In this variation on director Vadim's own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out... See full summary »
Rebecca De Mornay,
Jeanne lives in Paris and believes she is the reincarnation of Don Juan. She visits a priest and tells him she has killed a man. He comes to her elegant flat - her father has died leaving ... See full summary »
Somewhere in Middle America, 1907: Maria II, daughter of an Irish terrorist. After her father's death, she meets Maria I, the singer in a circus. She decides to stay with the circus, and on... See full summary »
Handsome dentist Herve Dandieu, temporarily separated from his new, delectable wife Virginie by a lovers' tiff, is picked up by sexy dance teacher Anita Flores...object blackmail. Sensing ... See full summary »
Sophie, a flighty young model, learns that her boyfriend is planning to leave her for another woman. Sophie resolves to either win him back or assassinate her rival. A handsome doctor (who ... See full summary »
Three directors each adapt a Poe short story to the screen: "Toby Dammit" features a disheveled drugged and drunk English movie star who nods acceptance in the Italian press and his ... See full summary »
A young girl rescues a man from a suicide attempt. He turns out to be a sociopath, who begins to take over her life, abusing her both verbally and emotionally, yet she can't seem to tear herself away from him.
Antoine promises to take the orphaned Juliette away from St. Tropez after a party where she has wandered onto the yacht of the urbane Eric. But in the morning the bus and Antoine zip by Juliette's stop and she runs into the field to capture the rabbit she set free moments before. About to be sent back to the orphanage by her foster mother, she identifies with the rabbit. Antoine's younger brother Michel comes to Juliette's rescue with a marriage proposal and she accepts. Eric wants the brothers' shipyard as a casino site and brings Antoine back to St. Tropez. Life gets complicated. Written by
Dale O'Connor <email@example.com>
Sexuality is a mysterious creature at times, determined by many different elements: the physical appearance of a person, the way their body moves, their attitude towards life, the way they express their emotions, their creativity, the subtle fragrance they give off, the way they talk, and sometimes an x-factor that can't be defined. What strikes me about Bardot's powerful sexuality is that cinema really hadn't seen anything like it before she came around. The closest example I can think of in American film might be Lauren Bacall in "To Have and Have Not," but even that misses the mark. Bardot was not only a beautiful woman but she had a fun, mischievous and freedom-loving spirit and a fiery mind lurking around behind her sometimes poorly written characters, and these things make her even more attractive. Plus, she had a great voice. Which is why I was stunned to see a trailer for _Et Dieu... créa la femme_ dubbed into English at the end of the subtitled version. The woman doing Bardot's voice sounded awful, and so much of Brigitte's sexuality was lost. Imagine Bacall telling Bogie "You know how to whistle, don't you Steve?" in a squeaky, high-pitched voice. Would she be as sexy? I don't think so. Yet people watching the dubbed version of this film are getting something similar.
As far as the film itself goes, most everything has already been said in other comments. Bardot does a great job as Juliette - who else could have done the role so well? - and Jurgens was quite good as Eric Carradine. The setting is luscious and fits perfectly with Bardot's character and the overall mood of the tale. The music is excellent, from the title sequence at the beginning through the dance scene at the end. The story can be cliched at times and there are definitely machista elements. But it's not a bad story either, with good tension created between the brothers. The fight sequences, as someone else mentioned, are laughable and poorly done. But it doesn't really matter. It's Bardot's show all the way - from her nude Cinemascope sunbathing shot that opens the film, with the witty dialog between her and Jurgens, to her erotic dance that serves as the climax of the story. Along the way we get several nice scenes that show her broader persona, including the one where she sets the bird and rabbit free in the field, and the scene in the bookstore with the woman from the orphanage.
But, for the sake of Dieu, don't see this movie dubbed.
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