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The Bottom of the Bottle (1956)

6.5
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Patrick Martin (Joseph Cotten), known as P.M., is a wealthy attorney and rancher big-man-in-town in the border town of Nogales, Arizona. He returns home to find his brother Donald (Van ... See full summary »

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Title: The Bottom of the Bottle (1956)

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Cast

Cast overview, first billed only:
...
Donald Martin / Eric Bell
...
Pat 'P.M.' Martin
...
Nora Martin
...
Hal Breckinridge
Margaret Hayes ...
...
Brand
...
Stanley Miller
Peggy Knudsen ...
...
George Cady
...
Hannah Cady
Nancy Gates ...
Mildred Martin
...
Luis Romero (as Gonzales-Gonzales)
John Lee ...
Jenkins
Tod Griffin ...
Rancher (as Ted Griffin)
Ernestine Barrier ...
Lucy Grant
Edit

Storyline

Patrick Martin (Joseph Cotten), known as P.M., is a wealthy attorney and rancher big-man-in-town in the border town of Nogales, Arizona. He returns home to find his brother Donald (Van Johnson)hiding in his garage. A former drunkard, Donald had been sent to the penitentiary five years previously for killing a man in a barroom brawl. It was in self-defense but P.M. hadn't defended his brother and he was convicted. Donald has escaped and wants his brother to help him across the Santa Cruz River into the Mexico-side Nogales, where his wife (Shirley Patterson as Shawn Smith)and children (Kim Charney and Sandy Deschler) are in dire straits. The straits get even dier when P.M. tells him the river is flooded and it will be days before anyone can cross. And P.M. is all a'twitter because his wife Nora (Ruth Roman), whom he married after Donald had gone to prison, doesn't know about his jail-bird brother. He introduces Donald to Nora and the rest of his Cadillac Cowboy and ranch society friends... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

Language:

Release Date:

19 May 1956 (West Germany)  »

Also Known As:

Gefangene des Stroms  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(magnetic prints) (Westrex Recording System)| (optical prints) (Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The chimes on the doorbell to Joseph Cotten (Pat Martin)'s house play "How Dry I Am". Quite fitting considering Van Johnson (Donald)'s drinking problem and the "lushy" household guests that tempt him. See more »

Quotes

Nora Martin: Well, that is how it goes. Our cows have children, our mares have children, but no children for the lady of the manor.
See more »

Soundtracks

How Dry I Am
(uncredited)
Traditional
Played by the doorbell at the Breckenridge house
See more »

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User Reviews

Has the last drop evaporated?
5 May 2003 | by (Portland, Oregon) – See all my reviews

This one looks like it's almost lost in the mists of cinematic antiquity, since it doesn't appear to be available on video in a widescreen DVD. About the only place to catch it is on the FOX MOVIE CHANNEL, which occasionally hauls it out of the vaults for a letterboxed showing(e.g., currently during the month of June 2005).

Henry Hathaway was a particularly congenial director when it came to using the CinemaScope frame effectively and his cinematographer on this one, Lee Garmes, did some effectively moody work on the interiors and some first-class use of the exterior locations, as well, including what looked like a sequence that was difficult to shoot - at night in inclement weather on a river bank with floodwaters raging. Joseph Cotten, in a fairly unsympathetic role, led the cast, along with Ruth Roman as his wife. Also among the thespians were Jack Carson and Van Johnson, who was, not for the first time, quite convincing as a man whose addiction to alcohol was a primary focus of the fairly sardonic script by Sydney Boehm. One thing that sticks in my mind, so many years after seeing this film on a theater screen during its first release, is the fact that Peggy Knudsen, playing a rich married woman of the contemporary American southwest, is seen behind the wheel of a Mercedes-Benz 300SL "gullwing" roadster, one of the most desirable upscale cars of that era and an unimpeachable choice to display her character's privileged status.


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