs make the final cut. Though a number of best picture nominees have also been nominated for best original song, there’s not much correlation between the two.

The original song category was first introduced at the 7th Annual Academy Awards, and the winner was “The Continental” from 1934’s The Gay Divorcee, also nominated for best picture.

Nineteen of the 80 Oscar-winning songs have come from best picture nominees. They are as follows:

“The Continental” — The Gay Divorcee (1934) “Over the Rainbow” — The Wizard of Oz (1939) “Swinging on a Star” — Going My Way
See full article at Scott Feinberg »

Heavenly Copyright Lawyers to Kill Sequel to Capra's Christmas Classic?

‘It’s a Wonderful Life’ sequel could get killed by Paramount (photo: James Stewart and Donna Reed in ‘It’s a Wonderful Life’) What would the world be like if any one individual human being had never been born? In most cases, the world would quite possibly be an infinitely better place, but the overwhelming majority of (delusional) humans want to feel good about themselves and their place on our overpopulated, fast-rotting planet. Hence movies such as Frank Capra’s 1946 sentimental fantasy drama It’s a Wonderful Life, released the year after the end of World War II — which reportedly left about 60 million human beings dead (plus countless other non-humans), in addition to millions more maimed, homeless, and/or psychologically destroyed. Starring James Stewart as Small Town America family man George Bailey, who almost kills himself but is prevented from doing so by an angel with way too much time in his hands,
See full article at Alt Film Guide »

Drinking Buddies | Review #2

Friendly Persuasion: Swanberg Hones His Craft

One of the most notable members of the Mumblecore crew, the often factious Joe Swanberg, at long last seems to have outgrown microbudget miasma with his latest, and arguably best directorial effort to date, Drinking Buddies. Oft criticized for his sloppy, rough around the edges, yet impressive amount of cinematic output (directing twelve films in the span of eight years, plus a good amount of acting gigs is nothing to sneer at), Swanberg seemed forever doomed to be on the wrong end of the quality vs. quantity debate. But now, with his latest mostly improvised gem, the union of content and imagery makes this his most visually pleasing glance at complicated adult relationships to date.

Kate (Olivia Wilde) works as an office manager at a Chicago craft brewery. She’s harried, unkempt, and the only female, but seems to have a comfortably playful
See full article at IONCINEMA.com »

Cannes 2013: 5 Films To Watch For Oscars

The Cannes film festival is the single most prestigious film festival in the world. Known for fostering and cultivating cinematic auteurs from every region of the globe, it is a festival that commonly rewards films with high aspirations towards what the art of cinema could and should be. The festival’s highest honor, the Palme d’Or, has been bestowed on such lofty films as Luchino Visconti’s The Leopard, Claude Lelouch’s A Man and a Woman, Michelangelo Antonioni’s Blowup, Lars Van Trier’s Dancer in the Dark, and Cristian Mungui’s 4 Months, 3 Weeks, 2 Days.

It may come as no surprise then, given Cannes’ inclination towards high-brow world cinema, that the Oscars and the Croisette don’t often cross paths in terms of which films they consider deserving of awards. In fact, only once has the Academy’s selection for Best Picture coincided with the Palme d’Or winner,
See full article at Obsessed with Film »

The 5 Non-"Psycho" Anthony Perkins Movies You Need To See

Anthony Perkins in Goodbye Again

Happy birthday to the man I call my Time Machine Husband (Tm), Anthony Perkins. The effete, beautiful actor best known for his astonishing performance as Norman Bates in Psycho would've been 81 today, and without even reading Charles Winecoff's gripping biography Split Image, you can tell in Mr. Perkins' performances that he was enigmatic, complicated, and conflicted. Though Perkins died of AIDS in 1992, his silver screenlegacy endures thanks to his lengthy, strange filmography.

