When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Innocent rodeo cowboy Bo falls in love with cafe singer Cherie in Phoenix. She tries to run away to Los Angeles but he finds her and forces her to board the bus to his home in Montana. When the bus stops at Grace's Diner the passengers learn that the road ahead is blocked. By now everyone knows of the kidnapping, but Bo is determined to have Cherie. Written by
Ed Stephan <firstname.lastname@example.org>
According to George Axelrod, when going up in her lines, Marilyn Monroe wouldn't improvise her way around them but would become emotional and leave the set. "She had reached a point in her neurosis where if anybody said, 'Cut!' she took it as an affront, burst into tears and ran to her dressing room. So 'Joshua Logan' stopped using the word and simply let the cameras run while he talked her back into the scene, with dialogue director Joe Curtis feeding Monroe her lines. "He was a huge man, Josh," Axelrod recalled, "so most of the time the screen was filled with Josh's behind and Marilyn's face, with this voice coming from the sky reading the lines that Marilyn would parrot." See more »
The camera lens that the Life photographer uses at the rodeo is too short a focal length for this sporting event. In addition, a mono-pod or tripod would have typically been used with a long lens for sports photography. See more »
The thesis of the film seems to be that, though opposites may not attract, two individuals with real but complementary needs can make their way toward a fulfilling relationship. As Beau tells Cheri at the end: If I have no experience with love and you have too much, maybe we can meet somewhere in the middle. The viewer is intended to feel humor toward and sympathy for both the cowboy and the saloon singer; and I at least do, even after having seen the movie 7 or 8 times. The cast is uniformly excellent. As often noted, Monroe has never been better in subtly conveying a range of emotions. It is difficult to avoid comparing Cheri's history and needs with her own pursuit of success as an actress. Murray is hilarious as the naive cowboy in the first sequences, until the unattractive side of his innocence appears and must be subdued before the finale. For an old timer like myself, it was great to see Betty Field playing against the fragile character she created in a few films from the 40s.
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