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Forbidden Planet (1956)

Passed  -  Action | Adventure | Family  -  15 March 1956 (USA)
7.7
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Ratings: 7.7/10 from 29,569 users  
Reviews: 269 user | 110 critic

A starship crew goes to investigate the silence of a planet's colony only to find two survivors and a deadly secret that one of them has.

Director:

(as Fred McLeod Wilcox)

Writers:

(screen play), (based on a story by), 2 more credits »
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Title: Forbidden Planet (1956)

Forbidden Planet (1956) on IMDb 7.7/10

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Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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An Edinburgh professor and assorted colleagues follow an explorer's trail down an extinct Icelandic volcano to the earth's center.

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Cast

Cast overview, first billed only:
...
...
...
...
...
...
...
...
George Wallace ...
Robert Dix ...
Crewman Grey (as Bob Dix)
Jimmy Thompson ...
Crewman Youngerford
...
Crewman Strong
Harry Harvey Jr. ...
Crewman Randall
Roger McGee ...
Crewman Lindstrom
Peter Miller ...
Crewman Moran
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Storyline

When Adams and his crew are sent to investigate the silence from a planet inhabited by scientists, he finds all but two have died. Dr. Morbius and his daughter Altaira have somehow survived a hideous monster which roams the planet. Unknown to Adams, Morbius has made a discovery, and has no intention of sharing it (or his daughter!) with anyone. Written by Rob Hartill

Plot Summary | Plot Synopsis

Taglines:

Earthmen on a fabulous, peril-journey into outer space! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 March 1956 (USA)  »

Also Known As:

Planète interdite  »

Box Office

Budget:

$1,900,000 (estimated)

Gross:

$3,000,000 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Perspecta Sound encoding) (Western Electric Sound System)

Color:

(Eastmancolor) (as Eastman Color)

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

Star Trek (1966) creator Gene Roddenberry has been quoted as saying that this film was a major inspiration for that series. Perhaps not accidentally, Warren Stevens, who plays "Doc" here, would later be a guest star in 1968's Star Trek: By Any Other Name (1968), where the true shape of the alien Kelvans, like the Krell in this movie, was implied to be extremely non-humanoid but never shown. 1701, which is the serial number of the Starship Enterprise, allegedly comes from the clock mark 17:01 when the C57D enters orbit around Altair IV. See more »

Goofs

As the tiger passes Altaira on the patio, first a portion of the tiger's face, and then a portion of the tiger's hind leg vanish in the split-screen effect. See more »

Quotes

[to Altaira]
Commander John J. Adams: Alta, about a million years from now the human race will have crawled up to where the Krell stood in their great moment of triumph and tragedy. And your father's name will shine again like a beacon in the galaxy. It's true, it will remind us that we are, after all, not God.
See more »

Connections

Referenced in Matinee (1993) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Yes, this IS the best sci-fi film ever made.
5 September 2004 | by (Parker, Colorado) – See all my reviews

Well, of course, "Star Wars" defined the genre, and "Alien" and "Blade Runner" perfected it; but "Forbidden Planet" created it. Argue, if you must, that movies like "The Day the Earth Stood Still", "Them" and "Five Million Years to Earth" are the cerebral grand-fathers of the film genre (and I won't disagree with you), but for "science-fiction-as-plot-driven-action-epic," this is it. This is the one.

It's so unerringly on target, in fact, that it still plays very well even today. The modern audience has to overcome the "Leslie Nielsen Factor" (and it is difficult to watch him in a totally straight role), but once you do, the movie is pure enjoyment. Forget about dated plots and special effect. Robbie the Robot is a guy in a suit, yes, but he is thoroughly believable. He even adheres nicely to Asimov's Three Laws of Robotics, a trick that the digital robots in this summer's "I, Robot" had a great deal of difficulty with.

And the monster! I defy anyone to avoid getting the willies when the monster first shorts the security fence. Great special effect, then and now!

Finally, the universal theme of man's (and Krell's) individual flaws inserting themselves into an otherwise perfect system and TOTALLY gumming up the works is as relevant today as it was then. More so.


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