Hollywood wanted Perkins to be the next James Dean, but his vulnerability and (frankly) apparent gayness stood at odds with that demand. As I like to say, we can't rewrite cinematic history to include all the wonderful gay characters we deserve, so we as gay entertainment anthropologists have to find our stories in the nuances, innuendos, and otherwise untold stories hidden right onscreen (perhaps unintentionally), right within all the stated heterosexuality. Though
See full article at The Backlot »

John Kerr obituary

Actor who starred as the troubled pupil in Tea and Sympathy on stage and screen

The actor John Kerr, who has died aged 81, won a Tony award in his first starring role on the Broadway stage, as Tom in Tea and Sympathy in 1953, and subsequently appeared in the 1956 film version directed by Vincente Minnelli. Robert Anderson's play, in which a schoolboy "confesses" to his housemaster's wife that he might be homosexual – only to be seduced out of the notion by the sympathetic listener – was considered so controversial that it was restricted to a "members only" theatrical run in London, and Minnelli's film received an X certificate, despite modification, notably in the suggestion that the housemaster was gay.

Kerr starred as the boy, although by then he was in his 20s. Born in New York, son of the actors Geoffrey Kerr and June Walker, he had already graduated from Harvard,
See full article at The Guardian - Film News »

"American Idol" Recap: Meet My New Favorite Contestant, Anthony Perkins II

I interrupt American Idol's streak of fabulous female singers for a special bulletin: A young troubadour named Paul Jolley just became the most valuable singer in the competition thanks to his eerie sweetness and topaz complexion. He has a fine voice too, but that's deeply unimportant right now.

Here's what we should be thinking about: His name is Jolley, which is how my loins feel right now. 2) He sang Rascal Flatts, which means AfterElton readership has to rescue this child. 3) He auditioned while dressed in a turquoise shirt and white pants, as if he were Dinah Shore shopping at Pacific Sunwear. He's like Doris Day in those togs. Suzanne Pleshette on vacay. Elizabeth Montgomery eleganza. 4) You can tell by his constant gesturing and fluttery eyelashes that he really loves... God. Yes. He is one of those. 

Did I mention that he looks like 22-year-old Anthony Perkins in Friendly Persuasion?
See full article at The Backlot »

Happy Birthday to Sal Mineo! Let's Revisit His Bumpy, But Beautiful Work

Cute-as-a-button, self-owned homosexual Sal Mineo would've been 74 today, which is pretty young considering the man garnered the first of his two Oscar nominations 57 years ago. Rebel Without a Cause made him a star, and though the actor's career went through ups and downs until his murder in 1976, he's legendary for his sheer talent and unprecedented openness about his sexual orientation. Mineo came out in the late '60s, and that decision wasn't even popular among some of his homosexual contemporaries. (Looking at you, Roddy McDowall.)

As a gay man who cares about film history, I find myself seeking out homosexual stories in the subtexts and subversive moments of old films because none existed in the foreground. Watch Anthony Perkins as a gunshy soldier in Friendly Persuasion. Watch Farley Granger gulp libidinously next to John Dall in Rope. You can't help but discover shards of gayness in these parts, whether they're intentionally presented or not,
See full article at The Backlot »

TCM Offers Ultimate Studio Tour With 2013 Edition Of 31 Days Of Oscar; The Academy Awards February 24th

As the Academy celebrates 85 years of great films at the Oscars on February 24th, Turner Classic Movies (TCM) is set to take movie fans on the ultimate studio tour with the 2013 edition of 31 Days Of Oscar®. Under the theme Oscar by Studio, the network will present a slate of more than 350 movies grouped according to the studios that produced or released them. And as always, every film presented during 31 Days Of Oscar is an Academy Award® nominee or winner, making this annual event one of the most anticipated on any movie lover’s calendar.

As part of the network’s month-long celebration, the Academy of Motion Picture Arts and Sciences has graciously provided the original Academy Awards® radio broadcasts from 1930-1952. Specially chosen clips from the radio archives will be featured throughout TCM’s 31 Days Of Oscar website.

Hollywood was built upon the studio system, which saw nearly ever aspect
See full article at WeAreMovieGeeks.com »

The 10 Hottest Men of Horror Films

All moviegoing human beings go through a horror fixation at some point, and part of that ride is discovering that scary movies feature pleeeeenty of hot men. Sure, it's mostly the female babysitters and big-breasted sorority girls who steal most of the screen time, but tons of notable horror flicks feature hunks in key roles. And in key death sequences. Which is somehow therapeutic to me. Don't ask.

