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Foreign Intrigue (1956)

Approved | | Crime, Drama, Mystery | 12 July 1956 (USA)
When a reclusive, enigmatic millionaire dies suddenly on the Riviera, his press agent begins to investigate his employer's shady past.

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Writers:

(story based on an original treatment), (story based on an original treatment by) | 2 more credits »
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Cast

Cast overview, first billed only:
...
Dave Bishop
...
Dominique
...
Brita (as Ingrid Tulean)
Frédéric O'Brady ...
Spring
Eugene Deckers ...
Sandoz
Inga Tidblad ...
Mrs. Lindquist
Lauritz Falk ...
Jones
Frederick Schreicker ...
Mannheim
Georges Hubert ...
Dr. Thibault
...
Brown
Lily Kann ...
Blind Housekeeper
Ralph Brown ...
Smith
Milo Sperber ...
Baum
Jim Gérald ...
Bistro Owner
...
Danemore
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Storyline

Millionaire Victor Danemore, living on the French Riviera, dies suddenly of a heart attack. His secretary, Dave Bishop, wants to know more about his employer's life. Surprisingly, not even his young wife knows anything about her husband's background or how he earned his fortune. Clues lead Bishop to Vienna and Stockholm, where he learns that Danemore was black-mailing people who cooperated with the Nazis during WW2. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Taglines:

Robert Mitchum is the hunted . . . Europe is the hunting ground ! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

| | |

Release Date:

12 July 1956 (USA)  »

Also Known As:

Die fünfte Kolonne  »

Filming Locations:

 »

Box Office

Budget:

$625,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (Poste Parisien)

Color:

| (Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

According to the Internet Movie Car Database the car Mitchum drives off in at the beginning of the film is a 1949 Delahaye 135 Cabriolet Chapron. See more »

Quotes

Spring: Somewhere we have known we have made tremendous progress.
Dave Bishop: [Shaving in the bathroom mirror] What makes you think so?
Spring: Because this morning I was ordered to kill you.
Dave Bishop: [Continuing to shave for a moment and then turning around] What did you say?
Spring: I was ordered to kill you.
See more »

Connections

Follows Foreign Intrigue (1951) See more »

Soundtracks

FOREIGN INTRIGUE CONCERTO
Music by Charlie Norman
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User Reviews

 
A heavily accented foreign travelogue devoid of intrigue
12 September 2002 | by (Western New York) – See all my reviews

Foreign Intrigue is as bland and generic as its title. Its scantily credentialed director/writer/producer, Sheldon Reynolds, did an early-1950s TV series with the same name, so this movie looks like a bid for big-screen immortality. Alas, it's one of those polyglot productions that suggests financing flowed from several European countries, with strings attached to several cast members; there's no other way to account for their presence.

A wealthy man of mystery drops dead in his villa on the Riviera. His American press agent (Robert Mitchum) finds him but suspicions grow when he's asked four times in succession if his employer `said anything' before he died. So Mitchum sets out to discover who the man was and how he accumulated his fortune. He starts with the merry widow (Genevieve Page) and travels on to Vienna and Stockholm, where he falls for the daughter (Ingrid Thulin) of a deceased industrialist whom may have been a blackmail target. Mitchum finds that he, too, is being followed....

Foreign Intrigue brings to mind Orson Welles' Mr. Arkadin of the previous year, memories of which emphatically ought not to be freshened. There's little true suspense, though the score, by Paul Durand and Charlie Norman, insists that yes, there is. Reynolds tosses in a little Alfred Hitchock here, a little Carol Reed there, but to little avail. About three-quarters of the way through, the picture reaches a lugubrious crescendo by revealing a vast global conspiracy harking back to the Third Reich. The only sensible reaction to all this is Mitchum's, who knew a good paycheck when he saw one and saunters through the movie with his eyes half-shut, as only he could do. Even so, he remains the only reason to sit through this foreign travelogue devoid of intrigue.


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