Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »
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Joey Evans is charming, handsome, funny, talented, and a first class, A-number-one heel. When Joey meets the former chorus girl ("She used to be 'Vera...with the Vanishing Veils'") and now ... See full summary »
This is the film version of the Pulitzer and Tony Award winning musical about Bohemians in the East Village of New York City struggling with life, love and AIDS, and the impacts they have on America.
Director:
Chris Columbus
Stars:
Anthony Rapp,
Rosario Dawson,
Wilson Jermaine Heredia
The lives and romances of three sisters in a musical family; the youngest daughter's life is complicated by the subsequent arrival of a charming composer and a cynical music arranger.
Members of a circus troupe "adopt" Lili Daurier when she finds herself stranded in a strange town. The magician who first comes to her rescue already has romantic entanglements and thinks ... See full summary »
A Barbary Coast saloonkeeper and a Nob Hill impresario are rivals for the affections of a beautiful singer, both personally and professionally in 1906 San Francisco.
Stars:
Clark Gable,
Jeanette MacDonald,
Spencer Tracy
Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his family, namely his wife Julie Bigelow née Jordan and the child he never met, that problem with which he would now like to head back to Earth to assist in rectifying. Before he is allowed back to Earth, he has to get the OK from the gatekeeper, to who he tells his story... Immediately attracted to each other, he and Julie met when he worked as a carousel barker. Both stated to the other that they did not believe in love or marriage, but they did get married. Because the shrewish carousel owner, Mrs. Mullin, was attracted to Billy herself, and since she believed he was only of use as a barker if he was single to attract the young women to the carousel, she fired him. With no other job skills and unwilling to take just any job, Billy did not provide for Julie but rather lived off Julie's Aunt Nettie. But... Written by
Huggo
The musical "Carousel" was adapted from Ferenc Molnar's 1909 play "Liliom". Instead of the original Budapest setting of Molnar's play, Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics) transformed the story's location to a New England fishing village. See more »
Goofs
At one point in the film the sun is shown to set over the ocean, although the film is set in Maine and the sun sets in the west, not the east. See more »
A star hurtles downward and explodes in mid-air; out of this appears the credit "Twentieth-Century Fox presents Rodgers and Hammerstein's 'Carousel'". The other credits all appear in a straightforward fashion. See more »
The film of this classic musical is a joy to watch and listen to.
The music is undoubtedly the finest Rodgers and Hammerstein
score.
Of the many fine moments in the film two astounding highlights
must be Billy's Soliloquy and the Shirley Jones' and Gordon
MacRae's lover's duet "If I loved you".
To this is added two great ballet sequences "June is Bustin' out all
Over" and Louise's ballet.
The film is Rogers and Hammerstein at their most dark and
introspective, which may account for the film's relatively lacklustre
reception at the time of its initial release but the at the same time
explains the ongoing appeal of this truly timeless classic film.
It is a fine memorial to both composer and lyricist and to the
artistry of Gordon MacRae whose performance of the soliloquy is
the benchmark against which all performances are judged.
The film was produced in Cinemascope 55 a large film fomat
which overcame many of the problems that were inherent in early
Cinemascope films (even though the film was actually released
only in standard 35mm form ..a bit like a 35mm print of a 70mm
film this still results in a far better image) and gives the film its
immaculate look.
The Fox DVD is crisp and the sound, though very clearly a 1950s
recording is clean and well balanced.
I just wish I could see this film in a cinema on the biggest of
screens... it would be an even more special experience!