Stephen Torino (Wilde), who is tricked by his brother Marco (Adler) into an arranged marriage with tempestuous Annie Caldash (Russell). Annie is willing to give the union a go, but Torino wants none of it.
The most complete, newly restored version of Nicholas Ray's experimental masterpiece embodies the director's practice of filmmaking as a "communal way of life." Ray plays himself in the ... See full summary »
The last eighteen years in the life of Jesse James, showing his home life in Missouri, his experiences with Quantrill's raiders, his career of banditry with his brother Frank and the ... See full summary »
Lawyer Thomas Farrell has made a career defending crooks in trials. He has never realized that there is a downside to his success, until he meets the dancer Vicki Gayle. She makes him ... See full summary »
When he sustains a rodeo injury, star rider Jeff McCloud returns to his hometown after many years of absence. He signs on as a hired hand with a local ranch, where he befriends fellow ranch... See full summary »
Odd little Western that gets off to a snappy start when a man (Matt Dow) is mistaken as a train robber. After the town's sheriff shoots the kid he's riding with, Dow clears his name and ... See full summary »
A commander receives a citation for an attack on Rommel's headquarters, which is actually undeserved as the commander is unfit for his job. On top of that, unbeknownst to him, his wife is having an affair with one of his officers.
Schoolteacher and family man Ed Avery, who's been suffering bouts of severe pain and even blackouts, is hospitalized with what's diagnosed as a rare inflammation of the arteries. Told by doctors that he probably has only months to live, Ed agrees to an experimental treatment: doses of the hormone cortisone. Ed makes a remarkable recovery, and returns home to his wife, Lou, and their son, Richie. He must keep taking cortisone tablets regularly to prevent a recurrence of his illness. But the "miracle" cure turns into its own nightmare as Ed starts to abuse the tablets, causing him to experience increasingly wild mood swings. Written by
Eugene Kim <firstname.lastname@example.org>
Though only Cyril Hume and Richard Maibaum are credited for the screenplay, the shooting script was entirely re-worked by director Nicholas Ray and star/producer James Mason, who added the first 20 minutes of the film depicting Ed Avery's daily life before being hospitalized. Re-writes by Ray, his friend Gavin Lambert (who at that time was living together with Ray, recently confessing that they were actually lovers) and Clifford Odets went on all through the shooting process. See more »
37 minutes into the movie, Ed is at the bathroom sink and has just replaced the pill bottle in the medicine cabinet. As he closes the cabinet door, the director and the camera are reflected in the mirror. See more »
A fast moving gutsy view of what happens within a family when one member becomes manic, in this case from prescription drug addiction/ abuse. A subject that only became widely talked about years and years after this groung breaking film. Pointed out as the last film director Ray made that was set in "modern" times. The end of a cycle for him and one that was personal to Ray who struggled with addictions and troubled home life.
There are two other reviewers who need a bit of a lashing. One innocently enough thinks that Barbara Rush, is Barbara Bel Geddes. Another one thinks the situation of the home craziness being kept at home is wrong and unreal of dated. Sorry Charlie, you've got some of your facts about the plot wrong and you've never seen this kind of craziness.
I've personally seen this kind of Manic behavior in real life and this is one of the best, probably the best representation of it ever on the screen, including the religious mania aspects. If you find these aspects funny, they are in their horrible absurdity, very true to the way these manias attach themselves to Manic Depressive behavior. This movie mostly concentrates on the manic side of it.
Definitely worth seeing on the big screen or in widescreen. James Mason is a good as he ever was, and he was awfully good many times. This is a great movie on many levels and his performance is one of the best put on film. What restraints were forced on the movie by the era it was made in, actually make it better and more scary than a film which can show vomiting and other drug side effects. This is psychologically horrifying. This emotional craziness is grim enough on its own and makes it all about the drama of the situation rather than the hype and tabloid parts.
The scenes with the son dealing with his own father's behavior are especially unsettling and moving. The whole cast is good. Matthau fans will find him perhaps not getting to show all he can do here,but he's good as the buddy character.
Pretty much everything works in this film, you can pull symbols out of it if you want, there are plenty to find, but it plays out as fascinating reality.
This films reputation is good, but it needs to be more widely seen.
43 of 49 people found this review helpful.
Was this review helpful to you?