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At the turn of the century Rose and ex-showbiz friend Molly get involved in selling steel. When they come unstuck with corsets they embark on the even more hazardous project of selling barbed wire to highly suspicious Texas cowboys. Written by
Jeremy Perkins <firstname.lastname@example.org>
Ginger Rogers would quip that this picture shut down RKO (it was the last film produced by that studio). This very slight Western comedy went unremarked upon by contemporary film critics at The New York Times. See more »
Mild comedy starring Ginger Rogers as a corset shop owner who goes broke and becomes a traveling saleslady in 1897 Texas. But because she owes money she ends up selling barbed wire. Very strange premise but a decent cast and a few good lines here and there save this one.
Rogers' modeling assistant is none other than Carol Channing, in Hollywood after her smash success on Broadway in Gentlemen Prefer Blondes. And she's not bad at all. Channing does a quickie song called A Corset Can Do a Lot for a Lady and she's hilarious, altering between her trademark Channing voice and some basso sounds that sound like Bea Arthur. Too bad the direction--as usual--cuts away from her to show the man behind the desk. Musicals always did this--cut away from the performer to show the audience.
James Arness is the rancher. Barry Nelson is the car owner. David Brian is the steel man. Clint Eastwood is the cavalry man. Robert F. Simon is a henchman.
What helps sink this is the overall cheap look and bad color. Rogers would star in 2 more films and then appear only sporadically. Channing would not appear in a film for another decade but would win an Oscar nomination for it--Thoroughly Modern Millie. And this is NOT Channing's film debut as is often stated. She had appeared in Paid in Full in 1950. But this was Eastwood's first screen kiss---with Carol Channing!
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