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Forbidden Planet (1956)

7.7
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Ratings: 7.7/10 from 29,295 users  
Reviews: 266 user | 110 critic

A starship crew goes to investigate the silence of a planet's colony only to find two survivors and a deadly secret that one of them has.

Director:

(as Fred McLeod Wilcox)

Writers:

(screen play), (based on a story by), 2 more credits »
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Title: Forbidden Planet (1956)

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Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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George Wallace ...
Robert Dix ...
Crewman Grey (as Bob Dix)
Jimmy Thompson ...
Crewman Youngerford
...
Crewman Strong
Harry Harvey Jr. ...
Crewman Randall
Roger McGee ...
Crewman Lindstrom
Peter Miller ...
Crewman Moran
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Storyline

When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

IT'S OUT OF THIS WORLD! (original print ad - all caps) See more »


Certificate:

TV-PG | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 March 1956 (USA)  »

Also Known As:

Planète interdite  »

Box Office

Budget:

$1,900,000 (estimated)

Gross:

$3,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Perspecta Sound encoding) (Western Electric Sound System)

Color:

(Eastmancolor) (as Eastman Color)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

MGM had had a full animation department at one time but by 1956 it was largely dismantled. Critical animation effects (landing beam, weapons, Robby overloading, the Id Monster) were provided by Joshua Meador on loan to MGM from Walt Disney Pictures. Meador's recognizable style can be readily discerned from that of the other three effects animators working on Alice in Wonderland (1951) and in other Disney releases. See more »

Goofs

When Commander Adams leaves Lt. Ostrow to go outside the living quarters to see Altaira in the swimming pool, we hear a film crew member cough. See more »

Quotes

Robby: Morbius. Morbius!
Dr. Edward Morbius: What?
Robby: Something is approaching from the southwest. It is now quite close.
[they run to the windows and look out, but see nothing]
Commander John J. Adams: Could Robby be wrong?
Dr. Edward Morbius: No. Never.
[an invisible force rips down the trees; Morbius closes the steel shutters over the windows]
Dr. Edward Morbius: I feel sorry for you, young man.
Commander John J. Adams: Feel sorry for your daughter, Morbius.
Altaira: It's listening.
[...]
See more »

Connections

Referenced in The Big Bang Theory: The Misinterpretation Agitation (2014) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Incredible special effects and a somewhat compelling pulp plot
28 February 2005 | by (Vulcan) – See all my reviews

A flying saucer manned (literally) by a crew of about 20 male space explorers travels hundreds of millions of light years from earth to check in on a colony founded some 25 years ago on a 'forbidden planet.' What they find is a robot more advanced than anything imaginable on earth, a beautiful and totally socially inept young woman, and her father, a hermit philologist haunted by more than the demons of the ancient civilization he has immersed himself in.

On the surface, this story is a pulp scifi murder mystery. Some compare it to Shakespeare's Tempest, but this is a stretch, and, in some ways, an insult to the scifi genre. Stripped of what makes it a scifi film, sure, its The Tempest, but how many hundreds of films can you say something similar about?

Underneath, this is a cautionary tale about progress and technology and the social evolution necessary for its appropriate and safe use. Yet the film still proceeds with all the hopefulness for our future that we have come to expect from shows like Star Trek.

Anne Francis is not the only reason why this film is best described as beautiful. The special effects, and even the aesthetics of the backdrops are powerful enough to make the uninspired directing and uneven acting almost unnoticeable. If it were not for the goofy retro-art-deco-ness of 1950s sci-fi props, you might think you were watching a 1960s piece.

This is a classic of that very special sub-genre of sci fi I like to call 1950s sci-fi, and, though not, in my opinion, the best it is certainly a must see for anybody interested in sci-fi film and special effects. The clever plot, now rendered trite by its reuse in six or seven episodes of Star Trek, Lost in Space, and even Farscape, is worth paying attention to, and will sustain the interest of most scifi fans. Trekkers will be particularly interested in the various aspects of the film which seem to have inspired themes of Star Trek's original series aired about 12 years later, though they may find themselves disappointed by the (relatively mild) 1950s sexism and the lack of any kind of racial integration. While I do not mean to nitpick, the lack of social progress manifest in this film was the one major problem I had with it.

Some will probably see this film simply to catch a glimpse of young, good-looking Leslie Nielsen in one of his first starring roles. Unfortunately, Nielsen's performance is only average, and at times down-right poor (especially at the climax of the film). Walter Pigeon, though quite excellent in other films, over-acts his role as well. Ms Francis, Earl Holliman, and the amazing Robby the Robot are the stand-out actors in this crowd, though on the whole the character actors filling in the ensemble do a good job. The problems with the featured performances, I think, are as much the fault of the director and the editor, as anything. Though they certainly got most of the film quite right.


37 of 52 people found this review helpful.  Was this review helpful to you?

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