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Death of a Scoundrel (1956)

 -  Crime | Drama  -  31 October 1956 (USA)
6.9
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Ratings: 6.9/10 from 440 users  
Reviews: 18 user | 6 critic

When Clementi Suborin is found murdered, his secretary recounts to the police the story of his rise from Czech refugee to ultra-rich New Yorker. The tale of betrayal, womanising and fraud ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Bridget Kelly
...
Mrs. Ryan
...
Leonard Wilson
Nancy Gates ...
Stephanie North
...
Mrs. Edith Van Renasslear
...
Mr. O'Hara
Lisa Ferraday ...
Zina Monte
Tom Conway ...
Gerry Monte aka Sabourin
...
Mrs. Sabourin (Clementi's mother)
...
Herbert Bauman (Clementi's lawyer)
Justice Watson ...
Henry (Clementi's butler)
John Sutton ...
The Actor as 'Tom' in Stage Play
Curtis Cooksey ...
Oswald Van Renassalear
Gabriel Curtiz ...
Max Freundlich
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Storyline

When Clementi Suborin is found murdered, his secretary recounts to the police the story of his rise from Czech refugee to ultra-rich New Yorker. The tale of betrayal, womanising and fraud confirms that almost everyone who knew him wanted him dead. Written by Jeremy Perkins <jwp@aber.ac.uk>

Plot Summary | Add Synopsis

Taglines:

Men, Women... he used them, ruined them on his fantastic march to self-destruction

Genres:

Crime | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

31 October 1956 (USA)  »

Also Known As:

Diary of a Scoundrel  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This film and The Falcon's Brother (1942) are the only two films to feature Tom Conway and real life brother George Sanders. They played brothers in both films. See more »

Goofs

At the beginning of the movie, Clementi visits his brother at his shop. At the door Clementi says, "Aren't you going to let me in?". The brother turns and leads the way. In the next shot, it shows the bother backing up to let Clementi in. See more »

Quotes

Clementi Sabourin: Our plan is to buy companies that are in financial trouble and then build them up.
See more »

Connections

Referenced in Worth Winning (1989) See more »

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User Reviews

 
Man Manipulates Money and Women
4 July 2014 | by (United States) – See all my reviews

In the Mid 1950's Hollywood Studios were Still doing what they Always did, putting Together People with Talent and "Directing" Them to do Their Thing. OK, Actors Act, Writers Write, Composers Compose, Photographers Photograph. They would Tie Up the Package and Release. It was Called Formula, it was Safe.

But it Stifled Creativity and was Hardly High Art. It was Product and the Conservative Fifties was Fine with that. But Not Everybody. That Movie Making Style was Beginning to Show Signs of Wearing out its Welcome as the Culture Gradually Changed and Drastically, these Things Looked Like Boring and Insipid Anachronisms in Retrospect.

But it could be an Entertainment, in a Shallow Sense, and this one is a Good Example of a Studio Film that was a "Professional Product" with a Leading Man (George Sanders), some Fine Looking Leading Ladies (Decarlo, Gabor, and Gray), some Competent Cinematography (Howe), Mainstream Musical Score (Steiner) and let's Call it a Wrap.

"Pulled from the Headlines" they used to say and this Story of a Financial Fraud Meister and a Master Womanizer was from a Real-Life Financier who may have Cheated on One Person too many. Overall it is Worth a Watch for its Better Parts but the Conclusion is a Hollywood Contrivance of Soulful Redemption that was Safe and Saccharine to Say the Least.

Note...The aforementioned Hollywood Studio System was about a Decade away from becoming obsolete and it was this type of Product that was instrumental in the need for an evolutionary change.


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