A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the recordings can be played back by other troops to divert the enemy to ... See full summary »
Young and inexperienced Sister Ann has just arrived at her next posting at Samaritan House, a Dominican order located in a disreputable neighborhood of Ghent, Belgium. Sister Ann is ... See full summary »
Three Marines take shore leave in San Francisco during World War II. Frankie O'Neill visits his lower-class dysfunctional family; Nico Kantaylis visits his pregnant fiancée; and the ... See full summary »
'Twas the night before D-Day. One ship, carrying Special Force Six, leaves ahead of the main invasion on a dangerous mission. On board are British Colonel Wynter and American Captain Parker, who each, in flashback, reminisce about their separate involvements with beauteous Valerie Russell. Will the coming battle (confined to the film's last fifteen minutes) determine which one comes home to her? Written by
Rod Crawford <firstname.lastname@example.org>
A parachutist during World War II, Richard Todd actually took part in the invasion of Normandy on 6 June 1944. He later played his former commanding officer Major John Howard in The Longest Day (1962), another dramatisation of the Normandy landings. See more »
At about one hour,one minute and 17 seconds into the film a panoramic view of Tangiers is shown but it's the present-day modern city of Tangiers, complete with high-rise modern hotels and harbor rather than the 1940s wartime Tangiers. See more »
Atrocious wartime romance filmed in widescreen and colour and very typical of its period, (it was made in the mid-fifties). Actually it has nothing very much to do with D-Day, (and it's so awful as to be something of an insult to the men who fought and died then). Rather that's when it begins as two of the men on board one of the ships, an American, (the inexplicably popular Robert Taylor), and a Brit, (the somewhat more charismatic Richard Todd), reminiscence in flashback about the woman they both love, (the beautiful but vacuous Dana Wynter). If it were better made, (it's directed by the monumentally untalented Henry Koster), it might have been tolerable but even by the standards of fifties' romantic tosh this is a real turkey, plucked, stuffed and oven-ready.
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