A vicious gang of crooks plan to steal the wages of a local factory, but their carefully laid plans go wrong, when the factory employs an armoured van to carry the cash. The gang still go ... See full summary »
The film is made from three short stories by W. Somerset Maugham. The first, "The Ant and the Grasshopper" concerns the trials and tribulations a ne'er-do-well brother, Tom Ramsey, puts his... See full summary »
A wife convinces her husband to fake his death so they can collect on the life insurance. However, he doesn't know that she has been having an affair for some time, and she has plans for the money - and they don't include him.
Two guys, sharing an apartment, meet twin girls. One is Shirley Temple grown-up, and the other is a major piece of bad news. The nice one is murdered and her boyfriend is accused of the crime. The wrong man-wrong victim plot strikes again.
The film begins in a WW II training depot of a British Guards armoured regiment where recruits from many walks of life learn to survive the strict discipline and training together before ... See full summary »
In a small town in the 1950's a repertory company meets on Monday morning to start rehearsing the following week's play. This is a ghastly thing written by the aunt of one of the theatre's ... See full summary »
Several murders of nuclear scientists, that baffles Scotland Yard, occur in London about the same time that Bill Locklin, a special officer from the United States State Department, arrives ... See full summary »
20th Century-Fox gets the blame for distributing this in the USA but they were not the production company in any manner. Peter Reynolds is the screwed-up son of a college professor who ... See full summary »
When the detective in charge of investigating a series of bank robberies, starts to get too close to the culprits, they set up a blackmail scheme to warn him off. But when the crooks begin ... See full summary »
A mystery made mysterious by the writers via misleading clues, lack of cohesion and glaring loopholes begins when Speight escapes after being found guilty of murder, and his wife, Thelma, ... See full summary »
This is a 'lost' film which really deserves to be better known. It features excellent performances by Sidney Chaplin, Audrey Dalton, and Peter Hammond in the lead roles. Sidney Chaplin was a very good actor who suffered from the resentment of others at his being the son of Charlie Chaplin, which hurt his career. Being the son of a famous father can occasionally work for you (Michael Douglas, Beau Bridges), but usually works against you. I only met him and chatted to him once, but it was immediately obvious that he was a warm and pleasant fellow. His acting talent seems to me obvious, but it was constantly called into question by carpers and grumblers. He has the lead role in this film, and delivers with authority and skill. The film is set in an ambiguous location: in the script they call the town Teignmouth, which is in Devon, but they are reading a local paper called the 'Surrey Comet', which is 200 miles away. Never mind. It is a cozy little town, and the house is beside a village green, and everything should be idyllic, but it isn't. That's because Sidney comes back after years away in America where an American accent 'kind of brushes off on you'. And then the trouble begins. And what trouble that is. Hence the tension, which gets worse every minute. Audrey Dalton as his sister really is so charming and sweet and genuine, one of those English roses they don't grow any more. The film was directed by Ken Hughes, and was perfectly suited to his abilities. I knew Ken well later on, and although he had a big commercial success as director of 'Chitty Chitty Bang Bang', that was an accident, as he was not really a big picture director, he was meant for small and tight stories like 'Confession'. Ken had no head for facts. He was proudest of all at having directed 'Cromwell'. I never had the heart to tell dear Ken that it was all historically inaccurate, and I gave him old engravings of Roundheads to cheer him up. His pride and joy was the gigantic painting by Delvaux that dominated his living room in Hampstead. Ken was no highbrow, but he loved 'higher things'; he was an innocent abroad who never really grew up, and would give a pal the shirt off his back. This film is one of his finest achievements and I am pleased to be able to say so. It should get back into circulation, but then so should real money and silver dollars. If you can find it, don't hesitate.
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