Patrick Martin (Joseph Cotten), known as P.M., is a wealthy attorney and rancher big-man-in-town in the border town of Nogales, Arizona. He returns home to find his brother Donald (Van ...
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After her husband dies in a fire, a woman is left to tend for her young son and the family farm on her own. Soon, she takes in a drifting handyman, they fall in love, and a resentment ... See full summary »
Patrick Martin (Joseph Cotten), known as P.M., is a wealthy attorney and rancher big-man-in-town in the border town of Nogales, Arizona. He returns home to find his brother Donald (Van Johnson)hiding in his garage. A former drunkard, Donald had been sent to the penitentiary five years previously for killing a man in a barroom brawl. It was in self-defense but P.M. hadn't defended his brother and he was convicted. Donald has escaped and wants his brother to help him across the Santa Cruz River into the Mexico-side Nogales, where his wife (Shirley Patterson as Shawn Smith)and children (Kim Charney and Sandy Deschler) are in dire straits. The straits get even dier when P.M. tells him the river is flooded and it will be days before anyone can cross. And P.M. is all a'twitter because his wife Nora (Ruth Roman), whom he married after Donald had gone to prison, doesn't know about his jail-bird brother. He introduces Donald to Nora and the rest of his Cadillac Cowboy and ranch society friends... Written by
Les Adams <email@example.com>
The chimes on the doorbell to Joseph Cotten (Pat Martin)'s house play "How Dry I Am". Quite fitting considering Van Johnson (Donald)'s drinking problem and the "lushy" household guests that tempt him. See more »
Pat 'P.M.' Martin:
I didn't mean to be that abrupt before. His name isn't Eric Bell, Nora. He's my brother Donald. I know I never told you I had a brother. I never told anyone.
Why? What did he do?
Pat 'P.M.' Martin:
It was some kind of brawl.
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Give Me the Simple Life
Music by Rube Bloom
Played as the guests arrive at the Breckenridge party See more »
Woke up in the early-AM with the opening credits to this film just rolling on the screen. Tired as I still was, I couldn't take my eyes off of it and watched the whole thing. Beautifully-shot. Script sensitively handles both Van Johnson's character's alcoholism and the familial-strife at its roots - very adept for it's day. Capably acted by all.
And I agree with previous comments: Ruth Roman is someone whose career is deserving of a serious re-visiting. She rarely seemed to get choice parts, but always managed to impress. Indeed, some of the films she was in may have been bad but from what I've seen, SHE was never the reason.
Here is yet another example of a good, solid 1950's film that is wrongfully ignored/neglected for the simple reason that it doesn't star "Marilyn," "Marlon," or "Audrey".
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