From the Twitch Live Stage at New York Comic Con 2017, IMDb LIVE host Kevin Smith talks to Marvel Chief Creative Officer Joe Quesada about the development of the Marvel franchise, his history at Comic Con and more.
Cole Thornton, a gunfighter for hire, joins forces with an old friend, Sheriff J.P. Hara. Together with an old Indian fighter and a gambler, they help a rancher and his family fight a rival rancher that is trying to steal their water.
The Three Mesquiteers convince a group of settlers to exchange their present property for some which, unbeknownst to our good guys, is going to be worthless. They are captured before they can warn the ranchers.
A trapper and his two partners work as scouts for a remote army fort where they witness an incompetent colonel's decision to throw his small unprepared garrison against Red Cloud's sizable Sioux force.
While on a manhunt the Marshal is saved by a passing gunslinger named Jagade. It is a time when law is coming to the west and when the gunslinger shows up in the Marshals' town the Marshal is caught between the town citezens fears and the debt he owes the gunslinger. The situation is further complicated by a previous relationship between the Marshal's fiancée and Jagade. Written by
Dale Ray <email@example.com>
I used my pulpit to teach the wrath of God - hell and damnation, the vengenance of the Lord. And I thought I had won you away from evil. But instead of conquering evil, I only made you fear God. If there's a second chance for us, perhaps I can teach you to love God and so cherish His Word that you can face evil and rise above it.
Judge John J. McLean:
A fine sermon! You can repeat it over at the saloon. I might bring the rest of your flock back!
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To challenge b&w TV, Universal turned out a number of these Technicolor B-westerns in the mid- 1950's. I don't know why they bothered with color here since the action seldom leaves town. Except for the opening scene, it looks like the entire movie was shot on the Universal lot, with no colorful vistas to spice up the visuals. That might be okay if the screenplay weren't so talky or if Jock Mahoney as the marshal could work up some emotion. Too bad he and the comely Corday appear to be walking through their respective roles. Then too, one of the great sneering punks of the period, Jan Merlin, is largely wasted in a weak role.
Dale Robertson as the bad guy manages to show some life, but gets little help from director Jones who appears unengaged except for the sequence of Billy (Merlin) fleeing town, which happily shows some imagination. Actually, having a moral debt to the bad guy as the movie's premise has real dramatic possibility. But that would have taken a better director and a more motivated cast. As things stand, it's only an average oater, at best.
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