Matt Ballot has returned home after 12 years of hard drinking in all 48 states. His wife managed to raise their 14-year-old daughter and 12-year-old son nicely without his help. Matt is ...
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Matt Ballot has returned home after 12 years of hard drinking in all 48 states. His wife managed to raise their 14-year-old daughter and 12-year-old son nicely without his help. Matt is considered a disgrace to the town he came from, and now he finds himself trying to win the love of his children, his wife and the respect of the towns people. Set in Arkansas in the 1920s. Written by
William Lund <firstname.lastname@example.org>
This exceptionally effective and emotional small film is one of Republic's very best, and one of their last that was creatively and carefully produced as the studio died. In lovely-odd storybook Tru-colour that really suits the Americana, and with an excellent cast, especially the always gorgeous Anne Sheridan and handsome unappreciated Steve Cochran COME NEXT SPRING with its Max Steiner Score, and Tony Bennett theme song has remained unloved an unappreciated for too long by mainstream knowledge. I've heard Scorsese recites it as an influence and it should well be studied by film makers to see how well a small budget but love and care can result in an excellent tough, real, romantic family drama. It actually wasn't until the very last scene did I realise I had seen it as a child and the overwhelming emotion just burst from me, so effective and elating is this finale. The real and crumbling backwoods town they all vist in one scene is probably as close to real surviving 1920s smallville-america as we would ever genuinely see. Look for this film and get settled, you are in for a major discovery and a real treat. Probably influenced by the mega success of FRIENDLY PERSUASION and with Johnny Guitar and Quiet Man rentals to spend, Republic saw a moment when they could still take a chance on small town values with an A grade tech effort. Vale Republic!
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