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In ancient times, the Mongolian warlord Temujin must do battle against the rival tribe that killed his father. The battles pale in comparison with Temujin's home life, as he attempts to woo the heart of the red-haired Tartar prisoner Bortai whom he has captured in a raid. He must also deal with various intrigues within his palace. Eventually, Bortai falls to his manly charms, Temujin defeats his enemies within and without, and is crowned Genghis Khan. Written by
John Wayne regretted playing Temujin so much that he visibly shuddered whenever anyone mentioned the film's name. He once remarked that the moral of the film was "not to make an ass of yourself trying to play parts you're not suited for." See more »
There are numerous inaccuracies regarding the people, places, and tribes involved. The opening text explains that while based on true events, this story is fiction. See more »
I'd differ strongly from the adverse comments against this film. Coming from a country in neighbourhood of China, I have some knowledge of Oriental customs, so when I compare this movie to the Genghis Khan (Omar Sharif's) I am forced to call this movie outstanding. The script is restricted to the early life of Chengez till his rise to power begins. This is good as by focussing on a limited time span, there is only little mutilation of history. Decent coverage of his full life would have required three hours. Therefore, sensibly the most adventurous part has been covered, thereby avoiding boredom for the audience. Story line is fine and not loose. The movie remains thrilling throughout. Stunts are quite good and battle scenes credible. Although, unfortunately there is no notable oriental actor, yet make up is quite satisfactory as are the costumes. I wish some work had been done on the accent of the actors. John Wayne fits well in his role. He has a good military physique and a commanding presence. Susan Hayward, however, is too tall for an oriental women and lacked suitable makeup and costumes. Dialogues are short and focussed. The music is satisfactory. Shooting location is satisfactory, though some scenes should have been shot in snowy locations to remind people of bitter Mongolian winter. Perhaps some more focuss on Mongolian customs should also have attracted the attention of the public. Overall this is not at all a time waster but still shows that thorough research is needed for producing good historical movies especially when it comes to cultures unfamiliar to the West.
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