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Foreign Intrigue (1956)

 -  Drama | Mystery | Romance  -  12 July 1956 (USA)
5.9
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Ratings: 5.9/10 from 490 users  
Reviews: 20 user | 3 critic

When a reclusive, enigmatic millionaire dies suddenly on the Riviera, his press agent begins to investigate his employer's shady past.

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Title: Foreign Intrigue (1956)

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Cast

Cast overview, first billed only:
...
Dave Bishop
...
Dominique
...
Brita (as Ingrid Tulean)
Frédéric O'Brady ...
Spring
Eugene Deckers ...
Sandoz
Inga Tidblad ...
Mrs. Lindquist
Lauritz Falk ...
Jones
Frederick Schreicker ...
Mannheim
Georges Hubert ...
Dr. Thibault
...
Brown
Lily Kann ...
Blind Housekeeper
Ralph Brown ...
Smith
Milo Sperber ...
Baum
Jim Gérald ...
Bistro Owner
Jean Galland ...
Danemore
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Storyline

Millionaire Victor Danemore, living on the French Riviera, dies suddenly of a heart attack. His secretary, Dave Bishop, wants to know more about his employer's life. Surprisingly, not even his young wife knows anything about her husband's background or how he earned his fortune. Clues lead Bishop to Vienna and Stockholm, where he learns that Danemore was black-mailing people who cooperated with the Nazis during WW2. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

The most startling spy-hunt ever filmed! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

12 July 1956 (USA)  »

Also Known As:

Die fünfte Kolonne  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

| (Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Quotes

Spring: Just a word of caution: the order I received and ignored can be given to others. First you and now we are gambling for very high stakes, and we must be extremely cautious. We must meet cautiously, and we must travel cautiously.
Dave Bishop: I'm inclined to rely on your judgment in such cases.
Spring: The first mark of a talented amateur is that he respects the professional. Au revoir.
Dave Bishop: Au revoir.
See more »

Connections

Follows Foreign Intrigue (1951) See more »

Soundtracks

FOREIGN INTRIGUE CONCERTO
Music by Charlie Norman
See more »

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User Reviews

 
Intelligent and Beautifully-Photographed Noir Mystery; Classic Sleeper
29 June 2005 | by See all my reviews

This is my idea, as a writer, of a great ethical mystery. The intelligent narrative tells the story of an American working for a mysterious and very wealthy man named Victor Danemore. One day at his estate on the French Riviera, the great man, played by Jean Galland, dies. Robert Mitchum as Dave, the assistant, goes to the man's wife, lovely Genevive Page, for information; she knows nothing either. His odyssey to try to find out what he needs to know about his mysterious employer leads him to Vienna and to Stockholm--and finally to the fact that Danemore had been blackmailing Nazi collaborators who were afraid their wartime crimes would be discovered. At the end, having been saved narrowly from the bad guys, who are actually good guys testing his ethics, he goes off to seek out the real ex-Nazi collaborator bad guys in as many countries as he must; by then the lovely young woman he has fallen in love with, Ingrid Thulin (brilliant as always) is going to be waiting for him. This is a project conceived by Sheldon Reynolds, who wrote the script along with Gene Levitt and Harold Jack Bloom and also directed this fascinating movie. He was also the mind behind another Euro-American on-location project, "Dateline:Europe", one of the best half-hour TV series of all time,one which utilized (as this feature movie) does European technicians, actors, locations and artists. (When people talk about " the sorts of movies 'they' used to make and don't or can't any more", this is the sort of international, intelligent, adult and well-scripted film to which the disappointed are referring). The music here by Paul Durand is good, the cinematography by Bertil Palmgren frequently stunning. The piece also has many actors in small but telling parts, including Inga Tingblad as Thulin's mother, George Hubert, Frederick Schreidler, etc. They are all professional and exactly right for their parts; and all the parts contribute to a whole that moves with the inexorability of a tide toward a satisfying climax and an unforgettable ending. A personal favorite.


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