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Carousel (1956)

Approved  |   |  Drama, Musical  |  16 February 1956 (USA)
6.9
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Ratings: 6.9/10 from 4,173 users  
Reviews: 77 user | 23 critic

Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his ... See full summary »

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Title: Carousel (1956)

Carousel (1956) on IMDb 6.9/10

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In purgatory for his role in a botched bank robbery, former carnival barker Billy Bigelow (Jackman) is sent back to his old life to for one day, where he's to fix the problems he left behind.

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Cast

Complete credited cast:
...
...
...
Barbara Ruick ...
Claramae Turner ...
Robert Rounseville ...
...
Audrey Christie ...
...
William LeMassena ...
Heavenly Friend (as William Le Massena)
...
Jacques d'Amboise ...
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Storyline

Billy Bigelow has been dead for fifteen years, and now outside the pearly gates, he long waived his right to go back to Earth for a day. But he has heard that there is a problem with his family, namely his wife Julie Bigelow née Jordan and the child he never met, that problem with which he would now like to head back to Earth to assist in rectifying. Before he is allowed back to Earth, he has to get the OK from the gatekeeper, to who he tells his story... Immediately attracted to each other, he and Julie met when he worked as a carousel barker. Both stated to the other that they did not believe in love or marriage, but they did get married. Because the shrewish carousel owner, Mrs. Mullin, was attracted to Billy herself, and since she believed he was only of use as a barker if he was single to attract the young women to the carousel, she fired him. With no other job skills and unwilling to take just any job, Billy did not provide for Julie but rather lived off Julie's Aunt Nettie. But... Written by Huggo

Plot Summary | Plot Synopsis

Plot Keywords:

carousel | barker | death | love | carnival | See All (66) »

Taglines:

20th Century-Fox proudly presents the first motion picture in the new CINEMASCOPE 55 See more »

Genres:

Drama | Musical

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

16 February 1956 (USA)  »

Also Known As:

Rodgers and Hammerstein's Carousel  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(35 mm magnetic prints)| (premiere only)| (Westrex Recording System)

Color:

(CinemaScope 55)

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

Although this film was publicized as being filmed and shown in CinemaScope 55 (a larger-than-usual, 55 millimeter system with 6-track stereo), it was only shown in standard 35mm CinemaScope, at a screen aspect ratio of 2.55: 1. However, a 6-track version of the soundtrack had been made in addition to the standard 4-track version, and it was a 6-track dub which was used in the film's premiere. See also The King and I (1956). See more »

Goofs

In the Starkeeper's office, after Billy has died, you can see the shadow of the boom mic on the Starkeeper's chair. It is right at the point when the Starkeeper says, "You couldn't bear to see her cry." See more »

Quotes

[first lines]
Heavenly Friend: Bigelow...
Billy Bigelow: [impatiently] Well, what'd I do now?
Heavenly Friend: Nothing. I just thought you'd wanna know - there's trouble.
Billy Bigelow: Huh! Thought you said I didn't do nothin'.
See more »

Crazy Credits

A star hurtles downward and explodes in mid-air; out of this appears the credit "Twentieth-Century Fox presents Rodgers and Hammerstein's 'Carousel'". The other credits all appear in a straightforward fashion. See more »

Connections

Version of Liliom (1919) See more »

Soundtracks

If I Loved You
(1945) (uncredited)
Music by Richard Rodgers
Lyrics by Oscar Hammerstein II
Performed by Shirley Jones and Gordon MacRae
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
"He's Your Fellow And You Love Him, That's All There Is To Say"
6 May 2007 | by (Buffalo, New York) – See all my reviews

I saw Carousel for the very first time in its first release when it played a double bill with Oklahoma. You can't do much better than that for an introduction to the American Musical Theater.

It would get a perfect 10 had it been done with the original two leads that were set for the show, Frank Sinatra and Judy Garland. Judy backed out before production started and Sinatra shortly after that, so Gordon MacRae and Shirley Jones got to do a second Rodgers&Hammerstein classic.

Carousel is based on the Ferenc Molnar play Liliom and the original setting is in Molnar's native Hungary. On Broadway it was done by Eva Le Gallienne and Joseph Schildkraut and later in revival by Ingrid Bergman and Burgess Meredith. One man who did it in summer stock was Tyrone Power who if a straight dramatic version of Liliom had ever been done, would have been perfect.

Whether he's Liliom in Hungary or Billy Bigelow in 19th century New England, the part is one for a hero/heel that Tyrone Power patented on the screen. Probably Gordon MacRae benefited in no small way in having Power's favorite director Henry King in charge of Carousel.

Richard Rodgers was also used to writing for a hero/heel having done Pal Joey with his former partner Lorenz Hart. Billy is that kind of guy, a carousel barker and boy toy to owner Audrey Christie when he spots Julie Jordan and her friend Carrie Pipperidge, a couple of mill workers. It's love at first sight and marriage shortly after, but Billy's not a guy to change his layabout ways and it ends in tragedy.

One reason that Sinatra was also so right for the part was that he had made a successful hit record of Billy's Soliliquy back in 1945 when Carousel debuted on Broadway. It was a groundbreaking piece of musical theater that Dick Rodgers and Oscar Hammerstein were responsible for in the Soliliquy. Billy's just been told by Julie he's about to become a father. In an almost 10 minute number he bares his soul to the audience and sings/thinks aloud the moves he's going to make. The song is almost operatic in quality, it takes a real singing actor to put it over like Sinatra, like MacRae is here, like John Raitt in the original cast on stage.

Though it's not Julie's song, Judy Garland had a successful record with You'll Never Walk Alone. I'm sure she would have sung it in the film had she seen it through. It's probably the big hit song from the score, still an inspiring number today.

Rounding out the cast is Cameron Mitchell as Billy's no good pal Jigger, Robert Rounseville and Barbara Ruick as Mr. Snow and Carrie, the second leads and from the Metropolitan Opera Claramae Turner as Julie's cousin Nettie who does sing You'll Never Walk Alone.

Two more who are perfectly cast are John Dehner as the officious mill owner that employs the girls and the heavenly star-keeper, Gene Lockhart in one of his last roles.

Even more than in Oklahoma, Agnes DeMille's ballet numbers are used to advance the plot. From the exuberant June Is Busting Out All Over to the dance that Billy and Julie's daughter does, all are done with taste and style.

Carousel is both tragic and yet uplifting and inspiring. It's a musical for all the ages to come.


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