Behind the Headlines (1956)

Newspaper reporters compete with London police to solve a murder.

Director:

Charles Saunders

Writers:

Allan MacKinnon (screenplay), Robert H. Chapman (novel)

Stars:

Paul Carpenter, Adrienne Corri, Alfie Bass

Cast

Cast overview, first billed only:
Paul Carpenter	...	Paul Banner
Adrienne Corri	...	Pam Barnes
Alfie Bass	...	Sammy
Ewen Solon	...	Superintendent Faro
Trevor Reid	...	Bunting
Melissa Stribling	...	Mary Carrick
Olive Gregg	...	Mrs. Bunting
Harry Fowler	...	Alfie
Magda Miller	...	Nina Duke
Arthur Rigby	...	Hollings
Leonard Williams	...	Jock Macrae
Gaylord Cavallaro	...	Jeff Holly
Tom Gill	...	Creloch
Colin Rix	...	Bernard
Hazel Court	...	Maxine

Storyline

Newspaper reporters compete with London police to solve a murder.

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Plot Keywords:

murder | reporter | police | blackmail | based on novel

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Genres:

Crime | Drama

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Details

Country:

UK

Language:

English

Release Date:

July 1956 (UK)

Filming Locations:

Cochrane Street, St. John's Wood, London, England, UK

Company Credits

Production Co:

Kenilworth Film Productions

Technical Specs

Runtime:

65 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Black and White

Aspect Ratio:

1.37 : 1

User Reviews

Absorbing crime investigation.

It's hard to know if British newspaper reporters ever really behaved like this, seeing it as their duty to investigate and solve a crime for the sake of a `scoop' story on the front page of the daily newspaper. But who cares? After all, it's an interesting variation on the private detective genre, which in turn is just a variation on the police genre. The main point is that the audience is entertained by the right combination of mystery, suspense, intellectual deduction and risk of violence, in the fight between good and evil.

All of those features are present in this movie and the result is a reasonably satisfying crime story with a London setting. The newspaper reporters sure don't sit around meekly waiting for press releases about people `helping police with their inquiries'. And things are spiced up even more with some love interest to distract our heroes along the way.

But that's not all. A major part of the fascination of this movie is its time-capsule quality. It's a snapshot of Britain and its film industry in the mid 1950's - struggling, but largely failing, to assert some uniqueness in the face of post-war Hollywood domination. Like a number of similar British movies of its day, American stars join local British actors in an attempted blending of trans-atlantic cultures. Chic apartments and widespread use of cocktails and guns remind us of New York. Boxy British motor cars and pokey gas room heaters tell us that after all this is still post-war Europe. Somehow the whole cultural ambience is fake, imitation, envious and ultimately wanting to be somewhere else. Maybe that's partly why the British film industry was engulfed by Hollywood; it could never hope to deliver American cultural aspirations as well as the Americans could.

All in all, this movie provides good basic entertainment and a fascinating glimpse into the not-so-distant past.