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Bus Stop (1956)

6.7
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Ratings: 6.7/10 from 7,035 users  
Reviews: 89 user | 41 critic

A naive but stubborn cowboy falls in love with a saloon singer and tries to take her away against her will to get married and live on his ranch in Montana.

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(screenplay), (based on the play by)
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Title: Bus Stop (1956)

Bus Stop (1956) on IMDb 6.7/10

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Nominated for 1 Oscar. Another 1 win & 6 nominations. See more awards »

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Cast

Complete credited cast:
...
Chérie
Don Murray ...
Beauregard Decker
...
Betty Field ...
Grace
...
Vera
...
Carl
...
Elma Duckworth
...
Life Magazine Photographer
...
Life Magazine Reporter (as Casey Adams)
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Storyline

Innocent rodeo cowboy Bo falls in love with cafe singer Cherie in Phoenix. She tries to run away to Los Angeles but he finds her and forces her to board the bus to his home in Montana. When the bus stops at Grace's Diner the passengers learn that the road ahead is blocked. By now everyone knows of the kidnapping, but Bo is determined to have Cherie. Written by Ed Stephan <stephan@cc.wwu.edu>

Plot Summary | Add Synopsis

Plot Keywords:

love | singer | cowboy | montana | bus | See All (80) »

Taglines:

The coming of age of Bo Decker...and the girl who made him a man! See more »

Genres:

Comedy | Drama | Romance

Certificate:

TV-G | See all certifications »
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Details

Country:

Language:

Release Date:

20 September 1956 (Argentina)  »

Also Known As:

The Wrong Kind of Girl  »

Filming Locations:

 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.55 : 1
See  »
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Did You Know?

Trivia

Elaine Stritch was nominated for the 1956 Tony Award (New York City) for Supporting or Features Actress in a Drama for "Bus Stop" for the role of Grace Hoylard. See more »

Goofs

When Bo and Cherie are talking in the Bus stop, Cherie has her hand in a fist next to her mouth. When the camera angle shifts she has a cup of coffee and both hands up by her mouth. See more »

Quotes

[first lines]
Beauregard 'Bo' Decker: Are you ready, Virge?
Virgil Blessing: Anytime.
Beauregard 'Bo' Decker: Turn him out!
[calf is released from chute]
See more »

Crazy Credits

And Introducing / Don Murray See more »

Connections

Featured in Marilyn Monroe: The Final Days (2001) See more »

Soundtracks

Rye Whisky
(1936) (uncredited)
Written by Tex Ritter
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Monroe At Her Best
29 January 2001 | by (Pittsburgh, PA) – See all my reviews

Marilyn Monroe is so good here it's startling. Her Cherie (with the accent on the first syllable, remember) is one of the most lovable characters in the history of film. That the rest of the movie is rocky-going and her co-star is no match for her is unfortunate, but not fatal.

Apparently the director, Joshua Logan, was able to create a relatively peaceful environment where Monroe could completely "let go" and allow her natural fragility and sex appeal to take over. When she's on screen it's impossible to take your eyes off her, not just because she's beautiful (what starlet from the 1950's WASN'T beautiful?) but because she's laying bare her character's soul for the camera (and in the process much of her own soul as well). She isn't just reading lines with various inflections or doing bits of business like so many actors do, she's bringing the character to life.

Unforgettable is the moment where she finds herself perched on the shoulder of the crazy, lovestruck cowboy watching a parade and she's trying to pantomime to a friend in the crowd how she wound up up there. Or the way she keeps "shushing" the loud-talking bus driver so that he won't wake up the sleeping cowboy as she's planning her escape. Or the way she can't make eye contact or get her lazy backwoods accent (that is incredibly charming) to sound firm enough when she keeps trying to tell the cowboy to get lost. Her comic timing is just sublime and unteachable.

Don Murray's performance as the cowboy, criminally and inexplicably Oscar-nominated, is cloying, two-dimensional and geared for the stage, not the intimacy of film. He needs to provide some hint of vulnerabilty before he's humbled in the fist fight with the bus driver, but he is tragically not up to the task. His Beauregard is the kind of loud-mouthed, uncouth buffoon that only a greatly skilled comic actor can make sympathetic, and Murray simply doesn't know how to finesse the comic moments and make them work.

Monroe receives fine support from Arthur O'Connell as Beau's older, wiser friend Virgil Blessing, but this is her show all the way. She makes it a good movie, but one can't help imagining how much better it could have been had it been directed by someone like Kazan and co-starred possibly Rock Hudson.


27 of 35 people found this review helpful.  Was this review helpful to you?

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