Taking off immediately where the last one ended, in this episode Mike travels across dimensions and time fleeing from the Tall Man, at the same time he tries to find the origins of his ... See full summary »
A. Michael Baldwin,
While driving through the desert with his wife Carol Marvin to a military base to send the eleventh rocket into Earth orbit to assist the exploration of outer space in Operation Sky Hook, Dr. Russell A. Marvin and Carol see a flying saucer and accidentally records a message on their tape recorder. Once in the base, Dr. Russell is informed by his father-in-law and general that the ten first satellites mysteriously fell back to Earth. When Dr. Russell decodes the message, he encounters the aliens, who ask him to schedule a meeting with the leaders of Earth in Washington in 56 days in order to invade Earth without panicking the population. Dr. Russell develops an anti-magnetic weapon that becomes the last hope of the human race against the hostile aliens. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The footage of the bomber exploding is actual WW2 footage of a B-17 Flyfortress (see also goofs entry) which has been colorized. See more »
In the tower scenes with the General and the sergeant, the clouds in the background do not move. See more »
When an armed and threatening power lands uninvited in our capitol, we don't meet him with tea and cookies!
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The opening credits are presented in a book motif, while a hand turns the pages, revealing the credits. The cover of the book reads "A true story of a flying saucer", even though the usual "All characters, events are fictitious.." disclaimer appears within the credits. See more »
There are no dull frames in this remarkable saucer invasion film set directly in the center of the fifties. Harryhausen met the challenge of animating flying machines. Sure enough, they whiz, spin, even wobble when need be. Saucers even have a protruding ray-gun device. The action begins during the credits and never lets up. Admittedly, it's fifties. But it was impressive enough to heavily influence Tim Burton's Mars Attacks. You can't miss the references. Film is packed with clever and creative touches such as the tape recording including aliens speaking at a speed natural for them, but not for us on Earth. If you are not terribly put off by 50's, black and white, and (god forbid) stop motion, you can't go wrong with this quintessential sci-fi extravaganza.
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