Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of film-making as a "communal way of life." Ray plays himself in the ... See full summary »
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
Schoolteacher and family man Ed Avery, who's been suffering bouts of severe pain and even blackouts, is hospitalized with what's diagnosed as a rare inflammation of the arteries. Told by doctors that he probably has only months to live, Ed agrees to an experimental treatment: doses of the hormone cortisone. Ed makes a remarkable recovery, and returns home to his wife, Lou, and their son, Richie. He must keep taking cortisone tablets regularly to prevent a recurrence of his illness. But the "miracle" cure turns into its own nightmare as Ed starts to abuse the tablets, causing him to experience increasingly wild mood swings. Written by
Eugene Kim <email@example.com>
37 minutes into the movie, Ed is at the bathroom sink and has just replaced the pill bottle in the medicine cabinet. As he closes the cabinet door, the director and the camera are reflected in the mirror. See more »
[of wife Lou]
It's a shame that I didn't marry someone who was my intellectual equal.
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This is an excellent movie. I saw it once, and I never wish to see it again. I grew up in a household like this, only there was never a solution to my father's mania, depression, and incredible anger.
About all I can say about Mr Mason's performance, and that of Ms Rush, is that they could have been my parents, and I could have been that kid. It never got to the point where I was offered up like Isaac, but the rest of it was right, right down to the speech where the father condemns all children because they're ignorant. I'd heard that one. His wife was helpless; they all are.
I do not know where the screenwriters got their dialog, but I hope they didn't learn it the way I did. As it happened, I was terrified and transfixed while watching it, only calming down after the father realized that something was wrong, and vowed to correct it, and there was a means of correcting it.
When the movie was over--I don't know if I watched it in the theater or on TV--I had to go home, where there was still rage, and no solution to it. I would have been nine years old.
There was a time that I wanted my parents to see that movie, in the hope that they'd realize that this was how they acted, and stop it.
It never happened. They were divorced years later. My father was angry and crazy right up to the day he died three years ago. My mother, in her nursing home in Cleveland, maintains that I must be making it all up.
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