In honor of October's shadowy pall, here are the 10 greatest hunks of horror. Pay attention, because some of these gents may pop up again in our Best Movie Ever column this month.

10. Rider Strong, Cabin Fever

Cabin Fever is so gross, but so righteously bizarre. Part of its appeal is the eminently lovable Rider Strong, the Boy Meets World alum who rents a cabin in the woods with his idiotic friends and suffers the wrath of a disgusting virus. But before the bloody bombast takes over,
See full article at The Backlot »

William Wyler/Oscar Actors: Walter Huston, Bette Davis

Walter Huston, Ruth Chatterton, Dodsworth William Wyler: Record-Setting Oscar Director for Actors Pt.1 Ah, William Wyler also happens to be the director with the most Academy Award nominations: twelve in all. For the record, those are: Dodsworth, 1936; Wuthering Heights, 1939; The Letter, 1940; The Little Foxes, 1941; Mrs. Miniver, 1942; The Best Years of Our Lives, 1946; The Heiress, 1949; Detective Story, 1951; Roman Holiday, 1953; Friendly Persuasion, 1956; Ben-Hur, 1959; and The Collector, 1965. He won the Best Director Oscar for three films — none of which is among his best: Mrs. Miniver, The Best Years of Our Lives, and Ben-Hur. Considering the changes that have taken place in the American film industry following the demise of the studio system, barring a miracle Wyler will remain the Oscars' top director for actors for as long as there are Oscars. (See full list below.) William Wyler died of a heart attack in July 1981 in Los Angeles. William Wyler-directed movies: thirty-six acting nominations; fourteen wins.
See full article at Alt Film Guide »

William Wyler: Oscar Actors Director

William Wyler was one of the greatest film directors Hollywood — or any other film industry — has ever produced. Today, Wyler lacks the following of Alfred Hitchcock, John Ford, Frank Capra, or even Howard Hawks most likely because, unlike Hitchcock, Ford, or Capra (and to a lesser extent Hawks), Wyler never focused on a particular genre, while his films were hardly as male-centered as those of the aforementioned four directors. Dumb but true: Films about women and their issues tend to be perceived as inferior to those about men — especially tough men — and their issues. The German-born Wyler (1902, in Alsace, now part of France) immigrated to the United States in his late teens. Following a stint at Universal's New York office, he moved to Hollywood and by the mid-'20s was directing Western shorts. His ascent was quick; by 1929 Wyler was directing Universal's top female star, Laura La Plante in the
See full article at Alt Film Guide »

DGA Awards vs. Academy Awards: Odd Men Out Jack Clayton, David Lean, Stanley Donen

Katharine Hepburn, Rossano Brazzi in Oscar nominee (but not DGA nominee) David Lean's Summertime DGA Awards vs. Academy Awards 1948-1952: Odd Men Out George Cukor, John Huston, Vincente Minnelli 1953 DGA (12) Melvin Frank and Norman Panama, Above and Beyond Walter Lang, Call Me Madam Daniel Mann, Come Back, Little Sheba Joseph L. Mankiewicz, Julius Caesar Henry Koster, The Robe Jean Negulesco, Titanic George Sidney, Young Bess DGA/AMPAS George Stevens, Shane Charles Walters, Lili Billy Wilder, Stalag 17 William Wyler, Roman Holiday Fred Zinnemann, From Here to Eternity   1954 DGA (16) Edward Dmytryk, The Caine Mutiny Alfred Hitchcock, Dial M for Murder Robert Wise, Executive Suite Anthony Mann, The Glenn Miller Story Samuel Fuller, Hell and High Water Henry King, King of Khyber Rifles Melvin Frank and Norman Panama, Knock on Wood Don Siegel, Riot in Cell Block 11 Stanley Donen, Seven Brides for Seven Brothers George Cukor, A Star Is Born Jean Negulesco,
See full article at Alt Film Guide »
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