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Four Girls in Town (1957)

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Which one of an international quartette of beauties will replace Universal's glamour star in an upcoming Biblical epic?



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Title: Four Girls in Town (1957)

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Cast overview, first billed only:
Mike Snowden
Kathy Conway
Johnny Pryor
Ina Schiller (as Marianne Cook)
Maria Antonelli
Spencer Farrington Jr.
Gia Scala ...
Vicki Dauray
Tom Grant
Herbert Anderson ...
Ted Larabee
Hy Averback ...
Bob Trapp
Ainslie Pryor ...
James Manning
James Bell ...
Walter Conway
Mrs. Conway
Dave Barry ...
Maurice Marsac ...


Four young starlets, from various parts of the world, are called to Hollywood to test for the lead in a major film. Each is romantically pursued by the director, composer, playboy, and actor. Written by Herman Seifer <>

Plot Summary | Add Synopsis


The sparkling story of eager young beauties in search of marriage! See more »




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Release Date:

11 April 1957 (Australia)  »

Also Known As:

4 Girls in Town  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Westrex Recording System)



Aspect Ratio:

2.35 : 1
See  »

Did You Know?


References Gone with the Wind (1939) See more »


Rhapsody for Four Girls
Music by Alex North
See more »

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User Reviews

A B-Film Done A-Style
16 May 2001 | by (United States) – See all my reviews

This light Hollywood drama begins with a world-wide search for an actress to play the title role in an upcoming epic "The Story of Esther", since Manning Studios is having issues with their temperamental star Rita Holloway (Helene Stanton). Four are finally chosen: an Austrian(Marianne Koch), an Italian (Elsa Martinelli), a Frenchwoman (GiaScala) and an American (Julie Adams), all brunette beauties. There's some fascinating backstage, back-lot sequences, all shot on the Universal-International sets. A couple of shots of Adams in "Esther"wardrobe reveals her breathtaking beauty: Statuesque, jut-jawed with high cheekbones, lustrous dark hair, and stunning eyes. There's also an unexpected denouement at the end. The conventional plot line receives tremendous boost by being photographed in color and Cinemascope (although I haven't seen it in widescreen). The day and night beach scenes are striking and the music by Alex North is interesting. But at the end the four women don't seem complete, 1950s style, unless they get their man.

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