Matt Ballot has returned home after 12 years of hard drinking in all 48 states. His wife managed to raise their 14-year-old daughter and 12-year-old son nicely without his help. Matt is ... See full summary »
Shortly after their tenth wedding anniversary, New York theater producer Steven Hilliard and his wife, former popular radio singer Kay Hilliard née Ashley, are getting a Kay-initiated Reno ... See full summary »
Shiek Yousseff, poses as a friend of the French while secretly plotting to overthrow them. Apposing Yousseff are the Riffs, whose secret leader, The Red Shadow, is Paul Bonnard, a professor... See full summary »
H. Bruce Humberstone
Steve Cochran plays the slick, debonair owner of a notorious gossip magazine who is anxious to break a big scandal to reverse a recent decline in sales. He zeroes in on children's ... See full summary »
Adam Miller and Lee Sullivan both lay claim to a beach house for student boarders. Problems arise when both boys and girls show up to live there. They're soothed by the music of Sonny and ... See full summary »
A man who spent his formative years in prison for murder is released, and struggles to adjust to the outside world and escape his lurid past. He gets involved with a cheap dancehall girl, ... See full summary »
Matt Ballot has returned home after 12 years of hard drinking in all 48 states. His wife managed to raise their 14-year-old daughter and 12-year-old son nicely without his help. Matt is considered a disgrace to the town he came from, and now he finds himself trying to win the love of his children, his wife and the respect of the towns people. Set in Arkansas in the 1920s. Written by
William Lund <firstname.lastname@example.org>
This exceptionally effective and emotional small film is one of Republic's very best, and one of their last that was creatively and carefully produced as the studio died. In lovely-odd storybook Tru-colour that really suits the Americana, and with an excellent cast, especially the always gorgeous Anne Sheridan and handsome unappreciated Steve Cochran COME NEXT SPRING with its Max Steiner Score, and Tony Bennett theme song has remained unloved an unappreciated for too long by mainstream knowledge. I've heard Scorsese recites it as an influence and it should well be studied by film makers to see how well a small budget but love and care can result in an excellent tough, real, romantic family drama. It actually wasn't until the very last scene did I realise I had seen it as a child and the overwhelming emotion just burst from me, so effective and elating is this finale. The real and crumbling backwoods town they all vist in one scene is probably as close to real surviving 1920s smallville-america as we would ever genuinely see. Look for this film and get settled, you are in for a major discovery and a real treat. Probably influenced by the mega success of FRIENDLY PERSUASION and with Johnny Guitar and Quiet Man rentals to spend, Republic saw a moment when they could still take a chance on small town values with an A grade tech effort. Vale Republic!
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