Ray Henderson joins Buddy De Sylva and Lew Brown to form a successful 1920s musical show writing team. They soon have several hits on Broadway but De Sylva's personal ambition leads to ... See full summary »
Ray Henderson joins Buddy De Sylva and Lew Brown to form a successful 1920s musical show writing team. They soon have several hits on Broadway but De Sylva's personal ambition leads to friction as the other two increasingly feel left out of things. Written by
Jeremy Perkins <firstname.lastname@example.org>
It's hard to believe Michael Curtiz directed this film. Mr. Curtiz, one of the most distinguished directors of the American cinema, doesn't bring anything new to this tired 20th Century Fox movie.
Maybe the three men at the center of the movie, the great song writing team of De Sylva, Brown and Henderson were too bland to merit a film that celebrated their lives. They made their mark in the theater in the early part of the 20th century, but as it plays on the screen, this musical feels dull and out of place. Some of the trio's best songs are heard in the movie. Songs like Birth of the Blues, which Gordon MacRae sings with panache. Also they wrote that sappy Al Jolson's standard, Sunny Boy, which is sung by the star in black face.
Perhaps the casting was the wrong choice for this movie. Gordon MacRae doesn't show any spark as Buddy DeSylva. Dan Dailey is also an enigma, the way he plays Ray Henderson. Ernest Borgnine is the only one that shows some life in his interpretation of Lew Brown. Sheree North is the good Kitty Kane, who played in most of the shows this trio wrote.
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