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A naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.

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(screenplay), (based on the play by)
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Nominated for 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Complete credited cast:
...
...
...
Betty Field ...
Grace
...
Vera
...
Carl
...
Elma Duckworth
...
Life Magazine Photographer
...
Life Magazine Reporter (as Casey Adams)
Rest of cast listed alphabetically:
Arizona State University Sun Devil Marching Band ...
Themselves
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Storyline

Innocent rodeo cowboy Bo falls in love with cafe singer Cherie in Phoenix. She tries to run away to Los Angeles but he finds her and forces her to board the bus to his home in Montana. When the bus stops at Grace's Diner the passengers learn that the road ahead is blocked. By now everyone knows of the kidnapping, but Bo is determined to have Cherie. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

montana | ranch | bus | cowboy | rodeo | See All (81) »

Taglines:

Give this boy enough rope and he'll land Marilyn Monroe! See more »

Genres:

Comedy | Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 September 1956 (Argentina)  »

Also Known As:

The Wrong Kind of Girl  »

Box Office

Budget:

$2,200,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.55 : 1
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Did You Know?

Trivia

The script was sent to Montgomery Clift to offer him the role of Bo, but Clift was not interested in it. See more »

Goofs

When Bo is fighting with Carl in the snow in front of the diner, the snow on his face and clothes appears and disappears as the camera angle shifts between them. See more »

Quotes

[first lines]
Beauregard 'Bo' Decker: Are you ready, Virge?
Virgil Blessing: Anytime.
Beauregard 'Bo' Decker: Turn him out!
[calf is released from chute]
See more »

Crazy Credits

And Introducing / Don Murray See more »

Connections

Referenced in Wonder Boys (2000) See more »

Soundtracks

The Bus Stop Song
(1956)
Written by Ken Darby
Sung in the opening credits off-screen by The Four Lads
Also partially sung by a guitar-playing Arthur O'Connell (uncredited) and the bus passengers
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Monroe At Her Best
29 January 2001 | by (Pittsburgh, PA) – See all my reviews

Marilyn Monroe is so good here it's startling. Her Cherie (with the accent on the first syllable, remember) is one of the most lovable characters in the history of film. That the rest of the movie is rocky-going and her co-star is no match for her is unfortunate, but not fatal.

Apparently the director, Joshua Logan, was able to create a relatively peaceful environment where Monroe could completely "let go" and allow her natural fragility and sex appeal to take over. When she's on screen it's impossible to take your eyes off her, not just because she's beautiful (what starlet from the 1950's WASN'T beautiful?) but because she's laying bare her character's soul for the camera (and in the process much of her own soul as well). She isn't just reading lines with various inflections or doing bits of business like so many actors do, she's bringing the character to life.

Unforgettable is the moment where she finds herself perched on the shoulder of the crazy, lovestruck cowboy watching a parade and she's trying to pantomime to a friend in the crowd how she wound up up there. Or the way she keeps "shushing" the loud-talking bus driver so that he won't wake up the sleeping cowboy as she's planning her escape. Or the way she can't make eye contact or get her lazy backwoods accent (that is incredibly charming) to sound firm enough when she keeps trying to tell the cowboy to get lost. Her comic timing is just sublime and unteachable.

Don Murray's performance as the cowboy, criminally and inexplicably Oscar-nominated, is cloying, two-dimensional and geared for the stage, not the intimacy of film. He needs to provide some hint of vulnerabilty before he's humbled in the fist fight with the bus driver, but he is tragically not up to the task. His Beauregard is the kind of loud-mouthed, uncouth buffoon that only a greatly skilled comic actor can make sympathetic, and Murray simply doesn't know how to finesse the comic moments and make them work.

Monroe receives fine support from Arthur O'Connell as Beau's older, wiser friend Virgil Blessing, but this is her show all the way. She makes it a good movie, but one can't help imagining how much better it could have been had it been directed by someone like Kazan and co-starred possibly Rock Hudson.


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