Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
When a spaceship lands on the moon, it is hailed as a new accomplishment, before it becomes clear that a Victorian party completed the journey in 1899, leading investigators to that mission's last survivor.
While driving through the desert with his wife Carol Marvin to a military base to send the eleventh rocket into Earth orbit to assist the exploration of outer space in Operation Sky Hook, Dr. Russell A. Marvin and Carol see a flying saucer and accidentally records a message on their tape recorder. Once in the base, Dr. Russell is informed by his father-in-law and general that the ten first satellites mysteriously fell back to Earth. When Dr. Russell decodes the message, he encounters the aliens, who ask him to schedule a meeting with the leaders of Earth in Washington in 56 days in order to invade Earth without panicking the population. Dr. Russell develops an anti-magnetic weapon that becomes the last hope of the human race against the hostile aliens. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
This was the last movie in which Ray Harryhausen used stop-motion to create collapsing buildings. He said it was too much work. See more »
In the scene where the destroyer is to be destroyed, the gun mounts are single 5" mounts. When the destroyer is firing her guns, a twin 5" mount is shown. When the destroyer is shown to explode, the actual film clip used is of a battleship exploding. See more »
Dr. Russell Marvin:
[talking into tape recorder]
To the best of my knowledge my wife and I are the only ones left alive since we have not seen or heard from anyone for hours.
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There are no dull frames in this remarkable saucer invasion film set directly in the center of the fifties. Harryhausen met the challenge of animating flying machines. Sure enough, they whiz, spin, even wobble when need be. Saucers even have a protruding ray-gun device. The action begins during the credits and never lets up. Admittedly, it's fifties. But it was impressive enough to heavily influence Tim Burton's Mars Attacks. You can't miss the references. Film is packed with clever and creative touches such as the tape recording including aliens speaking at a speed natural for them, but not for us on Earth. If you are not terribly put off by 50's, black and white, and (god forbid) stop motion, you can't go wrong with this quintessential sci-fi extravaganza.
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